R. C. Ashby

Mark Valentine

Ruby Ferguson

"In reading it I had several splendid shudders. . . . It is a piece of living literature, not merely an evening's entertainment." - E. B. Osborn, "Morning Post" "A bang-up ghost-murder-detective story with a background of bleak Northumberland moors, an old house full of haunts, [and] a Roman Centurion who appears . . . with death in his wake." - "Scribner's Magazine" "A well nigh perfect admixture of eerie horror, romance and good detecting." - "Saturday Review" "Truly a little masterpiece of a book. Reminiscent of Christie at the height of her powers in its brilliant use of misdirection. . . . Really a classic of its kind." - J. F. Norris, "Mystery File" From the moment William Mertoun arrives to catalogue the library at Colonel Barr's old mansion on the desolate Northumbrian moors, he senses something is terribly wrong. Barr's brother Ian has just died, mysteriously and violently, and the Colonel himself is hidden away in a locked room, to which his sinister nurse denies all access. As strange and supernatural events begin to unfold, Mertoun learns the local legend of a ghostly Roman centurion, slain on the site sixteen centuries earlier, who is said to haunt the estate. Mertoun is sceptical at first, but after another murder, a harrowing seance, and an actual sighting of the spirit one lonely night on the moor, he realizes that he and everyone at Barr's mansion are in mortal danger. What does the ghost want, and can it be stopped? This first-ever reprinting of "He Arrived at Dusk" (1933), R. C. Ashby's classic tale of mystery and the supernatural, features a new introduction by Mark Valentine and a reproduction of the original jacket art.

He Arrived at Dusk

George Severance

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

R. C. Ashby

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