Monika Kropej Telban

Knjiga je prva iz obsežnega opusa sistemizacije slovenskih ljudskih pravljic po vzoru zadnje dopolnjene izdaje Mednarodnega tipnega indeksa pravljic (H.-J. Uther, The Types of International Folktales 2004). Zaobjema slovenske živalske pravljice in basni, ki so uvrščene med prvih 299 številk mednarodnega klasifikacijskega sistema. Prinaša doslej težko dostopno in arhaično mednarodno primerljivo gradivo, ki je tukaj prvič objavljeno v celoviti in sistematični obliki. S prenosom sodobnih znanstvenih dosežkov na slovensko raziskovalno področje, spremnimi študijami in komentarji ter aplikacijo mednarodnega klasifikacijskega sistema pri razvrščanju gradiva delo olajšuje nadaljnji razvoj vede, hkrati pa vključuje slovensko pripovedno izročilo v širši mednarodni kontekst. Posameznim tipom pravljic so dodani primeri pravljic, kar približuje knjigo tudi širši javnosti. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ This book (‘Type Index of Slovenian Folktales – Animal Tales and Fables’) is the first of the comprehensive body of systematization of Slovenian folktales along the lines of the latest, revised edition of the Types of International Folk Tales by Hans-Jörg Uther (2004). It includes Slovenian animal tales and fables that have been listed among the first 299 numbers of the international classification system. It contains archaic, internationally comparable material which was previously difficult to access and is now published for the first time in a comprehensive and systematic form. With the transfer of the latest scientific results to the Slovenian research sphere; additional studies and comments; and the application of the international classification system for the classification of material it greatly facilitates further development of the discipline while simultaneously including the Slovenian narrative tradition in a broader international context. Since each folktale type includes examples of folktales the book will also attract the attention of the general public.

Tipni indeks slovenskih pravljic. Živalske pravljice in basni

Gašper Križnik

Breda Podbrežnik Vukmir

Znanstvena monografija v komentirani in s spremnim besedilom opremljeni izdaji predstavlja pripovedno izročilo, ki ga je proti koncu 19. stoletja v osrednjem slovenskem prostoru zbral preprost čevljar in trgovec iz Motnika – Gašper Križnik. Dragocen in doslej še neizkoriščen vir pravljic in povedk je po več kot stopetdesetih letih zdaj končno umeščen na zemljevid nesnovne dediščine in v mednarodni prostor.

Pravljice, povedke in drugo pripovedno izročilo iz Motnika in okolice

Sveti Coprijan

Jay Ruby

Beate Engelbrecht

Nadja Valentinčič Furlan

Evgeny V. Aleksandrov

Paolo Chiozzi

Vanja Huzjan

Vesna Mia Ipavec

Allison Jablonko

Elizabeta Koneska

Naško Križnar

Sarah Lunaček

Renato Morelli

Martina Piko-Rustia

Dragana Radojičić

Marko Smole

Nena Židov

Področje vizualne antropologije in etnografije je že pred časom prešlo fazo formiranja in mnogi akterji, ki so spremljali in soustvarjali zgodovino, se danes ozirajo na svoje delo, ga ponovno presojajo, sistematizirajo, pa tudi iščejo nova vprašanja ali teme za raziskave, ki bi zaokrožile in dopolnile njihov opus. V ta prostor sodi tudi knjiga, v kateri so objavljeni prispevki šestnajstih domačih in tujih antropologov oz. etnologov. Nekateri iščejo širši, oddaljeni pogled na svoje dolgoletno delo, dejavnosti in sodelovanja, drugi obravnavajo ožje teme ali vprašanja, na primer o izobraževalnih modelih in pristopih, o terenskih izkušnjah in metodah, definiciji etnografskega filma in uporabi vizualnega v muzeologiji, ob raziskavah in predstavitvah kulturne dediščine. Knjiga je hkrati tudi poklon Našku Križnarju, spiritusu movensu slovenske vizualne etnografije, ki že več desetletij deluje in ustvarja na tem področju, skrbi za njegov razvoj in uveljavitev doma in v tujini. Njegovo delo je v knjigi obravnavano iz več vidikov, najprej je umeščeno v širši okvir vizualne antropologije v Sloveniji, nato je posebna pozornost namenjena nekaterim zamejenim sklopom njegovega delovanja, kot so leta v Goriškem muzeju, delu na Koroškem ter sodelovanju s kolegi v regiji. Te prispevke dopolnjujejo bibliografija, izbrana filmografija in intervju, v katerem Naško Križnar poda nekaj lucidnih misli in opažanj o svojem preteklem delovanju – o poteh in stranpoteh etnologa s kamero. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ The field of visual anthropology and ethnography has long since passed its formation phase, and many protagonists, who co-created its history, are today reflecting on their own work, evaluating and systematizing it, but also searching for new research questions and topics that would complement and conclude their contributions. This monograph of 16 papers from Slovene and international visual anthropologists and ethnologists firmly places itself in a self-reflective perspective. Some of the researchers are attempting to find a distant, broader view of their work; others are discussing more narrow topics and research questions in which they were more deeply engaged, e.g. educational models and approaches, fieldwork experiences and methods, definitions of ethnographic film and use of the visual in museology, in research and in the representation of cultural tradition. This book is also a tribute to Naško Križnar, the spiritus movens of Slovene visual ethnography, who has been working and creating in this field for several decades, taking responsibility for its development and affirmation at home and abroad. Several papers discuss different aspects of his work; he first is positioned in the broader context of visual anthropology in Slovenia, and then attention is drawn to some distinct examples of his activities, such as his employment at the Goriško Museum, his fieldwork in Carinthia/Koroška (Austria), and to his cooperation with professional colleagues from the region. These papers are supplemented by the bibliography, selected filmography and interview, in which Naško Križnar articulates his thoughts and observations about his past experiences and his work – about his highways and byways as an ethnologist with a camera.

Osebne izkušnje in institucionalni vidiki / Personal Experiences and Institutional Aspects

Vizualna antropologija / Visual Anthropology

Monika Kropej Telban

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