Noah Charney

The Art of Forgery: Case Studies in Deception explores the stories, dramas and human intrigues surrounding the world’s most famous forgeries – investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.

The Art of Forgery

Ingrid Drake Rowland

An accomplished painter, architect and diplomat, Giorgio Vasari (1511-1574) is best known for'Lives of the Artists', his classic account of the great masters-an extraordinary book that invented the genre of artistic biography, single-handedly established the canon of Italian Renaissance art and founded the cults of Raphael, Leonardo and Michelangelo that persist to this day. Vasari positioned art as an intellectual pursuit instead of just a technical skill, teaching us to view artists as geniuses and visionaries rather than as simple craftsmen. Immersing readers in the world of the Medici and the popes, Ingrid Rowland and Noah Charney show the great works of Western culture taking shape amid the thrilling culture of Renaissance Italy.

Giorgio Vasari and the Invention of Art

The Collector of Lives

A Novel

The Art Thief

Delivers a gripping history of the world's most pilfered masterpiece--Jan van Eyck's "Ghent Alterpiece," treasured for its central panel, "The Adoration of the Mystic Lamb"--which has been looted in three wars, burned, forged, smuggled, hunted by the Nazis, ransomed, rescued by Austrian double-agents and stolen 13 times. By the author of The Art Thief.

The True Story of the World's Most Coveted Masterpiece

Stealing the Mystic Lamb

True tales of lost art, built around case studies of famous works, their creators, and stories of disappearance and recovery From the bestselling author of The Art of Forgery comes this dynamic narrative that tells the fascinating stories of artworks stolen, looted, or destroyed in war, accidentally demolished or discarded, lost at sea or in natural disasters, or attacked by iconoclasts or vandals; works that were intentionally temporal, knowingly destroyed by the artists themselves or their patrons, covered over with paint or plaster, or recycled for their materials. An exciting read that spans the centuries and the continents.

The Museum of Lost Art

In the wake of the thefts of three priceless art treasures from Rome, Paris, and London, art detective Gabriel Coffin and art historian Genevieve Delacloche team up to investigate a series of false leads, forgeries, and bizarre clues. A first novel. Reprint.

Svetlana Slapak

Slavic cultures are far-ranging, comprising of East Slavs (Russia, Ukraine, Belarus), West Slavs (Czech Republic, Slovakia, Poland) and South Slavs (the countries of former Yugoslavia plus Bulgaria), yet they are connected by tales of adventure and magic with deep roots in a common lore. In this first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapak expertly weave together a retelling of the ancient stories with nuanced analysis that illuminates their place at the heart of Slavic tradition. Though less familiar to us than the legends of ancient Egypt, Greece and Scandinavia, in the world of Slavic mythology we find much that we can recognize: petulant deities, demons and faeries; witches, the sinister vestica, whose magic may harm or heal; a supreme god who can summon storms and hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythologys Yggdrasill; or, after the coming of Christianity, congregate among the clouds. The vampire usually the only Serbo-Croatian word in any foreign-language dictionary and the werewolf emerge from the shallow graves of Slavic belief. In their careful analysis and sensitive reconstructions of the origin stories, Charney and Slapsak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by 19th-century scholars seeking origin stories for their new-born nation states. They reveal links not only to the neighbouring pantheons of Greece, Rome, Egypt and Scandinavia but also the belief systems of indigenous peoples of Australia, the Americas, Africa and Asia. In so doing, they draw out the universalities that cut across cultures in the stories we tell ourselves.

The Slavic Myths

The Art of Reading Landscapes

These Trees Tell a Story

Jaša

What Anthony Bourdain's Kitchen Confidential did for the world of chefs and restaurants, Making It does for the art world. Making It is a gonzo memoir of an established artist crossed with objective advice, tips and tricks fleshed out by a best-selling art historian and Pulitzer finalist writer on art. It peels back the shroud and reveals the highs and struggles in the life and career of a working artist. Specifically aimed at aspiring artists and art students, it will be of interest to anyone who wants to know what it is like to have an artist’s-eye-view of the art world, asking the tough and often glossed-over questions that rising artists inevitably have, not only about the creative process, but about navigating the turbulent waters of the social, professional, academic, critical, museum and trade elements of a career as a visual artist. How best to deal with the abundance of alcohol, drugs and sex while wire-walking your own artistic dilemmas? How can an artist launch his or her career and help it flourish? What’s it like to achieve every artist’s dream, including showing at the Venice Biennale? What does it really mean to "make it" and how can you maintain your groove once you’ve arrived? All these questions and more are answered in this combination tell-all memoir and how-to manual for rising artists and anyone wanting a behind-the-scenes tour of what it’s like to be an artist.

The Artist's Survival Guide

Making It

Superpower Your kids

O Ladrão de Arte

Living and Traveling in the World's Best Country

Slovenology

Charley Eiseman

John Carlson

This Ground-Breaking Reference offers details for identifying beetles, spiders, flies, ants, butterflies, moths, dragonflies, earwigs, mayflies, crickets, grasshoppers, centipedes, millipedes, scorpions, earthworms, slugs, lacewings, wasps, bees, damselflies, alderflies, crabs, and many other invertebrates from the sign they leave behind. Includes almost 1,000 color photos and some 2,000 species.

