Max Stadler

Monika Dommann

Hannes Rickli

An investigation into the complex politics of data centers, through photographs and essays Often hidden in plain sight, data centers are the backbone of our internet. They store, communicate and transport the information we produce and access daily along invisible pathways. The industry of data centers comes entwined with an iconography of generic, bland and sterile architectures: placeless, inconspicuous, anonymous structures--buildings, cable ducts, junction boxes and landing sites that could be anywhere, generating virtual infrastructures that are both everywhere and nowhere. Bringing together photography, essays and case studies, Data Centersexplores the entanglements of place, past and digital infrastructure, taking Switzerland as its example. Beyond the official story--Switzerland's favorable alpine climate, relatively low energy costs, the political stability of the area and its strategic positioning in Central Europe--Data Centersuncovers the narratives of techno-nationalist aspirations; of Swiss Chinese interdependence; of deregulation and once-almighty telecommunications enterprises; of cold-war legacies and the multi-billion dollar business of data security.

Edges of a Wired Nation

Data Centers

Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights. Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media—a story that can inform present-day debates over the legal protection of authorship.

Monika Dommann

Books

Your next favorite book is out there