Owen Rees

This book presents a selection of eighteen land battles and sieges that span the Classical Greek period, from the Persian invasions to the eclipse of the traditional hoplite heavy infantry at the hands of the Macedonians. This of course is the golden age of the hoplite phalanx but Owen Rees is keen to cover all aspects of battle, including mercenary armies and the rise of light infantry, emphasising the variety and tactical developments across the period. Each battle is set in context with a brief background and then the battlefield and opposing forces are discussed before the narrative and analysis of the fighting is given and rounded off with consideration of the aftermath and strategic implications. Written in an accessible narrative tone, a key feature of the book is the authors choice of battles, which collectively challenge popularly held beliefs such as the invincibility of the Spartans. The text is well supported by dozens of tactical diagrams showing deployments and various phase of the battles.

Great Battles of the Classical Greek World

Great Naval Battles of the Ancient Greek World

Graham Mayeda

Vanessa Gruben

Beverley McLachlin was the first woman to be Chief Justice of the Supreme Court of Canada. Joining the Court while it was establishing its approach to the Canadian Charter of Rights and Freedoms, McLachlin aided the court in weathering the public backlash against controversial decisions during her tenure. Controversies in the Common Law explores Chief Justice McLachlin’s approach to legal reasoning, examines her remarkable contributions in controversial areas of the common law, and highlights the role of judicial philosophy in shaping the law. Chapters in this book span thirty years, and deal with a variety of topics – including tort, unjust enrichment, administrative and criminal law. The contributors show that McLachlin had a philosophical streak that drove her to ensure unity and consistency in the common law, and to prefer incremental change over revolution. Celebrating the career of an influential jurist, Controversies in the Common Law demonstrates how the common law approach taken by Chief Justice McLachlin has been successful in managing criticism and ensuring the legitimacy of the Court.

Tracing the Contributions of Chief Justice Beverley McLachlin

Controversies in the Common Law

This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.

Hoplite Transitions

Military Departures, Homecomings and Death in Classical Athens

Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', representing the summation of golden-age Spanish polyphony. Yet it has been the focus of surprisingly little research. Owen Rees's multifaceted study brings together the historical and ritual contexts for the work's genesis, the first detailed musical analysis of the Requiem itself, and the long story of its circulation and reception. Victoria composed this music in 1603 for the exequies of Mara of Austria, and oversaw its publication two years later. A rich variety of contemporary documentation allows these events - and the nature of music in Habsburg exequies - to be reconstructed vividly. Rees then locates Victoria's music within the context of a vast international repertory of Requiems, much of it previously unstudied, and identifies the techniques which render this work so powerfully distinctive and coherent.

Owen Rees

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