Johnny Smith

Randy Roberts

In 1962 Malcolm X, a minister in the Nation of Islam, saw the potential in Cassius Clay, not just for boxing greatness, but as a means of spreading the Nation's message. The two became fast friends, keeping their interactions secret from the press for fear of jeopardizing Clay's career-- but eventually their friendship soured, with disastrous and far-reaching consequences. Roberts and Smith reconstruct the worlds that shaped Malcolm and Clay, and reveal how Malcolm molded Cassius Clay into Muhammad Ali, helping him become an international symbol of black pride and black independence.

The Fatal Friendship Between Muhammad Ali and Malcolm X

Blood Brothers

James S. Olson

The massacre at My Lai on March 16, 1968 continues to haunt students of the Vietnam War as a moment that challenges notions of American virtue. James Olson and Randy Roberts have combed unpublished testimony and gather a collection of eyewitness accounts from those who were at My Lai and reports from those who investigated the incident and its cover-up.

A Brief History with Documents

My Lai

The story of Mickey Mantle's magnificent 1956 season Mickey Mantle was the ideal batter for the atomic age, capable of hitting a baseball harder and farther than any other player in history. He was also the perfect idol for postwar America, a wholesome hero from the heartland. In A Season in the Sun, acclaimed historians Randy Roberts and Johnny Smith recount the defining moment of Mantle's legendary career: 1956, when he overcame a host of injuries and critics to become the most celebrated athlete of his time. Taking us from the action on the diamond to Mantle's off-the-field exploits, Roberts and Smith depict Mantle not as an ideal role model or a bitter alcoholic, but a complex man whose faults were smoothed over by sportswriters eager to keep the truth about sports heroes at bay. An incisive portrait of an American icon, A Season in the Sun is an essential work for baseball fans and anyone interested in the 1950s.

The Rise of Mickey Mantle

A Season in the Sun

In late February and early March of 1836, a Mexican army led by General Antonio López de Santa Anna lay siege to a mission known as the Alamo, held by a small band of rebels that included Davy Crockett, James Bowie, and William Travis. In the dark early morning of March 6, all inside the fort were dead -- and one of America's most enduring legends was born. Randy Roberts and James S. Olson retell the story of the Alamo from both the Mexican and the American perspectives, delving into the historical accuracy of such myths as Bowie's famous line in the sand, Crockett's celebrated fight to the death, and the common portrayal of the Mexicans as ruthless killers. Separating fact from fiction, they trace how and why those fictions grew, from the rapid spread of the rallying cry "Remember the Alamo!" to the "patriotic" depictions of battle in American films and television to the potency of the Alamo as a symbol in Texas politics and American culture today.

The Alamo in Blood and Memory

A Line in the Sand

Chronicles the 1944 Army-Navy football game against a backdrop of World War II, the deteriorating health of the president, and food shortages, in an account based on interviews with surviving players that offers insight into how the game united and uplifted a struggling nation.

The Army-Navy Game That Rallied a Nation

A Team for America

Steven Mintz

Now fully revised and extended, the fourth edition of Hollywood's America uses classic films to guide students through key themes and topics in twentieth-century American cultural, political, economic, and social history. The book provides students with the tools needed to read and interpret visual texts, including an introduction that traces the history of American film, a series of interpretive essays, primary sources that illuminate film history, and an extensive bibliography. New to this edition are ten articles which cover recently released films, enhanced consideration of issues of gender and ethnicity, and a completely updated set of images. From Charlie Chaplin's silent films to Gone with the Wind to Saving Private Ryan, Hollywood's America provides a comprehensive look at American history through film, and is a valuable resource for students and teachers of the subject alike.

