Peter Quilter

What would you do if you forgot the last decade of your life? After a blood clot unexpectedly formed in his brain, Michael has been in a coma for three weeks. Watching over him in hospital is his bitter mother Carol and his dull but well-meaning partner Paul. They are united in their grief over Michael, and in their intense dislike of each other. When Michael wakes, they realize that 11 years of his memory have been completely erased. He remembers nothing of the last 4000 days. He remembers nothing of Paul. It is as though the relationship never existed. Paul must now fight to bring Michael's memory back while Carol fights to remove him from their lives completely. Michael, still charming and witty, concentrates his recovery on creating a giant mural on the back wall of his hospital room. An expression of his loss, his hopes, and his desire to live his life as the man he was 11 years ago. Not the man he has become...

4000 Days

A gloriously funny examination of the chaotic world of love, relationships and why the grass is never greener. Duets is a hilarious tribute to the strength and madness of the human heart. Though written to be produced in its entirety with a cast of up to M4 F4, Duets may also be performed as four separate one-act plays, each with a cast of M1 F1. The cast size is flexible.

A Comedy in Four Acts

Duets

Musical drama of Judy Garland's "come-back" concerts Christmas 1968: with a six week booking at London's Talk of the Town, it looks like Judy Garland is set firmly on the comeback trail. The failed marriages, the suicide attempts and the addictions are all behind her. At forty-six and with new flame Mickey Deans at her side, she seems determined to carry it off and recapture her magic. But lasting happiness always eludes some people, and there was never any answer to the question with which Judy ended every show: "If happy little bluebirds fly beyond the rainbow, why, oh, why, can't I?" End of the Rainbow is a savagely funny drama featuring a glorious ensemble of Judy Garland hits and infused with the glamour and the melancholy of stardom. "Every note she sings, every racket she makes, every tear she sheds, every joke she cracks, every pill she pops - is conveyed with alarming honesty. This knockout portrait of a living catastrophe should not be missed." What's On Published to tie-in with the premiere at the Sydney Opera House in July 2005

Peter Quilter

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