Patricia Brace

Sandra Bell

Marie Loughlin

The Broadview Anthology of Sixteenth-Century Poetry and Prose makes available not only extensive selections from the works of canonical writers, but also substantial extracts from writers who have either been neglected in earlier anthologies or only relatively recently come to the attention of twentieth- and twenty-first-century scholars and teachers. Popular fiction and prose nonfiction are especially well represented, including selections from popular romances, merchant fiction, sensation pamphlets, sermons, and ballads. The texts are extensively annotated, with notes both explaining unfamiliar words and providing cultural and historical contexts.

The Broadview Anthology of Sixteenth-Century Poetry and Prose

Robert Arp

For more than two centuries, Kentucky women have fought for the right to vote, own property, control their wages, and be safe at home and in the workplace. Tragically, many of these women's voices have been silenced by abuse and violence. In Violence against Women in Kentucky: A History of U.S. and State Legislative Reform, Carol E. Jordan chronicles the stories of those who have led the legislative fight for the last four decades to protect women from domestic violence, rape, stalking, and related crimes. The story of Kentucky's legislative reforms is a history of substantial toil, optimism, advocacy, and personal sacrifice by those who proposed the change. This compelling narrative illustrates, through their own points of view, the stories of survivors who serve as inspiration for change. Jordan analyzes national legislative reforms as well as the strategies that have been used to enact and enforce legislation addressing rape and domestic violence at a local level. Violence against Women in Kentucky is the first book to look at the history of domestic violence in a state that consistently falls at the bottom of women's rights rankings, as told by the activists and survivors who fought for change. Detailing the successes and failures of reforms and outlining the work that is still to be done, this volume reflects on the future of women's rights legislation in Kentucky.

The Philosophy of J.J. Abrams

American auteur Jeffrey Jacob "J. J." Abrams's genius for creating densely plotted scripts has won him broad commercial and critical success in TV shows such as Felicity (1998--2002), Emmy-nominated Alias (2001--2006), Emmy and Golden Globe-winning Lost (2004--2010), and the critically acclaimed Fringe (2008--2013). In addition, his direction in films such as Cloverfield (2008), Super 8 (2011), and the new Mission Impossible and Star Trek films has left fans eagerly awaiting his revival of the Star Wars franchise. As a writer, director, producer, and composer, Abrams seamlessly combines geek appeal with blockbuster intuition, leaving a distinctive stamp on all of his work and establishing him as one of Tinsel Town's most influential visionaries. In The Philosophy of J.J. Abrams, editors Patricia L. Brace and Robert Arp assemble the first collection of essays to highlight the philosophical insights of the Hollywood giant's successful career. The filmmaker addresses a diverse range of themes in his onscreen pursuits, including such issues as personal identity in an increasingly impersonal digitized world, the morality of terrorism, bioethics, friendship, family obligation, and free will. Utilizing Abrams's scope of work as a touchstone, this comprehensive volume is a guide for fans as well as students of film, media, and culture. The Philosophy of J.J. Abrams is a significant contribution to popular culture scholarship, drawing attention to the mind behind some of the most provocative television and movie plots of our day.

Patricia Brace

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