Sally Cline

Midge Gillies

Literary Non-Fiction: A Writers' & Artists' Companion is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality. Part 1 explores the full range of genres and asks the question: what is literary non-fiction? Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester. Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.

Writing About Everything From Travel to Food to Sex

Literary Non-Fiction: A Writers' & Artists' Companion

In addition to exploring the key characteristics of life writing, this book examines the relationship between the lives of authors and the influence of these lives both on their own writing and on the reception of their work by contemporary and later readers.

Literary Biography

Writing Lives

“A moving and eye-opening account of the lives of second world war PoWs by the daughter of a man who was captured . . . a riveting collection of stories.” —The Guardian Feature films like The Bridge on the River Kwai and The Great Escape have created the stereotype of the Second World War prisoner of war. But, as Midge Gillies shows in this groundbreaking work of social history, the true experiences of nearly half a million Allied servicemen held captive during the Second World War were nothing like the Hollywood myth—and infinitely more extraordinary. The real lives of POWs saw them respond to the tedium of a German stalag or the brutality of a Japanese camp with the most amazing ingenuity and creativity. They staged glittering shows, concerts and elaborate sporting fixtures, made exquisite ornaments—even, amid the terrible privations of the Thailand-Burma railway, improvised daring surgical techniques to save their fellow men’s lives. Whatever skills or hobbies they took with them to captivity they managed to continue and adapt—to the extent of laying out a 9-hole golf course between the huts of one German camp. They took up crafts and pastimes using materials they found around them: even the string from a Red Cross food parcel was used to make cricket balls, football nets and wigs for theatrical performances. Men studied, attended lectures, learned languages, sat for qualifications and exams, on such a scale that one camp was nicknamed “The Barbed-Wire University.” Drawing on letters home, diaries and interviews with redoubtable survivors now into their nineties, Midge Gillies recreates the daily lives of a truly remarkable group of men. “Astonishing tales of improvisation, ingenuity and courage.” —The Spectator

The Real Lives of Prisoners of War in the Second World War

The Barbed-Wire University

Feature films have created the stereotype of the Second World War prisoner of war. He is the spruce, stiff-upper-lipped Alec Guinness in The Bridge on the River Kwai, or Steve McQueen’s cunning and opportunist ‘Cooler King’ in The Great Escape, the all-American motorbike hero. If he is imprisoned in Europe it will have to be in the forbidding North German Schloss of Colditz or the tunnel-riddled Stalag Luft III. But, as Midge Gillies shows in this groundbreaking work of social history, the true experiences of nearly half a million Allied servicemen held captive during the Second World War were nothing like the Hollywood myth – and infinitely more extraordinary. The real lives of POWs saw them respond to the tedium of a German stalag or the brutality of a Japanese camp with the most amazing ingenuity and creativity. They staged glittering shows, concerts and elaborate sporting fixtures, made exquisite ornaments – even, amid the terrible privations of the Thailand-Burma railway, improvised daring surgical techniques to save their fellow men’s lives. Whatever skills or hobbies they took with them to captivity they managed to continue and adapt – to the extent of laying out a 9-hole golf course between the huts of one German camp. They took up crafts and pastimes using materials they found around them: even the string from a Red Cross food parcel was used to make cricket balls, football nets and wigs for theatrical performances. Men studied, attended lectures, learned languages, sat for qualifications and exams, on such a scale that one camp was nicknamed ‘The Barbed-Wire University’. A number of books written by POWs in captivity are still in print today. And often the years in captivity proved a turning-point in their lives, as the new interests and skills they took out of the camp enabled them to embark on a post-war career in which they would succeed at the highest level – whether actors like Clive Dunn and Denholm Elliott, artists like Sir Terry Frost and Ronald Searle, or the birdwatchers who studied rooks and jackdaws beyond the perimeter wire in distant parts of the German Reich and went on to run the Royal Society for the Protection of Birds. Drawing on letters home, diaries and interviews with redoubtable survivors now into their nineties, Midge Gillies recreates the daily lives of a truly remarkable group of men. It is a story by turns thrilling, funny, desperate and moving, but never less than inspirational.

The Real Lives of Allied Prisoners of War in the Second World War

The Barbed-wire University

An authoritative and inspiring companion to writing in a wide range of non-fiction genres, including tips from bestselling authors such as Siri Hustvedt and Dava Sobel.

A professional guide to the rapidly evolving genre of literary non-fiction written by tutors from the prestigious Arvon Foundation course and with contributions from leading writers.

The Arvon Book of Literary Non-Fiction

In May 1930, Amy Johnson, a typist from Hull, took off from Croydon Airport with a thermos flask and a packet of sandwiches to try to beat the world solo record to Australia. She arrived, sun-blistered and with grease on her face, after weeks of flying a second-hand, open-cockpit biplane with no radio communication and the most basic of maps. Her adventures inspired a world struggling with the devastating effects of the Depression and made her into a celebrity overnight. She married Scottish playboy Jim Mollison, and together 'The Flying Sweethearts' broke records, mixed with the Mayfair Set, Amelia Earhart and Hollywood stars. But her tempestuous marriage was soon to crumble and she resumed her love affair with speed, taking up gliding and rally driving, and finding solace with a French millionaire. Her plane disappeared over the Thames Estuary during the Second World War, sparking rumours which are still being investigated today. Her body was never found.

Queen of the Air

Amy Johnson

Most families have an army wife somewhere in their past. Over the centuries they have followed their men to the front, helped them keep order in far-flung parts of the empire or waited anxiously at home. Army Wives uses first hand accounts, letters and diaries to tell their story. We meet the wives who made the arduous journey to the Crimean war and witnessed battle at close quarters. We hear the story of life in the Raj and the, often terrifying, experiences of the women who lived through its dying days. We explore the pressures of being a modern army wife - whether living in barracks or trying to maintain a normal home life outside 'the patch'. In the twentieth century two world wars produced new generations of army wives who forged friendships that lasted into peacetime. Army Wives reveals their experience and that of a new breed of independent women who supported their men through the Cold War to the current war on terror. Midge Gillies, author of acclaimed The Barbed-Wire University, looks at how industrial warfare means husbands can survive battle with life-changing injuries that are both mental and physical - and what that means for their family. She describes how army wives communicate with their husbands - via letters and coded messages, to more immediate, but less intimate, texts and Skype. She examines bereavement, from the seances, public memorials and deaths in a foreign field of the Great War to the modern media coverage of flag-draped coffins returning home by military plane. Above all, Army Wives examines what it really means to be part of the 'army family'.

Midge Gillies

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