Meg Wolitzer

Jonathan Lethem

Dave Eggers

William Finnegan

Neil Gaiman

Anthony Doerr

Salman Rushdie

Lauren Groff

Marlon James

Andrew Sean Greer

Ann Patchett

Brit Bennett

Yaa Gyasi

Sergio De La Pava

Aleksandar Hemon

George Saunders

Rabih Alameddine

Jesmyn Ward

Michael Cunningham

Jennifer Egan

Louise Erdrich

Morgan Parker

Jacqueline Woodson

Steven Okazaki

Geraldine Brooks

Viet Thanh Nguyen

Scott Turow

Timothy Egan

Victor Lavalle

Moses Sumney

Moriel Rothman-Zecher

Adrian Nicole LeBlanc

Hector Tobar

Li Yiyun

Elizabeth Strout

C.J. Anders

Brenda J. Childs

David Handler

To mark its 100-year anniversary, the American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman to bring together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Writers Reflect on 100 Years of Landmark ACLU Cases

Fight of the Century

**A 2019 Dayton Literary Peace Prize Finalist** **A 2018 National Jewish Book Award Finalist for Debut Fiction** “Nuanced, sharp, and beautifully written, Sadness Is a White Bird manages, with seeming effortlessness, to find something fresh and surprising and poignant in the classic coming-of-age, love-triangle narrative, something starker, more heartbreaking: something new.” —Michael Chabon “Unflinching in its honesty, unyielding in its moral complexity.” —Pulitzer Prize–winning author Geraldine Brooks In this lyrical and searing debut novel written by a rising literary star and MacDowell Fellow, a young man is preparing to serve in the Israeli army while also trying to reconcile his close relationship to two Palestinian siblings with his deeply ingrained loyalties to family and country. The story begins in an Israeli military jail, where—four days after his nineteenth birthday—Jonathan stares up at the fluorescent lights of his cell, and recalls the series of events that led him there. Two years earlier: Moving back to Israel after several years in Pennsylvania, Jonathan is ready to fight to preserve and defend the Jewish state, which his grandfather—a Salonican Jew whose community was wiped out by the Nazis—helped establish. But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith—the twin daughter and son of his mother’s friend. From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever. Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

A Novel

Sadness Is a White Bird

Before All the World

Before All The World

'ikh gleyb nit az di gantze velt iz kheyshekh' 'I do not believe that all the world is darkness' In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket's, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles, fingers stained with ink, an easy manner with the barkeep, a Black man from the Seventh Ward, speaking to him in Jewish; Charles, who calls him 'Lion', and with whom he will fall in love. But Leyb is haunted by memories of life before, on another continent and the village of his birth where, one day, everyone except the ten non-Jews, a young poet named Gittl and he himself, was taken to the forest and killed. Leyb's two lifetimes come together when Gittl arrives in Philadelphia, thanks to a poem she wrote and the intervention of a shadowy character known only as the Baroness. And surrounding Gittl are malokhim, the talkative spirits of her siblings. Flowing and churning with a glorious surge of language, Before All the World lays bare the impossibility of escaping trauma, the necessity of believing in a better way ahead, and the power that comes from our responsibility to the future. It asks, in the voices of its angels, the most essential question: What do you intend to do before all the world?

Moriel Rothman-Zecher

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