Mike Marqusee

War Minus the Shooting

[If I Am Not For Myself

War Minus The Shooting 

Anyone But England is a timely and entertaining exploration of the bonds which the English cricket to the English nation as both face apparently inexorable decline. Mike Marqusee, an American who has lived in England for twenty years, turns the amused gaze of an outsider on to the idiosyncrasies of the English at play, delving into the interminable wrangles over coloured clothing, covered pitches and commercial sponsorship. Yet Marqusee also displays the knowledgeability and passion of a dedicated cricket follower who has watched matches on four continents. His elegant and concise accounts of the origins of the game, its romance with the British Empire, and its traumatic adjustment to the modern market lift the lid on the paradoxes and hypocrisies that have made cricket what it is: democratic and elitist, national and international, ancient and modern. In a revealing scrutiny of the long saga of South Africa's exclusion from world cricket, Marqusee charts England's collusion with apartheid. Spectacularly failing the Tebbit test on every point, his eye-opening account of Pakistan's controversial 'ball-tampering' tour of England will provoke intense debate amongst cricket fans about the role of both the media and racism in the modern game. From the phoney war over the omission of Gower from the England side to England's women cricketers receiving the World Cup outside the Lord's pavilion from which they are banned, Anyone But England goes where no cricket book has gone before. In so doing it sheds new light not only on cricket but also on what it means to be part of a nation for whom the game is well and truly up.

Cricket and the National Malaise

Anyone But England

An eloquent and deeply felt memoir exploring the author's complex relationship with his Jewish identity. If I Am Not For Myself is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author’s upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather’s life in Jewish New York of the 1930s and 40s, his struggles with anti-Semitism and the twists and turns that led him from anti-fascism to militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as “self-haters” by the Jewish establishment.

Journey of an Anti-Zionist Jew

If I Am Not For Myself

Bob Dylan’s abrupt abandonment of overtly political songwriting in the mid-1960s caused an uproar among critics and fans. In Wicked Messenger, acclaimed cultural-political commentator Mike Marqusee advances the new thesis that Dylan did not drop politics from his songs but changed the manner of his critique to address the changing political and cultural climate and, more importantly, his own evolving aesthetic. Wicked Messenger is also a riveting political history of the United States in the 1960s. Tracing the development of the decade’s political and cultural dissent movements, Marqusee shows how their twists and turns were anticipated in the poetic aesthetic—anarchic, unaccountable, contradictory, punk— of Dylan's mid-sixties albums, as well as in his recent artistic ventures in Chronicles, Vol. I and Masked and Anonymous. Dylan’s anguished, self-obsessed, prickly artistic evolution, Marqusee asserts, was a deeply creative response to a deeply disturbing situation. "He can no longer tell the story straight," Marqusee concludes, "because any story told straight is a false one."

Bob Dylan and the 1960s; Chimes of Freedom, revised and expanded

Wicked Messenger

Richard Heffernan

Using original research from archives, interviews with MPs and party officials, and first hand testimonies from grass roots activists, the authors go behind the scenes to name names, record the votes, and lay bare the machinations of those who led the Labour Party to electoral defeat in 1992.

Inside Kinnock's Labour Party

Defeat from the Jaws of Victory

If I Am Not for Myself

New edition: A new afterword considers Ali and his legacy in light of the war on terror and new connotations of Islam and the West.

Muhammad Ali and the Spirit of the Sixities

Redemption Song

Redemption Song provides insights into Muhammad Ali and his global impact on an era.

Muhammad Ali and the Spirit of the Sixties

This rich selection of Mike Marqusee’s writing captures the kaleidoscopic mind of a polymath who delighted in deploying one sphere of knowledge to provide exhilarating insight into others. These pages illuminate the connections and contrasts between William Blake and Thomas Paine, Bob Dylan and Muhammad Ali, cricket and the nation state, Jewish identity and the BDS campaign, flamenco music and the films of John Ford, and the vagaries of political activism, often working closely with those who, subsequent to Mike’s untimely death in 2015, went on to lead the Labour Party. The extraordinary profusion of Mike’s interests was rooted deep in the soil of principles: a lifelong commitment to socialism, a recognition of the transformative nature of art, an expansive internationalism, and a commitment to intellectual and personal honesty heedless of cost. Acute and erudite, the pieces that make up Definable Traces in the Atmosphere reveal an intellect both serious and engaged. But Mike was never a writer who succumbed to the doctrinaire or the earnest. In marveling at this tapestry of some of his most memorable writing we can share another defining characteristic of its author’s outlook: a joyful appreciation that life’s pleasures are there for the sampling.

