Milly Buonanno

Based on quantitative and qualitative methodologies, the Observatory's monitoring of drama and comedy in the key European markets provide information which is invaluable to media scholars, policy-makers and broadcasting professionals.

Television Fiction in Europe

Shifting Landscapes

la fiction italiana, l'Italia nella fiction : anno diciassettesimo

Le radici e le foglie

Experiences and Theories

The Age of Television

This broadcasting reference provides the first comparative analysis of domestic fiction production in five major European countries: Germany, France, Italy, Spain, and Great Britain. Experts in the history of broadcasting in their respective countries have developed a comparative approach to assess the national specificity of television in their own countries on the basis of the similarities and differences with other national contexts.

Imaginary Dreamscapes

"This study examines the growth of fictional television in five major European countries. Focusing on drama and comedy, the survey analyzes the degree to which an increase in the production of fictional television and the extension of fictional television's presence into prime time has led to higher production costs and an emphasis on family-oriented programming. The implications of fictional television's increase in popularity on the television market as a whole and the competition for audiences and resources are explored."

Continuity and Change

esperienze e teorie

L'età della televisione

Focuses on Italian TV drama, in and through the specific features that, since the inception of television in the mid-Fifties, have shaped and constituted its distinctive 'Italianness'. This title explores the intersection between domestic cultural roots and foreign influences in the construction of a genuinely national storytelling.

Stories from the Soil, Stories from the Sea

Italian TV Drama and Beyond

Toby Miller

Manuel Alvarado

Herman Gray

"Genuinely transnational in content, as sensitive to the importance of production as consumption, covering the full range of approaches from political economy to textual analysis, and written by a star-studded cast of contributors" - Emeritus Professor Graeme Turner, University of Queensland "Finally, we have before us a first rate, and wide ranging volume that reframes television studies afresh, boldly synthesising debates in the humanities, cultural studies and social sciences...This volume should be in every library and media scholar’s bookshelf." - Professor Ravi Sundaram, Centre for the Study of Developing Societies Bringing together a truly international spread of contributors from across the UK, US, South America, Mexico and Australia, this Handbook charts the field of television studies from issues of ownership and regulation through to reception and consumption. Separate chapters are dedicated to examining the roles of journalists, writers, cinematographers, producers and manufacturers in the production process, whilst others explore different formats including sport, novella and soap opera, news and current affairs, music and reality TV. The final section analyses the pivotal role played by audiences in the contexts of gender, race and class, and spans a range of topics from effects studies to audience consumption. The SAGE Handbook of Television Studies is an essential reference work for all advanced undergraduates, graduate students and academics across broadcasting, mass communication and media studies.

The SAGE Handbook of Television Studies

With a foreword by Diane Negra and Jorie Lagerway As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. Television Antiheroines looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama. The essays collected in Television Antiheroines are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as Gomorrah, Mafiosa, The Wire, The Sopranos, Sons of Anarchy, Orange is the New Black, and Antimafia Squad, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. Television Antiheroines will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.

Women Behaving Badly in Crime and Prison Drama

Television Antiheroines

Analyses the impact of television on daily life, focusing on both the concepts and theories of the medium. This book also analyzes the way in which televised entertainment has radically altered human perceptions of place and time, multiplied opportunities for indirect social experience, and fueled the collective imagination.

Since its inception in the mid-1950s, the television drama has emerged as the dominant medium of contemporary storytelling in Italian society, with a steadily increasing supply of locally produced domestic dramas offering up competing versions of Italian identity. Informed by the nation's rich historical and cultural heritage—as well as a string of notable foreign imports—the narratives discussed here offer much insight into Italian society and highlight the wide array of television programming available outside of Britain and the United States.

Milly Buonanno

Books

Your next favorite book is out there