Peter Bing

Rip Cohen

Recent attacks on contemporary art have portrayed the erotic content of works by Robert Mapplethorpe and others as if it were a deviation from the Western artistic tradition. On the contrary, there is a rich tradition of eroticism in the arts beginning with the erotic verse of ancient Greek and Roman poets. Games of Venus, the first comprehensive anthology in English of ancient Greek and Roman erotic verse, revives this tradition for the modern reader. Games of Venus presents the whole spectrum of erotic poetry from Sappho to Ovid in translations which evoke the full range of styles and tones present in the original Greek and Latin. Brief biographical sketches accompany the work of each poet as do notes referring to the myths, geography, historical events, personages, and sexual and social customs mentioned in the verse.

An Anthology of Greek and Roman Erotic Verse from Sappho to Ovid

Games of Venus

"Tradition and originality, the interplay of present and past, are a concern of poets in any age. " Peter Bing's seminal monograph, The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets, chases this idea through the thickets of Hellenistic poetry and particularly among the lines of Callimachus' Hymn to Delos . In this carefully argued and stimulating study, the author investigates the era in which the written work - the book - superseded the assumption of oral composition and performance. In this and in other respects, as this study demonstrates, Hellenistic poets saw themselves as now being part of a new world, remote from the great genres and achievements of the earlier literary tradition. That sense of distance from the past gave authors freedom to experiment. At the same time, it incited them to view their poetic heritage as something deserving intense scholarly study. The author examines one fundamental result of this attitude, the Hellenistic tendency toward learned allusion, and what this meant to a period pursuing a different literary approach. The Well-Read Muse concludes with an analysis of Callimachus' Hymn to Delos as a paradigmatic instance of the play between present and past, tradition and originality that typified the age. Here the author sheds important light on the poet's choice not to make Apollo his theme, as his models had, but to focus rather on the diminutive, slender island, through which the god of song was born. Accompanied by a new Introduction by the author and corrections to the text and notes, as well as by an extensive bibliography and indices of passages and subjects discussed, The Well-Read Muse provides an important understanding of this turning point in Greek poetical development. There was no escaping the new world of which these poets were a part: Peter Bing's impressive work examines the ways in which poets confronted this new reality.

Present and Past in Callimachus and the Hellenistic Poets

The Well-read Muse

Seminal essays from one of the most prominent scholars of Hellenistic poetry

Studies in Reading and Reception in Hellenistic Poetry

The Scroll and the Marble

Jon Bruss

An internationally renowned set of experts on epigram offers an introduction, fresh approaches, and new direction to the study of Hellenistic-era epigram by exploring the models, forms, poetology, sub-genera, intertexts, and ancient and modern reception of Hellenistic epigram.

Down to Philip

Brill's Companion to Hellenistic Epigram

Beate Dignas

This colloquium volume celebrates a new Hellenistic epigram collection attributed to the third-century B.C.E. poet Posidippus, one of the most significant literary finds in recent memory. Included in this collection are an unusual variety of voices and perspectives: papyrological, art historical, archaeological, historical, literary, and aesthetic. These texts are considered as individual poems and as collective artifact, an early poetry book. The volume will be of interest to readers of Greek and Latin epigram, students of the Hellenistic period, and all readers interested in the aesthetics of poetry collection and the evolution of the poetry book in antiquity.

Peter Bing

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