Ulf Bertilsson

Peter Skoglund

Johan Ling

Pictures from the Bronze Age are numerous, vivid and complex. There is no other prehistoric period that has produced such a wide range of images spanning from rock art to figurines to decoration on bronzes and gold. Fourteen papers, with a geographical coverage from Scandinavia to the Iberian Peninsula, examine a wide range of topics reflecting the many forms and expressions of Bronze Age imagery encompassing important themes including religion, materiality, mobility, interaction, power and gender. Contributors explore specific elements of rock art in some detail such as the representation of the human form; images of manslaughter; and gender identities. The relationship between rock art imagery and its location on the one hand, and metalwork and networks of trade and exchange of both materials and ideas on the other, are considered. Modern and ancient perceptions of rock art are discussed, in particular the changing perceptions that have developed during almost 150 years of documented research. Picturing the Bronze Age is based on an international workshop with the same title held in Tanum, Sweden in October 2012.

Picturing the Bronze Age

Bodil Petersson

Arkeologi och identitet

This latest volume in the Swedish Rock Art series bridges the gap between analysis and interpretation of rock art imagery, location and chronology in the northern and southern regions of Scandinavia. Long viewed as belonging to distinctive regional traditions, there are many underlying similarities, themes and formats in common, overlain by regional complexities and variations. The authors explore new approaches and methods of analysis. There has been a tendency in rock art research to focus merely on either the Northern Tradition or the Southern Tradition of Scandinavian rock art and there is certainly a need to broaden this discussion. Thus, the aim of this collection of new research papers is to stimulate different perspectives and themes that place emphasis on the intersection between these traditions. North meets South puts the focus on Scandinavian rock art regardless of regions and traditions. Even though there are obvious differences in space and time regarding these two traditions, there are also features and formats in common across both time and space, and a significant theme running through the contributions presented here is to highlight the interaction between these rock art traditions. A major conclusion to be drawn from this exercise is the great complexity and variation of rock art and the need for perspectives comparing various regions across Scandinavia. This volume is the outcome of an international symposium organised by the Swedish Rock Art Research Archives (SHFA).

Peter Skoglund

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