Neil Leach

An exploration of the urge in human beings to feel at home in the world, and the role that architecture plays in this process. We human beings are governed by the urge to conform and blend in with our surroundings. We follow fashion. We become part of cultures of conformity—religious communities, military groups, sports teams; we take on corporate identities. Likewise, we seem to have the capacity to grow into our built environment, to familiarize ourselves with it, and eventually to find ourselves at home there. We have a chameleonlike urge to adapt, and, given the increasing mobility of contemporary life, we are constantly having to do so.The desire for camouflage is a desire to feel connected—to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity—a mediation between us and our environment—and it can contribute to a sense of belonging. Architecture, and indeed all forms of design and creativity—fashion, art, cinema, and others—can be an effective realm for forging a sense of belonging and establishing an identity. Camouflage offers a range of overlapping and intersecting theoretical perspectives—from an overview of psychoanalytic insights to an account of the magical properties of architectural models—that together suggest a way to rethink our relationship to the world and the role that design plays in that relationship.

Camouflage

Architecture and Revolution explores the consequences of the 1989 revolutions in Central and Eastern Europe from an architectural perspective. It presents new writings from a team of renowned architects, philosophers and cultural theorists from both the East and the West. They explore the questions over the built environment that now face architects, planners and politicians in the region. They examine the problems of buildings inherited from the communist era: some are environmentally inadequate, many were designed to serve a now redundant social programme and others carry the stigma of association with previous regimes. Contributors include: Daniel Libeskind, Bernard Tschumi, Laura Mulvey, Helene Cixous, Andrew Benjamin and Frederic Jameson.

Contemporary Perspectives on Central and Eastern Europe

Architecture and Revolution

Digital technologies are changing the way that we live and work today. But what impact are they having on the discipline of architecture? This volume brings together some of the world's leading voices from digital theory, technology and design to address this question. With a discussion ranging from broad cultural concerns to new techniques of construction, Designing for a Digital World offers a snapshot of informed opinion at a crucial juncture in the history of the discipline. Contributors: Ben van Berkel and Caroline Bos (UN Studio) Sarah Chaplin Karl S Chu (Metaxy) Richard Coyne Manuel DeLanda Andrew Gillespie Mark Goulthorpe (dECOi) Marcelyn Gow Jeffrey Inaba (AMO) Neil Leach William J Mitchell Farshid Moussavi and Alejandro Zaera Polo (Foreign Office Architects) Sadie Plant Hani Rashid (Asymptote) Douglas Rushkoff Patrik Schumacher Lars Spuybroek (NOX) Sherry Turkle David Turnbull (ATOPIA) Yvonne Wilhelm, Christian Huebler and Andreas Broeckmann (Knowbotic Research) Slavoj Zizek

Designing for a Digital World

Brought together for the first time - the seminal writing on architecture by key philosophers and cultural theorist of the twentieth century. Issues around the built environment are increasingly central to the study of the social sciences and humanities. The essays offer a refreshing take on the question of architecture and provocatively rethink many of the accepted tenets of architecture theory from a broader cultural perspective. The book represents a careful selection of the very best theoretical writings on the ideas which have shaped our cities and our experiences of architecture. As such, Rethinking Architecture provides invaluable core source material for students on a range of courses.

A Reader in Cultural Theory

Rethinking Architecture

Behnaz Farahi

Some architects dream of 3D-printing houses. Some even fantasise about 3D-printing entire cities. But what is the real potential of 3D printing for architects? This issue focuses on another strand of 3D-printing practice emerging among architects operating at a much smaller scale that is potentially more significant. Several architects have been working with the fashion industry to produce some exquisitely designed 3D-printed wearables. Other architects have been 3D-printing food, jewellery and other items at the scale of the human body. But what is the significance of this work? And how do these 3D-printed body-scale items relate to the discipline of architecture? Are they merely a distraction from the real business of the architect? Or do they point towards a new form of proto-architecture – like furniture, espresso makers and pavilions before them – that tests out architectural ideas and explores tectonic properties at a smaller scale? Or does this work constitute an entirely new arena of design? In other words, is 3D printing at the human scale to be seen as a new genre of 'body architecture'? This issue contains some of the most exciting work in this field today, and seeks to chart and analyse its significance. Contributors include: Paola Antonelli/MoMA, Francis Bitonti, Niccolo Casas, Behnaz Farahi, Madeline Gannon, Eric Goldemberg/MONAD Studio, Kyle von Hasseln/3D Systems Culinary Lab, Rem D Koolhaas, Julia Kӧrner, Neil Leach, Steven Ma/Xuberance, Neri Oxman/MIT Media Lab, Ronald Rael and Virginia San Fratello, Gilles Retsin, Jessica Rosenkrantz/Nervous System, and Patrik Schumacher/Zaha Hadid Architects.

3D-Printed Body Architecture

Hua Chai

Philip F. Yuan

Chao Yan

This open access book is a compilation of selected papers from 2021 DigitalFUTURES—The 3rd International Conference on Computational Design and Robotic Fabrication (CDRF 2021). The work focuses on novel techniques for computational design and robotic fabrication. The contents make valuable contributions to academic researchers, designers, and engineers in the industry. As well, readers encounter new ideas about understanding material intelligence in architecture.

The 3rd International Conference on Computational Design and Robotic Fabrication (CDRF 2021)

Proceedings of the 2021 DigitalFUTURES

Artificial intelligence is everywhere – from the apps on our phones to the algorithms of search engines. Without us noticing, the AI revolution has arrived. But what does this mean for the world of design? The first volume in a two-book series, Architecture in the Age of Artificial Intelligence introduces AI for designers and considers its positive potential for the future of architecture and design. Explaining what AI is and how it works, the book examines how different manifestations of AI will impact the discipline and profession of architecture. Highlighting current case-studies as well as near-future applications, it shows how AI is already being used as a powerful design tool, and how AI-driven information systems will soon transform the design of buildings and cities. Far-sighted, provocative and challenging, yet rooted in careful research and cautious speculation, this book, written by architect and theorist Neil Leach, is a must-read for all architects and designers – including students of architecture and all design professionals interested in keeping their practice at the cutting edge of technology.

An Introduction to AI for Architects

Architecture in the Age of Artificial Intelligence

Xiang Wang

Jiawei Yao

This open access book is a compilation of selected papers from 2020 DigitalFUTURES—The 2nd International Conference on Computational Design and Robotic Fabrication (CDRF 2020). The book focuses on novel techniques for computational design and robotic fabrication. The contents make valuable contributions to academic researchers, designers, and engineers in the industry. As well, readers will encounter new ideas about understanding intelligence in architecture.

The 2nd International Conference on Computational Design and Robotic Fabrication (CDRF 2020)

Proceedings of the 2020 DigitalFUTURES

Leach examines the consequences of the growing preoccupation with images and image-making in contemporary architectural culture, arguing that focusing on images dulls the senses. 30 illustrations.

Neil Leach

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