Peter Galison

Traces the true birth of modern twentieth-century science through the groundbreaking work of German theoretical physicist Albert Einstein and Henri Poincarâe, a mathematician responsible for mapping time coordinates across continents.

Empires of Time

Einstein's Clocks and Poincare's Maps

Lorraine Daston

The emergence of objectivity in the mid-nineteenth-century sciences, as revealed through images in scientific atlases—a story of how lofty epistemic ideals fuse with workaday practices.

Objectivity

William Kentridge

"Our grasp of time continues to change, in wrenching ways. This is an exploration of these shifts and struggles, across drawing and text, music and movement, film and concepts. In the late nineteenth century, time was coordinated: towns, cities, whole countries lost their "own" time as signals synchronized clocks. When Albert Einstein introduced his radical idea undermining the notion of a "universally audible tick-tock" in favor of times not time, he found resistance furious; and in our own era, time is again in tumult -- time crossed with information, challenged at the horizon of black holes, even, among many string theorists, rendered a mere illusion. In a congenial long-term collaboration, Peter L. Galison, historian, author, filmmaker, and Professor of the History of Science and Physics at Harvard University and South African artist William Kentridge are researching such notions in The Refusal of Time, a project for documenta (13) into which this notebook offers first insights."--Publisher's website.

Ablehnung Der Zeit

David Kaiser

Michael Gordin

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Science and Society

The Roots of Special Relativity

Objectivity has a history, and it is full of surprises. In Objectivity, Lorraine Daston and Peter Galison chart the emergence of objectivity in the mid-nineteenth-century sciences — and show how the concept differs from alternatives, truth-to-nature and trained judgment. This is a story of lofty epistemic ideals fused with workaday practices in the making of scientific images. From the eighteenth through the early twenty-first centuries, the images that reveal the deepest commitments of the empirical sciences — from anatomy to crystallography — are those featured in scientific atlases: the compendia that teach practitioners of a discipline what is worth looking at and how to look at it. Atlas images define the working objects of the sciences of the eye: snowflakes, galaxies, skeletons, even elementary particles. Galison and Daston use atlas images to uncover a hidden history of scientific objectivity and its rivals. Whether an atlas maker idealizes an image to capture the essentials in the name of truth-to-nature or refuses to erase even the most incidental detail in the name of objectivity or highlights patterns in the name of trained judgment is a decision enforced by an ethos as well as by an epistemology. As Daston and Galison argue, atlases shape the subjects as well as the objects of science. To pursue objectivity — or truth-to-nature or trained judgment — is simultaneously to cultivate a distinctive scientific self wherein knowing and knower converge. Moreover, the very point at which they visibly converge is in the very act of seeing not as a separate individual but as a member of a particular scientific community. Embedded in the atlas image, therefore, are the traces of consequential choices about knowledge, persona, and collective sight. Objectivity is a book addressed to any one interested in the elusive and crucial notion of objectivity — and in what it means to peer into the world scientifically.

