Ana Paula Arnaut

Paulo de Medeiros

The first volume of critical essays on the contemporary Portuguese novel in English, this book theorizes the concept of the 'hypercontemporary' as a way of reading the novel after its postmodern period. This inquiry into the notion of the hypercontemporary in its literary and cultural articulations analyzes a varied group of works representative of the most vibrant novels published in Portugal since 2000. The editors' introductory chapter theorizes the concept of the hypercontemporary as one way of looking at the novel after its postmodern period – especially in its relation to questions of violence, memory and performativity. These essays show how the Portuguese novel has evolved in the past 25 years, and how, in their diversity, most of these novels exhibit several common traits, including new topics and writing strategies – sometimes developing further entropic lines characteristic of many Postmodern narratives – and themes of violence, rapid transformation, and the many threats to a contemporary world that seems mass-produced due to greater technological advances. Readings also discuss the use of innovative graphic forms available from current print technologies and global networks. The Hypercontemporary Novel in Portugal provides a necessary understanding of the current literary landscape of Portugal and, in the process, the aesthetics of hyperrealism or post-postmodernism.

Fictional Aesthetics and Memory after Postmodernism

The Hypercontemporary Novel in Portugal

José Ornelas

"José Saramago, one of the most critically acclaimed writers world-wide, was distinguished with the Nobel Prize for Literature in 1998. This honour, the first to be bestowed on a Portuguese language writer marked one of the high points in a long and multiple career. Largely an auto-didact, Saramago never let fame obscure his clear vision of the world, tempered by a lifelong acquaintance with severe inequality, political struggle, but also success, be it in terms of the 1974 revolution that freed Portugal from nearly fifty years of dictatorship, be it in the growing acclaim he received since deciding to focus on writing. The Nobel Prize provided Saramago with a wider, perhaps more effective, base for expressing his opinions; but it did not bring about a rupture, neither with his political convictions, nor with his writing. In the large bibliography on Saramago sustained critical studies in English are still relatively scarce. This volume, composed by many diverse voices, and the first to focus on Saramago's late works, strives to address that gap. As 2022 marks Saramago's centenary, this volume is dedicated especially to his enduring memory and to all the futures his works made possible to envision"--

Contemporary Readings of José Saramago's Late Works

Saramago After the Nobel

José N. Ornelas

Livia Apa

Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together 11 chapters by recognized scholars, who analyze a variety of films and videos from Angola, Cape Verde, Guiné-Bissau, and Mozambique. It also includes an interview with Pedro Pimenta, one of the most distinguished African film festival organizers. Drawing on various theoretical perspectives, the volume strives to reverse the relative invisibility that has afflicted these cinemas, arguing that most, if not all, Lusophone films are transnational in all aspects of production, acting, and reception. The initial three chapters sketch broad, comparative overviews and suggest theoretical approaches, while the ensuing chapters focus on specific case studies and discuss a number of key issues such as the convergence of film with politics, the question of gender and violence, as well as the revisiting of the period immediately following independence. Attention is given to fiction, documentary films and recent, short, alternative video productions that are overlooked by more traditional channels. The book stresses the need to pay attention to the significance of African film, and Lusophone African film in particular, within the developing field of world cinema. Bringing together general overviews, historical considerations, detailed case studies, and focused theoretical reflections, this book is a significant volume for students and researchers in film studies, especially African, Lusophone cultural studies, and world cinema.

Transnational Communities and Alternative Modernities

Contemporary Lusophone African Film

Postcolonial Theory and Lusophone Literatures

Rosa Maria Martelo

The present volume assembles, for the first time in English, a wide range of poetic voices and critical perspectives that illustrate the vibrancy and richness of contemporary Portuguese poetry. Special attention is given, in seven chapters, to the relations between poetry and the visual arts, to questions of gender, politics, language, and resistance. While aiming to make a unique contribution to Portuguese Studies, this book also invites scholars engaged in questions of Poetics across the board, to enter into a fresh dialogue.

Modern Portuguese Poetry: Essays, Poems and Translations

ensaio sobre O Livro do desassossego

O silêncio das sereias

Jerónimo Pizarro

Onésimo Teotónio Almeida

Carlos Pittella

The Contribution of Hubert Jennings to Pessoan Studies : [a Printed Edition of Pessoa Plural--a Journal of Pessoa Studies, No. 8]

People of the Archive

Paulo de Medeiros

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