Los Angeles County Museum of Art

Dominic Molon

Carol S. Eliel

Museum of Contemporary Art (Chicago, Ill.)

Marjorie King

Serpentine Gallery

Margery King

Andy Warhol Museum

Mariko Mori

Lisa Corrin

The futuristic, sci-fi like scenarios created by the artist Mariko Mori in her photographs and video installations often include Mori herself, dressed in outlandish costume, and are intriguing and imaginative works which combine elements of Japanese popular culture, such as Japanimation, as well as fashion, cyberspace, and video art. Mori, who studied fashion in Tokyo and art in London and New York, has become one of the freshest young artists working in the '90s, and this book, which is the first on her work, comprehensively catalogs her upcoming exhibitions. Recent video work by Mori has included such works as Nirvana (shown at the '97 Venice Biennale), in which the artist depicts herself making symbolic Buddhist hand-gestures as she floats above the Dead Sea. Still another piece is a video in which Mori, in futuristic space wear, rolls a crystal ball through an airport to the haunting melodies of a Japanese song. These works involve a surrealistic interplay of imagery which suggests something akin to the art of Yayoi Kusama, the costs of funk icon George Clinton, science fiction, and the film works of Matthew Barney.

Robert Irwin

Irwin discusses his life, his works, and his aesthetics, including his experiments with art and technology.

László Moholy-Nagy

Laszlo Moholy-Nagy

Hans Bellmer

Drawings and Sculpture, [exhibition] May 3-June 22, 1975

Elizabeth A. T. Smith

Alison Pearlman

Julie Rodrigues Widholm

With its title taken from a signature work by Bruce Nauman, Life, Death, Love, Hate, Pleasure, Pain presents a selection of approximately 190 works from the collection of the Museum of Contemporary Art, Chicago. A wide-ranging, insightful survey, arranged in roughly chronological order, it features work by such artists as Vito Acconci, Magdalena Abakanowicz, Francis Bacon, Matthew Barney, Joseph, Beuys, Christo, Iìigo Manglano-Ovalle, KerryJames Marshall, Mariko Mori, Martin Puryear, Richard Serra, Yinka Shonibare and H. C. Westermann. In an introductory essay, chief curator Elizabeth Smith discusses key trends in art from World War II to the present and provides a brief history of the MCA and its collection. Additional, accessible short texts by the curatorial staff of the MCA focus on individiual works.

Selected Works from the Museum of Contemporary Art, Chicago, Collection

Life, Death, Love, Hate, Pleasure, Pain

Jane Wenger

Options 7

Dennis Adrian

Selections from the Dennis Adrian Collection

Museum of Contemporary Art, Chicago, Sept. 10-Oct. 24, 1971

The Commons Artist Project : Joan Giroux

A Photo History of the MCA

Moving Forward, Looking Back

Olafur Eliasson

Take Your Time

An Exhibition Organized by the Museum of Contemporary Art and the Solomon R. Guggenheim Museum ... in Cooperation with the Santa Barbara Museum of Art, the University Art Museum at the University of California, Berkeley, and the Seattle Art Museum

John and Mable Ringling Museum of Art

Exhibition at the John and Mable Ringling Museum of Art, Sarasota, Fla., Feb. 14-Mar. 21, 1971 and Museum of Contemporary Art, Chicago, Ill., Apr. 3-May 16, 1971

49th Parallels: New Canadian Art

Lynne Warren

Significant bodies of work in residence there. Among the artists profiled are Roger Brown, Harry Callahan, Ruth Duckworth, Jeanne Dunning, Leon Golub, Robert Heinecken, Richard Hunt, June Leaf, Kerry James Marshall, Laszlo Moholy-Nagy, Archibald J. Motley, Jr., Jim Nutt, Ed Paschke, Hirsch Perlman, Martin Puryear, Arnaldo Roche Rabell, Miroslaw Rogala, Alejandro Romero, Kay Rosen, Hollis Sigler, Aaron Siskind, Nancy Spero, Tony Tasset, H.C. Westermann, Claire Zeisler,

Art in Chicago, 1945-1995

Hal Foster

Brian Wallis

Howard N. Fox

Robert Longo

Katherine Dieckmann

Ian Dunlop

Donald Sultan

Magdalena Abakanowicz

Magdalena Abakanowicz is considered by many critics and artists alike to be the foremost artist working with fiber in the world today. That she is now considered a leading sculptor, as well, indicates how far she has come since her innovative, imposing woven "Abakans" of the 1960s led the way for a decade of experimentation by many artists with fiber as a medium for expression or as a medium for the making of art. Her work proved to have the strength to break with the venerable tradition of tapestry going back to the Middle Ages, and to transform radically our expectations of woven objects from being craft to fine art. The occasion of this first comprehensive retrospective of Magdalena Abakanowicz's work marks an important point in the career of the artist. -- From preface.

Museum of Contemporary Art, Chicago

Amelia Jones

Cindy Sherman

Amada Cruz

Published to accompany exhibition held at the Museum of Contemporary Art, Los Angeles, 2/11/97 - 1/2/98; and the Museum of Contemporary Art, Chicago, 28/2/98 - 31/5/98.

Retrospective

Francesco Bonami

This collection contains ephemera, notes, drafts, preview invitations, correspondence, and press releases pertaining to the MCA exhibition Norman Rockwell: Retrospective. It includes original artist correspondence.

Norman Rockwell

Museum of Contemporary Art (Chicago, Ill.)

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