Judith Patt

Barry Till

Michiko Warkentyne

With her perfect balance of beauty, conversance with the arts, and all-around cultivation, the Japanese geisha was a living work of art. And, from the late eighteenth century to the early twentieth century, these ultimate courtesans were fashion trendsetters whose gorgeous costumes and elegant manner exuded avant-garde style (iki). The celebrities and supermodels of their time, geisha were the primary arbiters of kimono fashion.Ichimaru (1906-1997) combined her experience as a geisha with an extraordinary talent as a vocalist and musician to become a unique figure in the social history of twentieth-century Japan. Determined to distinguish herself, she studied music with the best teachers to be found in Tokyo's floating world, or pleasure district. Ichimaru secured a recording contract in 1931 and never looked back as she won international renown.In keeping with the geisha tradition of elegant dress, Ichimaru accumulated a striking collection of kimono over the course of her long career. After her death, the collection was given to the Art Gallery of Greater Victoria. In this colorful, well-informed, and satisfying little book, three members of the gallery's curatorial staff tell lchimaru's life story and place it in the context of the floating world and the larger world of Japanese culture. They also provide detailed information on kimono construction, materials, dyeing and stitching techniques, styles and the cultural connotations evoked by those styles, and the secret language of kimono imagery. Color photographs accompany their descriptions, and Ichimaru's life is illustrated with color and black-and-white images.Published with The Art Gallery of Greater Victoria; written by Barry Till, Michiko Warkentyne, and Judith Patt. 80 pages, with 20 full-color photographs of kimono, 12 photographs of Ichimaru, and 7 color woodblock prints and paintings.

The Kimono of the Geisha-Diva Ichimaru

The strictest and purest of poetic forms, the Japanese haiku contains in its seventeen sound characters (on) a reference to a season as well as a distinct pause or interruption. Cherry blossoms and swallows might refer to spring; red maple leaves and deer usually imply autumn. These seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. The graceful, evocative haiku featured here were composed by the renowned Japanese haiku masters of the past four hundred years, including Matsuo Bash, Taniguchi Buson, and Kobayashi Issa. The deceptively simple poemsrendered in English with Japanese calligraphies and transliterationsare paired with exquisite eighteenth- or nineteenth-century paintings and ukiyo-e prints and twentieth-century shin hanga woodcuts from the Art Gallery of Greater Victoria, Canada. With their depth and delicacy, wide range of subtle hues, and time-honored focus on landscapes, birds, and flowers, these artworkslike their haiku counterpartsquietly capture a moment in time. Haiku: Japanese Art and Poetry presents thirty-five pairs of poems and images, organized seasonally. The Introduction details the origin and development of haiku, the lives of the most famous poets, and the obstacles faced when translating the concise yet complex lines.

Michiko Warkentyne

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