Shimon Edelman

Emily Ann Thompson

Joseph Pellegrino University Professor Peter Galison

Table of Contents The Architecture of Science by Galison, Peter L. (Editor); Edelman, Shimon (Editor); Thompson, Emily (Editor) Terms of Use Acknowledgments Notes on Contributors 1 Buildings and the Subject of Science Peter Galison 1 Of Secrecy and Openness: Science and Architecture in Early Modern Europe 2 Masculine Prerogatives: Gender, Space, and Knowledge in the Early Modern Museum Paula Findlen 3 Alchemical Symbolism and Concealment: The Chemical House of Libavius William R. Newman 4 Openness and Empiricism: Values and Meaning in Early Architectural Writings and in Seventeenth-Century Experimental Philosophy Pamela O. Long II Displaying and Concealing Technics in the Nineteenth Century 5 Architecture for Steam M. Norton Wise 6 Illuminating the Opacity of Achromatic Lens Production: Joseph von Fraunhofer's Use of Monastic Architecture and Space as a Laboratory Myles W. Jackson 7 The Spaces of Cultural Representation, circa 1887 and 1969: Reflections on Museum Arrangement and Anthropological Theory in the Boasian and Evolutionary Traditions George W. Stocking Jr. 8 Bricks and Bones: Architecture and Science in Victorian Britian Sophie Forgan III Modern Space 9 "Spatial Mechanics": Scientific Metaphors in Architecture Adrian Forty 10 Diagramming the New World, or Hannes Meyer's "Scientization" of Architecture K. Michael Hays 11 Listening to/for Modernity: Architectural Acoustics and the Development of Modern Spaces in America Emily Thompson 12 Of Beds and Benches: Building the Modern American Hospital Allan M. Brandt and David C. Sloane IV Is Architecture Science? 13 Architecture, Science, and Technology Antoine Picon 14 Architecture as Science: Analogy or Disjunction? Alberto Perez-Gomez 15 The Mutual Limits of Architecture and Science Kenneth Frampton 16 The Hounding of the Snark Denise Scott Brown V Princeton After Modernism: the Lewis Thomas Laboratory for Molecular Biology 17 Thoughts on the Architecture of the Scientific Workplace: Community, Change, and Continuity Robert Venturi 18 The Design Process for the Human Workplace James Collins Jr. 19 Life in the Lewis Thomas Laboratory Arnold J. Levine 20 Two Faces on Science: Building Identities for Molecular Biology and Biotechnology Thomas F. Gieryn VI Centers, Cities, and Colliders 21 Architecture at Fermilab Robert R. Wilson 22 The Architecture of Science: From D'Arcy Thompson to the SSC Moshe Safdie 23 Factory, Laboratory, Studio: Dispersing Sites of Production Peter Galison and Caroline A. Jones Index Descriptive content provided by Syndetics"! a Bowker service.

The Architecture of Science

Gerald James Holton

Silvan S. Schweber

Mallinckrodt Research Professor of Physics and Research Professor of History of Science Gerald Holton

"A stellar array of twenty historians and philosophers, artists and scientists, and writers and critics has contributed to this fascinating examination of Albert Einstein's legacy and its relevance for our times. We are presented with a multifaceted, interpretive effort to understand in novel terms Einstein's science, music, and politics, his relationship to God and aesthetics, and his unusual position at the divide between a now-vanished world and a future that will surely retain deep traces of his unique contributions and personality."--Diana K. Buchwald, Einstein Papers Project, Caltech "Whether serendipitously or by design, many of us have found ourselves involved in some aspect of Einstein's multifaceted legacy. This far-reaching volume of personal essays clarifies why Einstein's persona has been so seductive and so meaningful to us all."--Alice Calaprice, editor of The New Quotable Einstein "Here is the complete Einstein: the physicist, whose many insights and achievements persist at the forefront of modern science; the man, who remained idealistic, philosophically minded, and politically engaged throughout his life; and the iconic visionary, who continues to inspire individual creativity. This is a generous book, rich with detail."--Tony Robbin, author of Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought "Einstein for the 21st Century is accessible to a broad readership and attractive because its distinguished authors, all experts in their disciplines, cover a very large intellectual space. There are so many fine and interesting contributions that there is something for nearly every potential reader."--Helge Kragh, University of Aarhus, Denmark

His Legacy in Science, Art, and Modern Culture

Einstein for the 21st Century

Caroline A. Jones

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Picturing Science, Producing Art

Catherine Meyburgh

William Kentridge's recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, "The Refusal of Time" continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist. An installation with performance elements, "The Refusal of Time" was conceived by Kentridge and science historian Peter Galison for Documenta 13, and realized in collaboration with video filmmaker Catherine Meyburgh and composer Philip Miller, both of whom worked with Kentridge and Galison for a year. Time in its various manifestations--narrative, fragmented, slowed down and speeded up; distortions of space-time; simultaneity--is explored through various media, including dance, film, music and spoken word. The book itself is a work of art; it includes sketches and notebooks, all the texts read during the performance, pictures from the rehearsals and workshop as well as highlights of the show, interviews and drawings created specially for it by Kentridge.

The Refusal of Time

Susan Neiman

Wendy Doniger

This collection demonstrates the range of approaches that some of the leading scholars of our day take to basic questions at the intersection of the natural and human worlds. The essays focus on three interlocking categories: Reason stakes a bigger territory than the enclosed yard of universal rules. Nature expands over a far larger region than an eternal category of the natural. And history refuses to be confined to claims of an unencumbered truth of how things happened.

Peter Galison

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