Mike Robinson

Philip Long

Using a wide range of international cases from a diverse range of festival and events this back provides critical perspectives on the marketing, management and evaluation of festivals and their complex and dynamic relationships with tourism and tourists.

Marketing, Management and Evaluation

Festivals and Tourism

Nigel D. Morpeth

This book focuses on the theoretical, policy and practice linkages and disjunctures between tourism and the creative industries. There are clear and strong intersections between the sectors, for example in the development and application of new and emerging media in tourism; festivals and cultural events showcasing the creative identity of place; tours and place identities associated with film, TV, music and arts tourism; as well as particular destinations being promoted on the basis of their ‘creative’ endowments such as theatre breaks, art exhibitions and fashion shows. Tourism and the Creative Industries explores a variety of relationships in one volume and offers innovative and critical insights into how creative industries and tourism together contribute to place identity, tourist experience, destination marketing and management. The book is aligned with the sectors that have been demarcated by the UK Government Department of Culture, Media and Sport as comprising the creative industries: advertising and marketing; architecture; design and designer fashion; film, TV, video, radio and photography; IT, software and computer services; publishing and music; performing and visual arts. The title of this volume demonstrates how the exclusion of tourism from the creative industries is arguably perverse, given that much of the work by destination managers and of private sector tourism is characterised by creativity and innovation. Interdisciplinary research and international context bring a broader perspective on how the creative industries operate in varying cultural and policy contexts in relation to tourism. This book brings together the parallel and disparate inter-disciplinary fields of tourism and the creative industries and will be of interest to students, academics and researchers interested in tourism, creative industries, marketing and management.

Theories, policies and practice

Tourism and the Creative Industries

Elizabeth Cumming

F.C.B. Cadell, J.D. Ferguson, G.L. Hunter and S.J. Peploe are now amongst the most admired of early twentieth century British artists. Their direct contact with French Post-Impressionism and their early knowledge of the work of Matisse and the Fauves, enc

The Scottish Colourists, 1900-1930

PAMELA. LONG ROBERTSON (PHILIP.)

-The first publication to discuss in depth this period of Mackintosh's work -Written by the leading Mackintosh expert -Includes extracts from Mackintosh's letters written while in France, to friends and family -Revised edition which features a fresh, modern new cover -New, popular flexicover binding - adds a modern, luxurious feel -Contains a new foreword by the Director General of the National Galleries of Scotland, Sir John Leighton Known worldwide for his architecture and interior designs, Charles Rennie Mackintosh (1868-1928) was also an extremely gifted painter. Towards the end of his life, he gave up his principal career as an architect and moved to the south of France where he devoted himself to painting in watercolor. Meticulously executed and brilliantly colored, these landscape watercolors are conceived with a sense of design and an eye for pattern in nature, which owes much to his brilliance as an architect and designer. This book charts Mackintosh's time in France and explores his career as a landscape painter, placing his work in the context of the modern movement. The forty-four paintings Mackintosh is known to have completed while in France are illustrated, and are supported by documentary photographs of the places he painted as well as extracts from his letters written to his wife and friends. This new, revised edition of an enduringly popular title on one of Scotland's best-loved artists contains a new foreword by the Director General of the National Galleries of Scotland, Sir John Leighton, and will feature a new cover design, updated to feature the popular flexicover binding.

Charles Rennie Mackintosh in France

John Maxwell

John Maxwell's work - with its poetic and symbolist qualities - sets it apart from much of Scottish art. This book is a timely reassessment of one of the most imaginative and individual artists to come out of Scotland this century.

John Maxwell, 1905-1962

Joanna Norman

The first major history of Scottish design published to coincide with the opening of the V&A Museum of Design, Dundee, in 2018

Philip Long

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