Patricia Hayes

G. Arunima

Premesh Lalu

This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of ‘love of the world’ were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one’s life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries.

Perspectives from South Asia and Southern Africa

Love and Revolution in the Twentieth-Century Colonial and Postcolonial World

"In 1996, as South Africa's Truth and Reconciliation Commission was beginning its hearings, Nicholas Gcaleka, a healer diviner from the town of Butterworth in the Eastern Cape province of South Africa, set off on a journey to retrieve the skull of Hintsa, the Xhosa king. Hintsa had been killed by British troops on the banks of the Nqabarha River over a century and a half before and, it was widely believed, been beheaded. From a variety of quarters including the press, academia and Xhosa traditional leadership Gcaleka's mission was mocked and derided. Following the tracks of Nicholas Gcaleka, author Lalu explores the reasons for the almost incessant laughter that accompanied these journeys into the past. He suggests that the sources of derision can be found in the modes of evidence established by colonial power and the way they elide the work of the imagination. These forms and structures of knowledge in the discipline of history later sustained the discourse of apartheid. The Deaths of Hintsa argues for a post-colonial critique of apartheid and for new models for writing histories. It offers a reconceptualisation of the colonial archive and suggests a blurring of the distinction between history and historiography as a way to set to work on forging a history after apartheid."--Publisher's website.

Premesh Lalu

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