Phyllis Weliver

Award-winning professor and author Phyllis Weliver was in the first wave to fall ill with long COVID. Moving from the city to a woodland cottage above a Michigan lake in order to regain health, Weliver reflects on the process of integrating mind/body health with the natural world. As she recovers from long-haul COVID, the author draws inspiration from forest bathing, traditional Odawa and Ojibwe culture, ancient Chinese philosophy, and British and American literature. While this memoir may be of special interest to those dealing with chronic illness, Weliver's narrative ultimately addresses how we might all mend from the bruising pace of modern life. CONTENTS: Preface, Introduction, (1) Water Lingers, (2) The Arrow Tree, (3) Sleeping Bear, (4) Mother Earth, (5) The Golden Ship, (6) Coyote, (7) The Ha-Ha, (8) Two Cranes, (9) Dry Cabin, (10) Chipmunk, (11) Bald Eagle, (12) Crow and Deer, (13) Black Ice, (14) Squirrel and Cedar, (15) Snowstorm, (16) Making Tracks, Appendix A: Our Long COVID; Appendix B: Michigan Tribal Culture

Healing from Long COVID

The Arrow Tree

This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.

Representations of Music, Science and Gender in the Leisured Home

Women Musicians in Victorian Fiction, 1860-1900

Katharine Ellis

A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.

Words and Notes in the Long Nineteenth Century

The daughter of one of Britain's longest-serving Prime Ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late-Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology, and aesthetic democracy.

Phyllis Weliver

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