Niamh Thornton

Miriam Haddu

This collection analyses the audio-visual representations of several heightened events in Mexican history.

Memory and Trauma in Mexican Visual and Screen Cultures

Legacies of the Past

Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.

Revolution and Rebellion in Mexican Film

Considers how and why taste persists in the analysis of Mexican film and television by looking at key figures and their impact on the curation of violence. Tastemakers and Tastemaking develops a new approach to analyzing violence in Mexican films and television by examining the curation of violence in relation to three key moments: the decade-long centennial commemoration of the Mexican Revolution launched in 2010; the assaults and murders of women in Northern Mexico since the late 1990s; and the havoc wreaked by the illegal drug trade since the early 2000s. Niamh Thornton considers how violence is created, mediated, selected, or categorized by tastemakers, through the strategic choices made by institutions, filmmakers, actors, and critics. Challenging assumptions about whose and what kind of work merit attention and traversing normative boundaries between “good” and “bad” taste, Thornton draws attention to the role of tastemaking in both “high” and “low” media, including film cycles and festivals, adaptations of Mariano Azuela’s 1915 novel, Los de Abajo, Amat Escalante’s hyperrealist art films, and female stars of recent genre films and the telenovela, La reina del sur. Making extensive use of videographic criticism, Thornton pays particularly close attention to the gendered dimensions of violence, both on and off screen. Niamh Thornton is a Reader in Latin American Studies at the University of Liverpool, United Kingdom. She is the author and editor of several books, including iRevolution and Rebellion in Mexican Film/i and iInternational Perspectives on Chicana/o Studies: This World is My Place (coedited with Catherine Leen).

Mexico and Curated Screen Violence

Tastemakers and Tastemaking

Kathy Bacon

While the fin de siècle has received considerable attention as a critical concept, the first decade of a new century has been less well studied. The chapters in this volume consider the distinctive cultural significance of the ‘noughties’ in the Hispanic and Lusophone world, looking at the specific cultural, political and economic circumstances of the decade, and in some cases proposing notions of an identifiable ‘noughties sensibility’ or ‘noughties generation’ which may flow out of, or stand in reaction against, the malaise of the fin de siècle. Drawing on specialist, area-specific knowledge, the authors consider the significance of the noughties across different eras. The contributions include chapters on how Brazil is negotiating the complicated terrain of digital literacy; the painful re-examination of the civil war that is taking place in Spain; and the negative effects of the economy on women’s lives in Argentina. The chapters examine film, digital media, theatre, fiction, the economy and history, all taking the noughties as a focal point. The multiple perspectives will reveal the commonalities of experiences that a particular period brings about as well as showing up the distinctive local differences.

The Noughties in the Hispanic and Lusophone World

Patricia O’Byrne

Gabrielle Carty

Traditionally women have found recourse in artistic means to interrogate change and upheaval. This volume explores the experiences of women from Spain, Portugal and Latin America in the twentieth and twenty-first centuries who themselves have crossed cultural boundaries or have described this experience in their literature and film. Areas investigated in this collection of essays include the experience of the exiled or the immigrant and their personal or collective response to displacement and adaptation: the transcultural potential of cyberspace for women, how patterns and styles of the fashion industry have crossed borders, how women have crossed canonical cultural boundaries in search of identity and meaning, how global cultural influences have manifested in Hispanic and Lusophone cultural practices and production by or about women, and the challenging question of whether canine writing can be considered a branch of feminist theory. Common to most of the essays are the central issues of identity, values, conflict and interconnectedness and an analysis of the patterns that result from the transcultural encounter of these aspects.

Niamh Thornton

Books

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