Niyi Afolabi

Ilê Aiyê's unifying identity politics through Afro-Carnival performance, is embedded in its dialectical relationship with the rest of Brazil as it takes ownership of its oppressed status by striving for racial equality and economic empowerment. Against this complex background, performative theory offers significant new meanings. In ritualistically integrating Bakhtinian categories of free interaction, eccentric behavior, carnivalistic misalliances, and the sacrilegious, Ilê Aiyê anchors its social discourse on showcasing the black race as a critical agency of beauty, pride, wisdom, subversion, and negotiation. Ilê Aiyê carnival is not only racially conscious, it heightens the conflicts by dislocating the very establishment that invests in its cultural politics. In fusing the sacred, the profane, the performative, the musical, with the political, Ilê Aiyê succeeds in indicting racism, ironically sacrificing the very power it pursues. Despite these limitations, Ilê Aiyê creatively engages alternative dialogues on Brazilian politics through sponsored performances across transnational borders.

Ilê Aiyê in Brazil and the Reinvention of Africa

Drawing on historical and cultural approaches to race relations, Identities in Flux examines iconic Afro-Brazilian figures and theorizes how they have been appropriated to either support or contest a utopian vision of multiculturalism. Zumbi dos Palmares, the leader of a runaway slave community in the seventeenth century, is shown not as an anti-Brazilian rebel but as a symbol of Black consciousness and anti-colonial resistance. Xica da Silva, an eighteenth-century mixed-race enslaved woman who "married" her master and has been seen as a licentious mulatta, questions gendered stereotypes of so-called racial democracy. Manuel Querino, whose ethnographic studies have been ignored and virtually unknown for much of the twentieth century, is put on par with more widely known African American trailblazers such as W. E. B. Du Bois. Niyi Afolabi draws out the intermingling influences of Yoruba and Classical Greek mythologies in Brazilian representations of the carnivalesque Black Orpheus, while his analysis of City of God focuses on the growing centrality of the ghetto, or favela, as a theme and producer of culture in the early twenty-first-century Brazilian urban scene. Ultimately, Afolabi argues, the identities of these figures are not fixed, but rather inhabit a fluid terrain of ideological and political struggle, challenging the idealistic notion that racial hybridity has eliminated racial discrimination in Brazil.

Race, Migration, and Citizenship in Brazil

Identities in Flux

Although Brazil is home to the largest African diaspora, the religions of its African descendants have often been syncretized and submerged, first under the force of colonialism and enslavement and later under the spurious banner of a harmonious national Brazilian character. Relocating the Sacred argues that these religions nevertheless have been preserved and manifested in a strategic corpus of shifting masks and masquerades of Afro-Brazilian identity. Following the re-Africanization process and black consciousness movement of the 1970s to 1990s, Afro-Brazilians have questioned racial democracy, seeing how its claim to harmony actually dispossesses them of political power. By embracing African deities as a source of creative inspiration and resistance, Afro-Brazilians have appropriated syncretism as a means of not only popularizing African culture but also decolonizing themselves from the past shame of slavery. This book maps the role of African heritage in—and relocation of the sacred to—three sites of Brazilian cultural production: ritual altars, literature, and carnival culture.

African Divinities and Brazilian Cultural Hybridities

Relocating the Sacred

African Cultural Patrimony, New World Connections, and Identities

Marvels of the African World

Toyin Falola

In an era of globalization, population growth, and displacements, migration is now a fact of life in a constantly shifting economic and political world order. This book contributes to the discourse on the beneficiaries, benefactors, and the casualties of African displacement. While the few existing studies have emphasized economic motivation as the primary factor triggering African migration, this volume treats a range of issues: economic, socio-political, pedagogical, developmental, and cultural. Organized with a multidisciplinary thrust in mind, this book argues that any discussion of African migration, whether internal or external, must be conceived as only one aspect of a more complex, organic, and global patterning of "flux and reflux" necessitated by constantly shifting dynamics of world socio-economic, cultural, and political order.

The Human Cost of African Migrations

Regeneration in Lusophone African Literature and Culture

Golden Cage

An Interview with the Crafty Translator

Mia Couto

Marcio Barbosa

Esmeralda Ribeiro

"This multilingual reader brings together literary and cultural critics from Africa, Europe, and the Americas to validate and re-evaluate the legitimacy of Afro-Brazilian studies and culture as a field of academic inquiry worthy of canonical inclusion. The thirty two multifaceted essays adopt an interdisciplinary approach in order to uncover the intellectual nature of Afro-Brazilian cultural production. Issues addressed include race relations, Afro-Atlantic Diaspora, gender, sexuality, identity formation, cultural diversity, performance, and popular culture."--Publisher's website.

Mente Afro-brasileira

An interdisciplinary study on the myth of racial democracy in Brazil through the prism of producers of Afro-Brazilian culture.

Cultural Production in a Racial Democracy

Afro-Brazilians

This book uncovers the reality that new African immigrants now represent a significant force in the configuration of American polity and identity especially in the last forty years. Despite their minority status, African immigrants are making their marks in various areas of human endeavor and accomplishments—from academic, to business, to even scientific inventions. The demographic shift is both welcome news as well as a matter for concern given the consequences of displacement and the paradoxes of exile in the new location. By its very connection to the ‘Old African Diaspora,’ the notion of a ‘New African Diaspora’ marks a clear indication of a historical progression reconnecting continental Africa with the New World without the stigma of slavery. Yet, the notion of trans-Atlantic slavery is never erased when the African diaspora is mentioned whether in the old or new world. Within this paradoxical dispensation, the new African diaspora must be conceived as the aftermath of a global migration crisis.

Niyi Afolabi

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