Gilles Lambert

Michelangelo Merisi da Caravaggio

Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower class models were violently scorned. Michelangelo Mirisi de Caravaggio lived a life riddled with crime and scandal, producing a body of work that wouldn't be appreciated until centuries after his mysterious death. Though his body was never found, he is assumed to have been murdered by ruffians on a beach south of Rome-a fate strangely similar to that of controversial Italian director Pier Paolo Pasolini who was, like Caravaggio, a homosexual. Caravaggio's reputation was decidedly poor during his lifetime; sometimes rich, sometimes penniless, when he wasn't in prison he was running away from the police or his enemies. Perhaps no other painter has suffered such injustice: his works were often attributed to more respected painters while he was given the credit for just about anything vulgar painted in the chiaroscuro style. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master.

Caravaggio, 1571-1610

The Rizzoli Art Classics series brings you Piero della Francesca, Titian, Caravaggio, and Vel�zquez, all in beautifully illustrated monographs, offering high-quality reproductions in compact, accessible volumes. These books feature a literary introduction by a renowned art historian, a thoroughly researched essay, and captions describing the artist's most famous canvases. A useful appendix section includes an extensive chronology of the artist's life and important historical events of his time; a compilation of writings by well-known historians, insight into each painter's stylistic development; a geographical table detailing the location of each painting in the book; and a concise bibliography with suggested further readings.With authoritative text by leading art historians, these lavishly illustrated editions provide fresh insight into the art and lives of some of the most fascinating artists in the history of painting.

Caravaggio

Rosa Giorgi

Surveys the artist's life and his works - Analyses the masterpieces and puts them in their historical and social context.

Master of Light and Dark--His Life in Paintings

Mario Dal Bello

Is there a Bible "according to Caravaggio"? Indeed, when the entire oeuvre of the artist is taken into consideration, one discovers a worldly, profoundly human meaning of the Holy Scripture in general and of the Gospel in particular.

Images from the Old and New Testament

The Caravaggio Bible

Rossella Vodret Adamo

Rossella Vodret

The Complete Works

McMullen Museum of Art

This exhibition at Boston College's McMullen Museum of Art (February-May 1999) takes an interdisciplinary approach to studying the style, subject matter, and functions of religious art in Italy between 1580-1680. The conceptual centerpiece of the exhibition is Caravaggio's recently rediscovered The Taking of Christ. The catalogue reproduces in color all of the paintings in the exhibition and includes a collection of essays that analyze how some of the period's most important artistic, religious, and social concerns are encapsulated within the various images. Contributors include Franco Mormando (Exhibition Organizer and Catalogue Editor), Gauvin Bailey, Noel Barber, Sergio Benedetti, Pamela Jones, John W. O'Malley, John Varriano, Josephine von Henneberg, and Thomas Worcester.

Caravaggio & the Baroque Image

Saints & Sinners

from the collections of the Galleria nazionale d'arte antica di Roma

Caravaggio and his Italian followers

Giorgio Bonsanti

eine Fondacc-Forschung : Verifikation 1995

Gilles Néret

A painter ahead of his time: Rebellious art from the Baroque age Notorious bad boy of Italian Baroque painting, Caravaggio (1571-1610) is finally getting the recognition he deserves. Though his name may be familiar to all of us, his work had been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower-class models were violently scorned. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master. He is now considered the most important painter of the early Baroque period; without him there would have been no Ribera, Zurbarán, Velázquez, Vermeer or Georges de La Tour. Frans Hals, Rembrandt, Delacroix, and Manet would have been different. In this anniversary edition you'll find over 50 of Caravaggio's best paintings; we think you'll agree that he was a genius beyond his time. About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions

Michelangelo Merisi da Caravaggio

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