Olaf Stapledon

Patrick A. McCarthy

Star Maker

Joyce, Family, Finnegans Wake

Critical Essays on James Joyce's Finnegans Wake

Joyce/Lowry: Critical Perspectives

Martin Harry Greenberg

Charles Elkins

Although better known for his classic and influential science fiction novels, Olaf Stapledon also wrote eight other science fiction books, seven volumes of philosophy and social criticism, and hundreds of reviews, lectures, and articles. This is the first book collection of original essays dealing with larger issues in Stapledon's writings and with his relationship to such forces as Marxism and literary modernism. The articles develop new avenues for the exploration of Stapledon's work, focusing on philosophical, linguistic, political, and structural elements, and showing how Stapledon's nonfictional writing may illuminate aspects of his fiction. In addition, the book includes Stapledon's hitherto unpublished manuscript "Letters to the Future."

Critical Essays and an Unpublished Manuscript

The Legacy of Olaf Stapledon

Paul Tiessen

While James Joyce was a central figure of high modernism, Malcom Lowry spoke for the next generation of modernist writers and, despite his denials, was almost certainly influenced by Joyce. Wherever the truth lies, there are correspondences and differences to be explored between Joyce and Lowry that are far more interesting than the question of direct influence. Despite numerous differences, their works have much in common: verbal richness, experimentation with narrative structure and perspective, a fascination with cultural and historical forces as well as with the process of artistic creation, and the inclusion of artist figures who are in varying degrees ironic self-portrayals. The contributors to Joyce/Lowry examine the relationship of these two expatriates writers, both to each other and to broader issues in the study of literary modernism and its aftermath. This collection embraces a variety of approaches. The volume begins with a consideration of Joyce and Lowry as practitioners of Expressionist art and concludes with an essay on John Huston's cinematic interpretation of works by both writers. In between are explorations of nationalism, anti-Semitism, syphilis, mental illness, and authorial design.

Critical Perspectives

Joyce/Lowry

Patrick A. McCarthy

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