Paul Sheehan

'Girls Like You' is an astonishing, searing non-fiction narrative, built on dialogue, character and forensic detail as it tracks the cascade of crimes by six brothers from Pakistan after they arrive in Sydney. In a catalogue of outrages, women are raped and men die. As the net eventually closes on the perpetrators the book becomes a courtroom drama. Paul Sheehan follows each shocking case, as the girls search for justice in a legal system loaded in favour of the defendant rather than the victim. 'Girls Like You' unfolds against the backdrop of the gang-rape phenomenon and the cultural clash between young Muslim men and young western women. Written by the author of the huge bestseller, 'Among The Barbarians', it is even more dramatic and even more topical.

Four Young Girls, Six Brothers and a Cultural Timebomb

Girls Like You

Blythe Worthy

Adapting Television and Literature is an incisive collection of essays that explores the growing sub-category of television adaptations of literature and poetics. Each chapter questions inflexible notions of film / literature and adaptation / intertext, focusing judiciously on emergent or overlooked media and literary forms. These lines of enquiry embrace texts both within and beyond ‘adaptation proper’, to reveal the complex relationships between literary works, television adaptations, and related dialogues of textual interconnectivity. Adapting Television and Literature proposes, in particular, a ‘re-seeing’ of four genres pivotal to television and its history: caustic comedy, which claims for itself more freedoms than other forms of scripted television; auteurist outlaw drama, an offbeat, niche genre that aligns a fixation on lawbreakers with issues of creative control; young adult reinventions that vitalise this popular, yet under-examined area of television studies; and transcultural exchanges, which highlight adaptations beyond the white, Anglo-American programming that dominates ‘peak TV’. Through these genres, Adapting Television and Literature examines the creative resources of adaptation, plotting future paths for enquiries into television, literature and transmedial storytelling.

Adapting Television and Literature

Critical examination of reporting practices in the media. Argues that lies, fabrications, character assassinations, reputational rapes, point scoring, axe grinding and smearing have become standard fare in the media. Includes sources and index. Author is a columnist and senior writer for the 'Sydney Morning Herald'. His previous title is 'Among the Barbarians'.

The Electronic Whorehouse

Enterprise Curl is an advanced level handbook aimed at developing a full-featured enterprise application written in Curl for experienced web developers, system architects, and project managers. Unlike other Curl books, this will not be a beginner's introduction to the Curl language, or to distributed application architecture and development, as those topics are covered in detail elsewhere by other authors and journals. Instead, Enterprise Curl is built around the creation of a feature-rich eCommerce application in Curl, and each chapter will build on the previous resulting in a fully functional system. What is Curl? Curl is a fully object-oriented language that takes the best features of Java, HTML, DHTML, JavaScript, and Perl, and combines them into a cross-platform cross-browser language that's easy-to-learn yet quite powerful. Curl began in development at MIT in 1995, when they were awarded a government DARPA grant to "develop the next generation of communication and computation software." In the 8 months that Curl has been commercially available, over 170,000 people have downloaded the development platform.

Enterprise Curl

The No 1 Non-Fiction Bestseller"Girls like you, we know how to shut you up." (One of the brothers in a warning to a female victim)Girls Like You is an astonishing, searing non-fiction narrative, built on dialogue, character and forensic detail as it tracks the cascade of crimes by six brothers from Pakistan after they arrive in Sydney. In a catalogue of outrages, women are raped and men die. As the net eventually closes on the perpetrators, the book becomes a courtroom drama. Paul Sheehan follows each shocking case, as the girls search for justice in a legal system loaded in favour of the defendant rather than the victim.Girls Like You unfolds against the backdrop of the gang-rape phenomenon and the cultural clash between young Muslim men and young western women. Written by the author of the huge best-seller Among The Barbarians, it is even more dramatic and even more topical.

Helen Groth

“History is always written wrong, and so always needs to be rewritten.” (George Santayana) Enquiries into the relationship between literature and history continue to stir up intense critical and scholarly debate. Alongside the new hybrid categories that have emerged out of this ferment―life-writing, ficto-criticism, “history from below”, and so on―there has been a welter of new literary histories, new ways of tracking the connections between the written word and the historically bound world. This has resulted in renewed discussion about distinguishing the literary from the non-literary, about dialogues taking place between different national literatures, and about ascertaining the relative status of the literary text in relation to other cultural forms. Remaking Literary History seeks to clarify the diversity of issues and positions that have arisen from these debates. Central to the book’s approach is a rigorous and constructive questioning of the past, across disciplinary boundaries. This is carried out through four detailed and engrossing sections that explore the relationship between memory and forgetting; what it means to be ‘subject’ to history; the upsurge of interest in trauma and redemption; and the question of historical reinvention, which demonstrates how the overwriting of history continues to reinvigorate the literary imagination. As well as readers of literature and history, Remaking Literary History will be of interest to students of literary theory, legal studies and cultural and media studies.

Remaking Literary History

The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends.

Modernism and the Aesthetics of Violence

This book addresses the subject of violence as it features in celebrated modernist works from the early twentieth century. It traces the modernist fascination with violence back to the middle decades of the nineteenth century, when certain writers in France and England sought to celebrate dissident sexualities and stylized criminality.

Engages the problem of finding purpose and meaning in a perplexing and postmodern world, utilizing disciplines including philosophy, literature, sociology, and film studies.

Paul Sheehan

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