Péter Apor

Balázs Apor

E. A. Rees

This collection of essays offers a captivating reading that systematically explores the sovietization process in Central and Eastern Europe after the Second World War.

New Perspectives on the Postwar Period

The Sovietization of Eastern Europe

James Mark

Sándor Horváth

The collection of essays in Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe addresses institutions that develop the concept of collaboration, and examines the function, social representation and history of secret police archives and institutes of national memory that create these histories of collaboration. The essays provide a comparative account of collaboration/participation across differing categories of collaborators and different social milieux throughout East-Central Europe. They also demonstrate how secret police files can be used to produce more subtle social and cultural histories of the socialist dictatorships. By interrogating the ways in which post-socialist cultures produce the idea of, and knowledge about, “collaborators,” the contributing authors provide a nuanced historical conception of “collaboration,” expanding the concept toward broader frameworks of cooperation and political participation to facilitate a better understanding of Eastern European communist regimes.

Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe

Oksana Sarkisova

How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.

East European Representations of Communism in Cinema and Museums After 1989

Past for the Eyes

Balzs Apor

Rees E. A.

This essay anthology offers enlightening perspectives on how East-Central Europe was transformed into the “other” Europe during the Cold War era. When the Second World War ended, a new conflict arose between world powers jockeying for supremacy. The Soviet Union pursued a policy of exporting its system of government in a process known as sovietization. But there were also governments that sought to adopt a Soviet way of life on their own accord. Dictated by ideological imperatives, both styles of sovietization employed socialist strategies of state and nation building. This volume not only examines the imposition of new forms of government, but also the socialist response to modernity as reflected in approaches to new technology and management, consumption and leisure patterns, religious and educational policy, political rituals and attitudes to the past. The essays explore the diversity and the tensions within the sovietization process in the countries of the region. “This collection is a bold and timely attempt at shedding light on a rather insufficiently researched topic . . . the diverse approaches-ranging from socio-cultural and economic history to psycho-history.” —Dr. Dragos Petrescu, University of Bucharest.

Balázs Trencsényi

Sorin Antohi

The first work that covers the post-Communist development of historical studies in six Eastern European countries: Bulgaria, Czech Republic, Hungary, Poland, Romania, and Slovakia. A uniquely critical and qualitative analysis from a comparative and critical perspective, written by scholars from the region itself. Focusing on the first post-Communist decade, 1989–1999, the book offers a longer-term perspective that includes the immediate 'prehistory' of that momentous decade as well as its 'posthistoire'. The authors capture the spirit of 1989, that heady mix of elation, surprise, determination, and hope: l'ivresse du possible. This was the paradoxical beginning of Eastern European post-Communism: ushered in by 'anti-Utopian' revolutions, and slowly finding its course towards a bureaucratic, imitative, challenging, and anachronistic restoration of a capitalism that had changed almost beyond recognition when it had mutated into the negative double of Communism. Each individual chapter has numerous and detailed notes and references.

Péter Apor

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