Nicki Hitchcott

Laïla Ibnlfassi

African Francophone Writing presents a comprehensive overview of African writing in the Francophone literary world. It explores the work of important classic and contemporary African writers from the 1950s to the present who, until recently, have received little critical attention. The contributors view their subjects from a diverse range of critical perspectives -- historical, thematic, psychoanalytic, feminist and post-colonial -- to provide a variety of theoretically sophisticated analyses of Francophone writing. A comprehensive introduction and an extensive chronological table are included. African Francophone literature is rapidly becoming a major discipline in universities in Britain and North America. This book will provide much needed critical material for students at both undergraduate and postgraduate level. [Well-known authors studied in this book include: Chraïbi, Memmi and Boudjedra in the Maghreb; Sembène, Kourouma and Adiaffi in sub-Saharan Africa; Begag and Cherif from the 'Beur' community; and women writers such as Debèche, Fall and Bâ.]

A Critical Introduction

African Francophone Writing

During what has become officially known as the genocide against the Tutsi, as many as one million Rwandan people were brutally massacred between April and July 1994. This book presents a critical study of fictional responses by authors inside and outside Rwanda to the 1994 genocide. Focusing on a large and original corpus of creative writing by African authors, including writers from Rwanda, Rwanda Genocide Stories: Fiction After 1994 examines the positionality of authors and their texts in relation to the genocide. How do issues of 'ethnicity', nationality, geographical location and family history affect the ways in which creative writers respond to what happened in 1994? And how do such factors lead to authors and their texts being positioned by others? The book is organized around the principal subject positions created by the genocide, categories that have particular connotations and have become fraught with political tension and ambiguity in the context of post-genocide Rwanda. Through analysis of the figures of tourists, witnesses, survivors, victims and perpetrators, the book identifies the ways in which readers of genocide stories are compelled to reevaluate their knowledge of Rwanda and take an active role in commemorative processes: as self-critical tourists, ethical witnesses, judges or culpable bystanders, we are encouraged to acknowledge and assume our own responsibility for what happened in 1994.

Fiction After 1994

Rwanda Genocide Stories

Dominic Richard David Thomas

Short stories conclude with translator's name.

Francophone Afropean Literatures

Dominic Thomas

What does Afro-Europe signify? This volume explores the concept and possibility of a black European community by analysing the ways in which contemporary Francophone African writers articulate and interrogate their complex relationships with European society, culture and history. Through the different contributions in this volume, readers will discover the symbiotic ways in which Africa has transformed/been transformed (in/by) Europe and in turn how Africanness has (re)defined Europeanness. To this end, the volume places scholarly articles addressing the relationship between the francophone and Afro-European context alongside new, specially commissioned short stories and essays by some of the most critically-acclaimed and influential producers of Afropean writing today: Fatou Diome, Alain Mabanckou, Léonora Miano, Wilfried N'Sondé, Sami Tchak and Abdourahman Waberi. Works by these authors are discussed in and across the scholarly interventions, generating dialogue around what it means to be 'Francophone' and 'Afropean' in the twenty-first century. At a time when it is no longer easy to define what Europe really is, this book considers to what extent the category 'Afropean' may prove helpful in improving our understanding of the complex ways in which minority communities conceive of identity in Europe today and address the range of issues impacting them. The notion of 'Afropeanism' is of course relatively new, and this book does not claim to offer an exhaustive analysis of the term's usage and/or potential pertinence. Rather, the cultural, political, and social circumstances of Europe today are reflected in discussions surrounding the term and perhaps not surprisingly, in the diverse and diverging perspectives adopted by the scholars and creative writers in this volume.

Hannah Grayson

Over the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda's trajectory is shaped by other global factors. The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.

Stories of Change

Rwanda Since 1994

The most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an "African" author and a proven literary "fake." In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala's efforts to position herself as a champion of women's rights. Hitchcott pays equal attention to Beyala's novels, tracing their explorations of the role of migration in the creation of personal identity

Performances of Migration

Calixthe Beyala

Annotation. "In Calixthe Beyala, Nicki Hitchcott considers Beyala as an icon and a writer. She explores representations of Beyala in the media, the varied critical responses to her writing, and Beyala's efforts to position herself as a champion of women's rights in Africa. Hitchcott pays equal attention to the novels themselves, tracing their explorations of the role of migration in the construction of identities. Calixthe Beyala is a nuanced attempt to understand the work - and public role - of one of the most important women writing today."--BOOK JACKET.

Nicki Hitchcott

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