Orin Starn

Miguel La Serna

A narrative history of the unlikely Maoist rebellion that terrorized Peru even after the fall of global Communism.

Love, Madness, and Revolution in the Andes

The Shining Path

Peru's indigenous peoples played a key role in the tortured tale of Shining Path guerrillas from the 1960s through the first decade of the twenty-first century. The villagers of Chuschi and Huaychao, high in the mountains of the department of Ayacucho, have an iconic place in this violent history. Emphasizing the years leading up to the peak period of violence from 1980 to 2000, when 69,000 people lost their lives, Miguel La Serna asks why some Andean peasants chose to embrace Shining Path ideology and others did not. Drawing on archival materials and ethnographic field work, La Serna argues that historically rooted and locally specific power relations, social conflicts, and cultural understandings shaped the responses of indigenous peasants to the insurgency. In Chuschi, the guerrillas found indigenous support for the movement and dreamed of sparking a worldwide Maoist revolution. In Huaychao, by contrast, villagers rose up against Shining Path forces, precipitating more violence and feeding an international uproar that took on political significance for Peru during the Cold War. The Corner of the Living illuminates both the stark realities of life for the rural poor everywhere and why they may or may not choose to mobilize around a revolutionary cause.

Ayacucho on the Eve of the Shining Path Insurgency

The Corner of the Living

Miguel La Serna's gripping history of the Tupac Amaru Revolutionary Movement (MRTA) provides vital insight into both the history of modern Peru and the link between political violence and the culture of communications in Latin America. Smaller than the well-known Shining Path but just as remarkable, the MRTA emerged in the early 1980s at the beginning of a long and bloody civil war. Taking a close look at the daily experiences of women and men who fought on both sides of the conflict, this fast-paced narrative explores the intricacies of armed action from the ground up. While carrying out a campaign of urban guerrilla warfare ranging from vandalism to kidnapping and assassinations, the MRTA vied with state forces as both tried to present themselves as most authentically Peruvian. Appropriating colors, banners, names, images, and even historical memories, hand-in-hand with armed combat, the Tupac Amaristas aimed to control public relations because they insightfully believed that success hinged on their ability to control the media narrative. Ultimately, however, the movement lost sight of its original aims, becoming more authoritarian as the war waged on. In this sense, the history of the MRTA is the story of the euphoric draw of armed action and the devastating consequences that result when a political movement succumbs to the whims of its most militant followers.

Miguel La Serna

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