Peter Sabor

Nicole Côté

Mavis Gallant has been described by Michael Ondaatje as «one of the great short story writers of our time.» Since 1950, her short stories and novels have commanded the interest of readers in North America and Europe alike. Varieties of Exile: New Essays on Mavis Gallant approaches her work from a variety of perspectives, with particular emphasis on the key role that irony plays in her writings. The contributors include some of the world's leading authorities on Gallant, as well as her finest translators. This book features a discussion of the issues involved in translating Gallant's prose from English to French. In a question and answer session, Mavis Gallant speaks about her art, reminisces about some events in her life, and reflects on the workings of memory.

New Essays on Mavis Gallant

Varieties of Exile

Douglas Morrey

Christina Stojanova

The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated, not only on French and other world cinemas, but on fields as diverse as television, video art, gallery installation, philosophy, music, literature, and dance. The Legacies of Jean-Luc Godard marks an initial attempt to map the range and diversity of Godard’s impact across these different fields. It contains reassessments of key films like Vivre sa vie and Passion as well as considerations of Godard’s influence over directors like Christophe Honoré. Contributors look at Godard’s relation to philosophy and influence over film philosophy through reference to Wittgenstein, Deleuze, and Cavell, and show how Godard’s work in cinema interacts with other arts, such as painting, music, and dance. They suggest that Godard’s late work makes important contributions to debates in memory and Holocaust Studies. The volume will appeal to a non-specialist audience with its discussions of canonical films and treatment of themes popular within film studies programs such as cinema and ethics. But it will also attract academic specialists on Godard with its chapters on recent works, including Dans le noir du temps (2002) and Voyage(s) en utopie (2006), interventions in long-running academic debates (Godard, the Holocaust, and anti- Semitism), and treatment of rarely discussed areas of Godard’s work (choreographed movement).

Nicole Côté

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