Joel Murach

Michael Urban

This book explains Java programming in five sections. Section 1 explains the core concepts and coding needed to create simple object-oriented applications. Sections 2, 3, and 4 expand core Java and OOP skills. Section 5 presents real world applications for the program.

Murach's Beginning Java with NetBeans

If you want to learn how to program but dont know where to start, this is the right book and the right language for you. From the first page, our self-paced approach will help you build competence and confidence in your programming skills. And Python is the best language ever for learning how to program because of its simplicity and breadthtwo features that are hard to find in a single language. But this isnt just a book for beginners! Our self-paced approach also works for experienced programmers, helping you learn Python faster and better than youve ever learned a language before. By the time youre through, you will have mastered the key Python skills that are needed on the job, including those for object-oriented, database, and GUI programming. To make all of this possible, section 1 presents an 8-chapter course that will get anyone off to a great start with Python. Section 2 builds on that base by presenting the other essential skills that every Python programmer should have. Section 3 shows you how to develop object-oriented programs, a critical skillset in todays world. And section 4 shows you how to apply all of the skills that youve already learned as you build database and GUI programs for the real world.

Murach's Python Programming (2nd Edition)

Brian Tiemann

Teaches users how to work with the FreeBSD operating system, explaining how to do common tasks, such as setting up a basic Web server, and how to work with the graphical user environment.

Sams Teach Yourself FreeBSD in 24 Hours

Urban Michael

V. Igrunov

Vjačeslav Vladimirovič Igrunov

Sergei Mitrokhin

Blending first hand accounts of grassroots politics with an original theory of social relations under communism, this 1997 book seeks to explain one of the seminal events of this century: the rebirth of politics in Russia amid the collapse of the USSR. The authors trace the process from the pre-political period of dissident activity, through perestroika and the appearance of political groups and publications, elections, the formation of political parties and mass movements, counter-revolution and coup d'état, the victory of democratic forces and the organization of a Russian state; to the struggle of power in the post-communist epoch, the violent end of the first republic and the contentious relations engulfing its successor. By focusing on the popular forces which accomplished Russia's political rebirth, rather than the reforms of the Soviet establishment, this book offers an original perspective on this critical period.

The Rebirth of Politics in Russia

Michael Urban chronicles the advent of blues music in Russia and explores the significance of the genre in the turbulent, postcommunist society. Russians, he explains, have taken a music originating in the "low" culture of the American South and transformed it into an object of "high" culture, fashioning a social identity that distinguishes blues adherents from both the discredited Soviet past and the vulgar consumerism associated with the country's Westernization. While adapting the idiom to their own conditions, Russia's bliuzmeny (bluesmen) have absorbed the blues ethos encoded in the music by their American forebears, using it to invert their social world, thus deriving dignity and satisfaction from those very things that give one the blues. Based on more than forty interviews with blues musicians and fans, nightclub managers, and others, Russia Gets the Blues reveals the fascinating history of blues in Russia, from the initial mimicry of British blues-rock to the recent emergence of a specifically "Russian blues." The gradual mastering of the idiom in Russia has been conditioned by the culture of the country's intelligentsia, a fact explaining why, on one hand, bliuzmeny feel compelled to proselytize on behalf of the music, to share with others this treasure of "world culture," while, on the other, they perform blues almost exclusively in English—which almost no one understands—and condemn any and all efforts to make the music commercially successful.

Music, Culture, and Community in Unsettled Times

Russia Gets the Blues

Want to learn Java? This beginning book brings an exciting, new approach to Java instruction that eases the learning curve and uses the Eclipse IDE to make you productive as quickly as possible. In fact, in just 22 chapters, you'll grow from beginner to entry-level professional! Along the way, this book presents all of the critical skills that you need to move on to web or mobile development with Java. It presents object-oriented features like inheritance, interfaces, and polymorphism in a way that's both understandable and useful in the real world. It covers the most important features introduced in Java 8 such as lambda expressions and the new date/time API. It provides realistic sample applications that put these skills into context. It provides exercises that you can use to gain valuable hands-on experience. And it's all done in the distinctive Murach style that has been training professional programmers for over 40 years.

Murach's Beginning Java with Eclipse

Music, magic and myth are elements essential to the identities of New Orleans musicians. The city's singular contributions to popular music around the world have been unrivaled; performing this music authentically requires collective improvisation, taking performers on sonorous sojourns in unanticipated, 'magical' moments; and membership in the city's musical community entails participation in the myth of New Orleans, breathing new life into its storied traditions. On the basis of 56 open-ended interviews with those in the city's musical community, Michael Urban discovers that, indeed, community is what it is all about. In their own words, informants explain that commercial concerns are eclipsed by the pleasure of playing in 'one big band' that disassembles daily into smaller performing units whose rosters are fluid, such that, over time, 'everybody plays with everybody'. Although Hurricane Katrina nearly terminated the city, New Orleans and its music—in no small part due to the sacrifices and labors of its musicians—have come back even stronger. Dancing to their own drum, New Orleanians again prove themselves to be admirably out of step with the rest of America.

Michael Urban

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