Selected Writings

Definable Traces in the Atmosphere

This work is a timely exploration of the bonds which tie English cricket to the English nation as both face apparently inexorable decline.

A Journey Through South Asia During Cricket's World Cup

Anyone But England is a detailed exploration into the origins of cricket; the romance, cultural identity, hypocrisy, flaws of governance and glory of the game. Mike Marqusee, an American who fell in love with cricket when he moved to the UK in the 1970s, looks at the history of elitism and empire, and how race and class have always been issues in the game. Scrutinising the long saga of South Africa's exclusion from world cricket, Marqusee charts England's collusion with apartheid, and also details an eye-opening account of Pakistan's controversial 'ball-tampering' tour of England, which provoked intense debate amongst cricket fans about the role of both the media and racism in the modern game. Showing that supporting the game does not mean you need be blind to its flaws, Marqusee's passion and enthusiasm for cricket is threaded through every element of Anyone But England. Winner of the Aberdare Literary Prize, awarded by the British Society of Sports History, 1994 Shortlisted for the William Hill Sports Book of the Year Award, 1994

Cricket, Race and Class

Anyone but England

A classic book that traces Muhammad Ali’s political development in the sixties When Muhammad Ali died, many mourned the life of the greatest sportsman the world had ever seen. In Redemption Song, Mike Marqusee argues that Ali was not only a boxer but a remarkable political figure in a decade of tumultuous change. Playful, popular, always confrontational, Ali refashioned the role of a political activist and was central, alongside figures such as Malcolm X and Martin Luther King, to the black liberation and the anti-war movements. Marqusee shows that sport and politics were always intertwined, and this is the reason why Ali remained an international beacon of hope, long after he had left the ring.

This updated edition considers Muhammad Ali and his legacy in light of the war on terror. In this timely antidote to the apolitical celebration of Muhammad Ali as 'a great American', Mike Marqusee puts the great boxer back in his true historical context, to explore a crucial moment at the crossroads of popular culture and mass resistance. And, in a new afterword for this second edition, he reflects on Ali's legacy in the era of the 'war on terror'.

Uses the story of Muhammad Ali to look at the civil rights movement, anti-war movement, popular culture, and the politics of the sixties

This remarkable reflection of the sixties restores the forgotten moral and political contexts of Dylan's supernova years.

Bob Dylan and the 1960s, Chimes of Freedom, Revised and Expanded

Writer and political activist Mike Marqusee was diagnosed with multiple myeloma, a type of blood cancer, in the summer of 2007. At first, disinclined to share his misery with others, he was reluctant to write about his illness. But he then came to realize that doing so provided a precious continuity with his life as a writer before contracting the disease, and a way of reaching out to a wider world that the illness made physically less accessible. Writing allowed him to address what he saw as a variety of insidious platitudes that surround cancer, often connected to the individualistic idea that the sufferer must be brave in battling the disease, with the inevitable corollary that those who succumb have, in some measure, brought it on themselves. And so Marqusee begins to write about his illness. Not just his own symptoms and feelings, but the responses of friends to the news that he is ill and the way these reflect broader social attitudes towards the sick. He describes the political struggles occurring in St Bartholomew’s, the London hospital that cares for him, and the crisis in Britain’s National Health Service (NHS) more generally, at a time of harrowing cutbacks. Big Pharma, whose drugs keep Marqusee alive but are sold to the NHS at prices reflecting the power and greed of a ruthless extortionist, is the subject for particularly astringent scrutiny. The observations about cancer in these pages are never trite or sentimental. They are acute, moving, impassioned and political. And they convey important, shared truths, both personal and social, about an illness that will affect one in three people in the course of their lives.

Mike Marqusee

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