Peter Keppy

Filipinos, Indonesians and Popular Culture, 1920-1936

Tales of Southeast Asia's Jazz Age

Henk Schulte Nordholt

Bart Barendregt

Popular Music in Southeast Asia offers a cultural history of modern Southeast Asia from the original vantage point of popular music. It features singers and musicians - many of whom are no longer remembered today - as well as their fans as a social force of importance. By creatively connecting indigenous musical styles with alien musical genres, Southeast Asians created hybrid musical genres that drew a mass public from the 1920s onward. The vibrant music was intrinsically wound up with modern life and the societal changes that came with it. It yielded new audiences across national borders and at times served as a medium to voice social or political discontent. Popular Music in Southeast Asia familiarizes the public with several of these popular musical genres and artists from countries such as Indonesia, Malaysia, and the Philippines.

Banal Beats, Muted Histories

Popular Music in Southeast Asia

This book focuses on the aftermath of World War II in Asia as described in a sobering and insightful history of two types of redress: compensation for material war damage and restitution of looted property. Japanese Army units and citizens stole goods while shelling and bombardment by all sides destroyed factories, offices and residential neighbourhoods. How were these cases of material damage and loss to be rectified, and who was to rectify them? What financial means and legal precedents were there to fall back on at a time of decolonization, independence struggle, and shifting alliances on the brink of the Cold War? The politics of redress makes an important contribution to the study of law and society in Southeast Asia. It lays bare the complex web of interconnections between politics, law and economy from a comparative historical perspective.

Peter Keppy

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