Sam Kashner

Nancy Schoenberger

From veteran entertainment reporter Sam Kashner and biographer Nancy Schoenberger comes the definitive account of the greatest Hollywood love story ever told—the romance of Elizabeth Taylor and Richard Burton. Kashner has interviewed Elizabeth Taylor numerous times and is the only journalist given access to her extensive collection of personal letters and journals, and he and Schoenberger have also interviewed the Burton family at length, including Burton’s actress daughter Kate. This is truly an authorized and singularly informed biography of these two larger-than-life stars, and of their glamorous, volatile, and audacious relationship.

Elizabeth Taylor, Richard Burton, and the Marriage of the Century

Furious Love

A poignant, evocative, and wonderfully gossipy account of the two sisters who represented style and class above all else—Jackie Kennedy Onassis and Lee Radziwill—from the authors of Furious Love. When sixty-four-year-old Jackie Kennedy Onassis died in her Fifth Avenue apartment, her younger sister Lee wept inconsolably. Then Jackie’s thirty-eight-page will was read. Lee discovered that substantial cash bequests were left to family members, friends, and employees—but nothing to her. "I have made no provision in this my Will for my sister, Lee B. Radziwill, for whom I have great affection, because I have already done so during my lifetime," read Jackie’s final testament. Drawing on the authors’ candid interviews with Lee Radziwill, The Fabulous Bouvier Sisters explores their complicated relationship, placing them at the center of twentieth-century fashion, design, and style. In life, Jackie and Lee were alike in so many ways. Both women had a keen eye for beauty—in fashion, design, painting, music, dance, sculpture, poetry—and both were talented artists. Both loved pre-revolutionary Russian culture, and the blinding sunlight, calm seas, and ancient olive groves of Greece. Both loved the siren call of the Atlantic, sharing sweet, early memories of swimming with the rakish father they adored, Jack Vernou Bouvier, at his East Hampton retreat. But Jackie was her father’s favorite, and Lee, her mother’s. One would grow to become the most iconic woman of her time, while the other lived in her shadow. As they grew up, the two sisters developed an extremely close relationship threaded with rivalry, jealousy, and competition. Yet it was probably the most important relationship of their lives. For the first time, Vanity Fair contributing editor Sam Kashner and acclaimed biographer Nancy Schoenberger tell the complete story of these larger-than-life sisters. Drawing on new information and extensive interviews with Lee, now eighty-four, this dual biography sheds light on the public and private lives of two extraordinary women who lived through immense tragedy in enormous glamour.

The Tragic and Glamorous Lives of Jackie and Lee

The Fabulous Bouvier Sisters

You can see her dark-eyed beauty in photos by Walker Evans, and her bewitching figure in paintings by Lucian Freud. She is the mermaid of whom poet Robert Lowell writes in The Dolphin (and he was clutching her portrait when he died). She was Lady Caroline Blackwood, legendarily witty and alluring but also a legendary drunk. Raised an heiress to the Guinness fortune, Blackwood (1931-1996) moved easily among the aristocracy, the bohemians of postwar England and the liberal intelligentsia of 1960s New York. She has been called a muse to genius-though her marriages to Lucian Freud, the composer Israel Citkowitz, and Robert Lowell were as troubled as they were inspiring-and she was an author herself, short-listed for the Booker Prize in 1977. In this first biography of Blackwood, Nancy Schoenberger deftly paints a complex woman who was captivating to her dying day.

The Life Of Lady Caroline Blackwood

Dangerous Muse

The Life and Times of Tennessee Williams's Greatest Creation

Blanche

the films, the friendship, and the forging of an American hero

Wayne and Ford

A biography of Lady Caroline Blackwood chronicles her privileged upbringing; her turbulent marriages to artist Lucian Freud, composer Israel Citkowitz, and poet Robert Lowell; and her own formidable literary works.

The Life of Lady Caroline Blackwood

Many rivers run through Nancy Schoenberger's third collection of poems, Long Like a River, winner of the 1997 New York University Press Prize for Poetry. From the Clark Fork ("its full house of trout the dream of a summer noon"), to the Mississippi ("long as its Indian name"), to the Amazon and Napo Rivers, these poems explore the poet's Deep South roots, plumbing memory and desire and paying homage along the way to Theodore Roethke and George Seferis.

