Patrick B. Sharp

Revisiting the racial origins of the conflict between “civilization” and “savagery” in twentieth-century America The atomic age brought the Bomb and spawned stories of nuclear apocalypse to remind us of impending doom. As Patrick Sharp reveals, those stories had their origins well before Hiroshima, reaching back to Charles Darwin and America’s frontier. In Savage Perils, Sharp examines the racial underpinnings of American culture, from the early industrial age to the Cold War. He explores the influence of Darwinism, frontier nostalgia, and literary modernism on the history and representations of nuclear weaponry. Taking into account such factors as anthropological race theory and Asian immigration, he charts the origins of a worldview that continues to shape our culture and politics. Sharp dissects Darwin’s arguments regarding the struggle between “civilization” and “savagery,” theories that fueled future-war stories ending in Anglo dominance in Britain and influenced Turnerian visions of the frontier in America. Citing George W. Bush’s “Axis of Evil,” Sharp argues that many Americans still believe in the racially charged opposition between civilization and savagery, and consider the possibility of nonwhite “savages” gaining control of technology the biggest threat in the “war on terror.” His insightful book shows us that this conflict is but the latest installment in an ongoing saga that has been at the heart of American identity from the beginning—and that understanding it is essential if we are to eradicate racist mythologies from American life.

Racial Frontiers and Nuclear Apocalypse in American Culture

Savage Perils

Craig B. Jacobsen

Drawn from the Science Fiction Research Association conference held in Lawrence, Kansas, in 2008, the essays in this volume address intersections among the reading, writing, and teaching of science fiction. Part 1 studies the teaching of SF, placing analytical and pedagogical research next to each other to reveal how SF can be both an object of study as well as a teaching tool for other disciplines. Part 2 examines SF as a genre of mediation between the sciences and the humanities, using close readings and analyses of the literary-scientific nexus. Part 3 examines SF in the media, using specific television programs, graphic novels, and films as examples of how SF successfully transcends the medium of transmission. Finally, Part 4 features close readings of SF texts by women, including Joanna Russ, Ursula K. Le Guin, and Octavia E. Butler.

Critical Essays on Writing, Reading and Teaching the Genre

Practicing Science Fiction

Lisa Yaszek

The First Women of Science Fiction

Sisters of Tomorrow

Winner of the Susan Koppelman Award (2017) For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about “boys and their toys,” pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp’s critical annotation and author biographies link women’s work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.

Jeannette Eileen Jones

This collection is an interdisciplinary edited volume that examines the circulation of Darwinian ideas in the Atlantic space as they impacted systems of Western thought and culture. Specifically, the book explores the influence of the principle tenets of Darwinism -- such as the theory of evolution, the ape-man theory of human origins, and the principle of sexual selection -- on established transatlantic intellectual traditions and cultural practices. In doing so, it pays particular attention to how Darwinism reconfigured discourses on race, gender, and sexuality in a transnational context. Covering the period from the publication of The Origin of Species (1859) to 1933, when the Nazis (National Socialist Party) took power in Germany, the essays demonstrate the dissemination of Darwinian thought in the Western world in an unprecedented commerce of ideas not seen since the Protestant Reformation. Learned societies, literary groups, lyceums, and churches among other sites for public discourse sponsored lectures on the implications of Darwin’s theory of evolution for understanding the very ontological codes by which individuals ordered and made sense of their lives. Collectively, these gatherings reflected and constituted what the contributing scholars to this volume view as the discursive power of the cultural politics of Darwinism.

Patrick B. Sharp

Books

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