Jonathan Bignell

Anna McMullan

Pim Verhulst

Despite the steady rise in adaptations of Samuel Beckett’s work across the world following the author’s death in 1989, Beckett’s afterlives is the first book-length study dedicated to this creative phenomenon. The collection employs interrelated concepts of adaptation, remediation and appropriation to reflect on Beckett’s own evolving approach to crossing genre boundaries and to analyse the ways in which contemporary artists across different media and diverse cultural contexts – including the UK, Europe, the USA and Latin America – continue to engage with Beckett. The book offers fresh insights into how his work has kept inspiring both practitioners and audiences in the twenty-first century, operating through methodologies and approaches that aim to facilitate and establish the study of modern-day adaptations, not just of Beckett but other (multimedia) authors as well.

Adaptation, remediation, appropriation

Beckett's afterlives

Dirk Van Hulle

Originally published in French as Malone meurt in 1951 and later translated into English by the author himself, Malone Dies is the second novel of Samuel Beckett's Trilogy. The Making of Samuel Beckett's 'Malone Dies'/'Malone meurt' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.

The Making of Samuel Beckett's 'Malone Dies'/'Malone meurt'

Olga Beloborodova

This book of collected essays approaches Beckett’s work through the context of modernism, while situating it in the literary tradition at large. It builds on current debates aiming to redefine ‘modernism’ in connection to concepts such as ‘late modernism’ or ‘postmodernism’. Instead of definitively re-categorizing Beckett under any of these labels, the essays use his diverse oeuvre – encompassing poetry, criticism, prose, theatre, radio and film – as a case study to investigate and reassess the concept of ‘modernism after postmodernism’ in all its complexity, covering a broad range of topics spanning Beckett’s entire career. In addition to more thematic essays about art, history, politics, psychology and philosophy, the collection places his work in relation to that of other modernists such as T. S. Eliot, James Joyce, Wyndham Lewis, Gertrude Stein and Virginia Woolf, as well as to the literary canon in general. It represents an important contribution to both Beckett studies and modernism studies.

Beckett and Modernism

First performed in 1953, Waiting for Godot is Samuel Beckett's masterpiece and one of the most important dramatic works of the 20th century. The Making of Samuel Beckett's 'Waiting for Godot'/'En attendant Godot' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.

The Making of Samuel Beckett's 'Waiting for Godot'/'En attendant Godot'

Lars Bernaerts

Inge Arteel

Siebe Bluijs

Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.

Experimental radio plays in the postwar period

Tuning in to the neo-avant-garde

Dirk van Hulle

"This volume analyses the genesis of Beckett's novel Malone meurt /Malone dies. Written in French in 1947-1948, and translated into English by the author in 1954-1956, it is the second part of the so-called "Trilogy," preceded by Molloy and followed by L'Innommable/The Unnamable. Because Malone's account approximates a diary, this book starts from H. Porter Abbott's notion of 'diary fiction' to examine the surviving manuscripts, typescripts, and pre-book publication extracts. Even though the writing process of Malone meurt almost coincides with the progression of the narrative, illustrating what Louis Hay has called "écriture à processus," Beckett made substantial changes to the text, which can be interpreted as a critique of Honoré de Balzac's programmatic writing method. This analysis extends to the genesis of Malone Dies (Beckett's English translation of the novel), which alludes to Balzac's novel Louis Lambert. in order to show that self-translation is a crucial and integral part of Beckett's bilingual autographic project"--Back cover.

The Making of Samuel Beckett's Malone Meurt/Malone Dies

Edouard Magessa O'Reilly

Originally published in French in 1951 and translated into English by the author himself four years later, Molloy is the first novel of Samuel Beckett's Trilogy, continued in Malone Dies and The Unnamable. The Making of Samuel Beckett's 'Molloy' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.

Pim Verhulst

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