Long Like a River

Sometime in the early hours of June 16, 1959, George Reeves, the actor known to millions of kids as Superman, died of a gunshot to the head. The man of steel was now cold as ice. The L.A. police labeled the death a suicide. Some friends called it murder, and the disturbing evidence left behind a tantalizing mystery.
Here, for the first time, is the truth about the dangerous double life and tragic death of Reeves: the real events of that Los Angeles night set amid the glamor, allure, and sinister core of Tinseltown in the 1950s. "Hollywood Kryptonite" is a riveting tale of jealousy, passion, and tragedy in the day swhen the Hollywood studio held absolute power.

Hollywood Kryptonite

Caroline Blackwood was born into the Guinness family in 1931, the daughter of the Fourth Marquess and Marchioness of Dufferin and Ava. Brought up on the ancestral estate in Northern Ireland, Blackwood moved easily among the Anglo-Irish aristocracy, the Soho bohemians of postwar England, and the liberal intelligentsia of 1960s New York. She was on intimate terms with some of the most celebrated artists and writers of her time. An unpredictable beauty known for her wit and her courage, she has been called a muse to genius. But her marriages to three brilliant men: the painter Lucian Freud, the composer Israel Citkowitz, and the poet Robert Lowell were as troubled as they were inspiring. During her marriage to Lucian Freud, Caroline became part of an artistic and literary group that included Francis Bacon and Cyril Connolly who was infatuated with her but eventually Freud's gambling caused irrevocable problems between them. Caroline was also in the grips of her own unfolding tragedy: a fatal attraction to alcohol that would plague the rest of her life. Upon the breakup of her first marriage, she moved to America , where she met her second and third husbands. Once regarded as the obvious successor to Aaron Copland, Israel Citkowitz had stopped composing long before he met Caroline. While he and Caroline had three children together, it was her subsequent seven year marriage to Robert Lowell that she considered her "main marriage." Her life with Lowell was probably the most difficult time of her life as she dealt with his increasingly frequent and worsening attacks of mania. And to Lowell she was not only an inspiration but_as he described in his Pulitzer-prize- winning book of verse The Dolphin, she was also "a mermaid who dines upon the bones of her winded lovers." In 1977, Robert Lowell fled London to return to his former wife Elizabeth Hardwick. He died from a heart attack in the backseat of a taxi, clutching Girl in Bed, Lucian Freud's haunting portrait of Caroline. Blackwood was an artist in her own right. Her literary talents were dark and satiric; her ten books of fiction and nonfiction betrayed an extraordinary eye for human physiognomy, attire, and behavior. Arguably her best book, Great Granny Webster described the comic terrors of her upbringing in Northern Ireland, and was shortlisted for the Booker Prize. She herself died of cancer on Valentine's Day 1996, at the age of sixty-four. Dangerous Muse is the first biography of Lady Caroline Blackwood. Drawing upon numerous interviews and unpublished letters from Blackwood's mother, Maureen Dufferin, and friends and family, including Andrew Harvey, Jonathan Raban, John Richardson, and Caroline's sister Perdita Blackwood, Nancy Schoenberger eloquently captures one of the most original and provocative figures in contemporary letters of the twentieth century.

Oscar Levant was one of the wildly self-destructive personalities ever to become a household name. This biography looks at his life, from his work as concert pianist and the premier interpreter of Gershwin's concert works, to his presence as an insulting wit, raconteur and best-selling author.

The Life and Times of Oscar Levant

A Talent for Genius

Furious love. Liz Taylor, Richard Burton: la storia d'amore del secolo

Los detalles inéditos de una historia de amor que revolucionó el mundo del cine y de las revistas del corazón a mediados del siglo pasado. Un recorrido exhaustivo por la vida de los dos actores más conocidos de Hollywood en el siglo XX, y una nueva exploración de su historia de amor que a menudo cabalgó entre la pasión y la violencia. Elizabeth Taylor y Richard Burton se conocieron a principios de los años cincuenta, pero fue durante la polémica filmación de la película Cleopatra, cuando su idilio fue la comidilla de todo el mundo del cine. Los biógrafos han tenido acceso a documentos inéditos que permiten profundizar en esta historia. A la hora de trabajar, los autores han tenido también el apoyo de Elizabeth Taylor, un hecho que da credibilidad a su trabajo sin restarle honestidad.

La verdadera historia de amor de Elisabeth Taylor y Richard Burton

El amor y la furia

Furious love. Elizabeth Taylor, Richard Burton: il matrimonio del secolo

John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture.

Nancy Schoenberger

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