Nick Bentley

Philip Tew

Emily Horton

Nick Hubble

This volume relates the British fiction of the decade to the contexts in which it was written and received in order to examine and explain contemporary trends, such as the rise of a new working-class fiction, the ongoing development of separate national literatures of Scotland, Wales and Ireland, and shifts in modes of attention and reading. From the aftermath of the 2008 global financial crash to the Covid-19 pandemic of 2020, the 2010s have been a decade of an ongoing crisis which has penetrated every area of everyday life. Internationally, there has been an ongoing shift of global power from the US to China, and events and developments such as the election of Donald Trump as US President, the emergence of the Black Lives Matter movement, the rise of the populist right across Europe and very gradually the incipient effects variously of AI. Nationally, there has been a decade of austerity economics punctuated by divisive referendums on Scottish independence and whether Britain should leave or remain in the EU. Balancing critical surveys with in-depth readings of work by authors who have helped define this turbulent decade, including Nicola Barker, Anna Burns, Jonathan Coe, Alys Conran, Bernadine Evaristo, Mohsin Hamid, James Kelman, James Robertson, Kamila Shamsie, Ali Smith, Zadie Smith and Adam Thirlwell, among others, this volume illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.

A Decade of Contemporary British Fiction

The 2010s

This book offers a unique interdisciplinary examination of how youth subcultures have been articulated and constructed in selected fiction from the post-war period to the twenty-first century. It provides a theoretical underpinning for the analysis of subcultures and scenes in literary fiction, identifying approaches set against key theories from subcultural studies, sociology, and criminology as well as paying close attention to issues of literary form, genre and narrative technique. As well as identifying an overlooked body of work in postwar and contemporary fiction, it shows how literary fiction can offer a distinctive contribution to our understanding of youth and marginalized cultures. It offers close analysis of a range of novels organized around key themes and contexts including teenagers, Teds and jazz scenes in the 1950s; Beat writing and the counterculture; punk fiction; dystopian and cyberpunk fiction as well as the examination of works that foreground class, race, gender and sexuality.

Making a Scene

Youth Subcultures in Postwar and Contemporary Fiction

Nick Bentley offers a critical analysis to the main themes and literary techniques of Martin Amis, a leading literary figure who has inspired a generation of writers with his distinctive literary style.

Martin Amis

Alice Ferrebe

How did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.

A Decade of Modern British Fiction

The 1950s

Leigh Wilson

How did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.

2000s, The: A Decade of Contemporary British Fiction

Nick Bentley takes a fresh look at English fiction produced in the 1950s. By looking at a range of authors, he shows that the novel of the period was far more diverse and formally experimental than previous accounts have suggested.

The English Novel in the 1950s

Radical Fictions

John Wain

"A great fund of comic invention." - "Times Literary Supplement" "Written with great spirit . . . very funny . . . fresh, unhackneyed and excellently observed." - "Listener" "[A] bustling kaleidoscope of a book, by an author fertile in expedient, keenly observant and occasionally probing the heart of darkness." - "Sunday Times" Charles Lumley feels that he has been born in captivity - the captivity of his smugly conventional bourgeois upbringing. Now he has just graduated from university, only to make the discouraging discovery that his education has rendered him unfit for any kind of useful employment. Wondering what to do with the rest of his life and longing to escape, a chance remark overheard in a pub sets him off on a picaresque and hilarious tour of 1950s Britain. He undergoes a string of comic misadventures as he works as a window cleaner, a drug trafficker, a hospital orderly, and a chauffeur, all while trying to find his place in the world and win the love of the beautiful Veronica Roderick. John Wain (1925-1994) was one of the great English men of letters of the 20th century, a prolific novelist, poet, biographer, and critic whose many accolades included the Somerset Maugham Award, the James Tait Black Memorial Prize, and the Whitbread Award. "Hurry on Down" (1953), his first novel, ushered in a new kind of English novel and paved the way for many later classics, including Kingsley Amis's "Lucky Jim" (1954) and John Braine's "Room at the Top" (1957). This 60th anniversary edition includes an introduction by Nick Bentley and marks the novel's first republication in the United States in more than half a century.

Hurry on Down

Beth Johnson

Andrzej Zieleniec

This collection explores the representation, articulation and construction of youth subcultures in a range of texts and contexts. It brings together scholars working in literary studies, screen studies, sociology and cultural studies whose research interests lie in the aesthetics and cultural politics of youth. It contributes to, and extends, contemporary theoretical perspectives around youth and youth cultures. Contributors examine a range of topics, including ‘bad girl’ fiction of the 1950s, novels by subcultural writers such as Colin MacInnes, Alex Wheatle and Courttia Newland, as well as screen representations of Mods, the 1990s Rave culture, heavy metal, and the Manchester scene. Others explore interventions into subcultural theory with respect to metal, subcultural locations, abjection, graffiti cultures, and the potential of subcultures to resist dominant power frameworks in both historical and contemporary contexts.

Teenage Dreams

Youth Subcultures in Fiction, Film and Other Media

This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture.A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: (1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality, (4) History, Memory and Writing, and (5) Narratives of Cultural Space.

Contemporary British Fiction

This invaluable Guide explores the primary debates in the literary criticism of contemporary British fiction. Drawing heavily from a wide range of current criticism, Nick Bentley examines key trends and issues in the work of some of the main contemporary novelists, critics and theorists.

The 1990s proved to be a particularly rich and fascinating period for British fiction. This book presents a fresh perspective on the diverse writings that appeared over the decade, bringing together leading academics in the field. British Fiction of the 1990s: traces the concerns that emerged as central to 1990s fiction, in sections on millennial anxieties, identity politics, the relationship between the contemporary and the historical, and representations of contemporary space offers distinctive new readings of the most important novelists of the period, including Martin Amis, Beryl Bainbridge, Pat Barker, Julian Barnes, A.S. Byatt, Hanif Kureishi, Ian McEwan, Iain Sinclair, Zadie Smith and Jeanette Winterson shows how British fiction engages with major cultural debates of the time, such as the concern with representing various identities and cultural groups, or theories of ‘the end of history’ discusses 1990s fiction in relation to broader literary and critical theories, including postmodernism, post-feminism and postcolonialism. Together the essays highlight the ways in which the writing of the 1990s represents a development of the themes and styles of the post-war novel generally, yet displays a range of characteristics distinct to the decade.

Nick Bentley

Books

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