A Guide to North American Species

Tracks & Sign of Insects & Other Invertebrates

Svetlana Slapšak

A Pulitzer-nominated author and one of the great public intellectuals of Slavic culture bring to life the unfamiliar myths and legends of the Slavic world. In the first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapšak expertly weave together the ancient stories with nuanced analysis to illuminate their place at the heart of Slavic tradition. While Slavic cultures are far-ranging, comprised of East Slavs (Russia, Ukraine, Belarus), West Slavs (the Czech Republic, Slovakia, Poland), and South Slavs (the countries of former Yugoslavia plus Bulgaria), they are connected by tales of adventure and magic with roots in a common lore. In the world of Slavic mythology we find petulant deities, demons and fairies, witches, and a supreme god who can hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythology’s Yggdrasill. The vampire—usually the only Serbo-Croatian word in any foreign-language dictionary—and the werewolf both emerge from Slavic belief. In their careful analysis and sensitive reconstructions of the myths, Charney and Slapšak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by nineteenth-century scholars seeking origin stories for their newborn nation states. They reveal links not only to the neighboring pantheons of Greece, Rome, Egypt, and Scandinavia, but also the belief systems of indigenous peoples of Australia, the Americas, Africa, and Asia. Specially commissioned illustrations inspired by traditional Eastern and European folk art bring the stories and their cultural landscape to life.

"Historian Charney tracks the eventful life of the Mona Lisa in this rollicking account.... The result is both a thrilling tale of true crime and a rigorous work of art history." — Publishers Weekly, Starred Review From the artwork to its theft and role in popular culture, the critically-acclaimed book The Thefts of the Mona Lisa (Foreword Reviews, Publishers Weekly Starred Review, Shelf Awareness, Booklist, Library Journal, and Kirkus Reviews) provides the complete story of this work of art, as written by a bestselling, Pulitzer finalist author. Leonardo da Vinci’s portrait, called the Mona Lisa, is without doubt the world’s most famous painting. It achieved its fame not only because it is a remarkable example of Renaissance portraiture, created by an acclaimed artistic and scientific genius, but because of its criminal history. The Mona Lisa (also called La Gioconda or La Joconde) was stolen on 21 August 1911 by an Italian, Vincenzo Peruggia. Peruggia was under the mistaken impression that the Mona Lisa had been stolen from Italy during the Napoleonic era, and he wished to take back for Italy one of his country’s greatest treasures. His successful theft of the painting from the Louvre, the farcical manhunt that followed, and Peruggia’s subsequent trial in Florence were highly publicized, sparking the attention of the international media, and catapulting an already admired painting into stratospheric heights of fame. This book reveals the art and criminal history of the Mona Lisa. Charney examines the criminal biography of Leonardo’s Mona Lisa, with a focus on separating fact from fiction in the story of what is not only the most famous art heist in history, but which is the single most famous theft of all time. In the process he delves into Leonardo’s creation of the Mona Lisa, discusses why it is so famous, and investigates two other events in its history of theft and renown. First, it examines the so-called “affaire des statuettes,” in which Pablo Picasso and Guillaume Apollinaire were arrested under suspicion of involvement in the theft of the Mona Lisa. Second, there has long been a question as to whether the Nazis stole the Mona Lisa during the Second World War—a question that this book seeks to resolve.

The Complete Story of the World's Most Famous Artwork

The Thefts of the Mona Lisa

Miha Mazzini

Fatherhood is a fundamental aspect of human existence and a central theme in the arts. Yet, depictions of fathers in art have been overshadowed by those of mothers and children. This book explores representations of fathers in visual culture and literature throughout history, from ancient to contemporary times and around the world. It includes a broad definition of fathers, which also covers father figures and metaphorical “fathers.” The portrayal of fathers in art, literature and film has evolved over time, reflecting the changing societal attitudes towards fatherhood. From the early depictions of father figures as providers and protectors, to the more recent portrayals of fathers as involved and nurturing parents, art has explored the complexities and challenges of being a father, while also showcasing the joys and rewards that come with the role. This will be the definitive look at how fathers have been portrayed in the arts and how that reflects cultural and societal views on fatherhood through history. Through this we will draw out lessons on “how to be a good father” and apply it to parenting today. It is the ideal gift for new fathers, on Father's Day or following the birth of a first child

What Art, Film, Television, and Literature Tell Us about Being a Good Father

The Art of Fatherhood

Whit Rummel

In 1969, a Picasso painting was stolen by mistake. This book explores how the accidental thief pulled off a reverse heist while avoiding the FBI and the Boston mob.

The True Story of a Reverse Heist, Outrunning the FBI, and Fleeing the Boston Mob

The Accidental Picasso Thief

Professor and dad Noah Charney shows parents how to teach their kids something meaningful every day... and make it fun.

A Professor's Guide to Make Learning Fun Every Day

Empower Your Kids

Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security. Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.

Noah Charney

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