United States History Through Its Films

Hollywood's America

Jack Johnson And The Era Of White Hopes

Papa Jack

No American has been more identified with his country than John Wayne. For millions of people from the heartland to the furthest corners of the earth, he simply is America. Wayne virtually defined the role of the cowboy and the soldier, unswervingly playing the gruff man of decency, the hero who would always come through when the chips were down. On-screen -- and off -- Wayne was larger than life. For twenty-five years he dominated at the box office. His popularity both at home and abroad remains higher than any other celebrity of his time. So why have critics and film historians refused to grant him the central importance he deserves? Why has there never before been a serious biography? The answers to these questions reveal much about both Wayne and America. He was highly regarded in the '40s and '50s. As the Cold War progressed, however, critics gradually turned away from him. By the '60s and '70s, Wayne's politics guaranteed that movies like The Green Berets would be panned, despite consistent popular success. Now, after the death of both Wayne and communism, it is high time for Randy Roberts and James Olson's reappraisal. Based on over five years of interview and archival research, John Wayne: American explains the appeal of Wayne's abiding Americanness. Indeed, we cannot understand America itself without understanding John Wayne. Born in a dyed-in-the-wool Republican town in Iowa, a football star and student leader, and a scholarship boy at USC, Wayne went to Hollywood because it was the truest meritocracy in America, the one place where his lack of wealth and connections could not hurt him. After spending the first decade of his career on Poverty Row, he emerged as a star in Stagecoach. But it was during World War II that Wayne -- and America -- emerged as superpowers. Wayne came to politics reluctantly, joining the mainstream of America in its confrontation with communism -- and maintaining his opposition ever since. At heart, however, Wayne was a nonideological conservative. He loved his freedom, his friends, his women, and his booze. He believed in simple justice, and common decency, and he will always be beloved as a result.

American

John Wayne: American

Elliott J. Gorn

Susan Schulten

Terry D. Bilhartz

Now published by Oxford University Press, Constructing the American Past: A Source Book of a People's History, Eighth Edition, presents an innovative combination of case studies and primary source documents that allow students to discover, analyze, and construct history from the actors' perspective. Beginning with Christopher Columbus and his interaction with the Spanish crown in 1492, and ending in the Reconstruction-era United States, Constructing the American Past provides eyewitness accounts of historical events, legal documents that helped shape the lives of citizens, and excerpts from diaries that show history through an intimate perspective. The authors expand upon past scholarship and include new material regarding gender, race, and immigration in order to provide a more complete picture of the past.

A Source Book of a People's History, Volume 2 From 1865

Constructing the American Past

A "marvelous" (Sports Illustrated) portrait of the three men whose lives were forever changed by WWI-era Boston and the Spanish flu: baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard law student Charles Whittlesey. In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

Boston, Baseball, and America in the Shadow of the Great War

War Fever

Biri, dünya ağırsıklet boks şampiyonu olduğu gün Müslüman olduğunu beyan eden bir sporcu, diğeri ise hırsızlık nedeniyle girdiği hapishanede İslam’la tanışan bir genç. Biri, Vietnam Savaşı’nda askere gitmeyi reddettiği için tazminata mahkûm edilen ve boks lisansı elinden alınan bir boksör, diğeri ise kitleleri coşkulu vaazlarıyla peşinden sürüklediği için eski dostları ve yol arkadaşları tarafından öfkeyle karşılanan ve ölümle tehdit edilen bir hatip. Biri, geçtiğimiz günlerde kaybettiğimiz efsanevi Müslüman boksör Muhammed Ali, diğeri ise Amerika’da neredeyse bir devlet ideolojisi haline gelmiş ırkçılığa karşı hayatını ortaya koyarak mücadele eden Malcolm X. Ve bu iki insanın inişli çıkışlı dostlukları… Bu kitap, bir macera romanı tadında hem iki tarihsel figürün hayatlarına odaklanıyor hem de onların mücadelelerinin kesiştiği noktada başlayan bir kardeşlik ve dostluğun hikâyesini anlatıyor. Hikâyenin fonunda ise 1960’lı yılların siyah-beyaz bir Amerika silueti eşliğinde, boksun yeniden yükselişi, ırkçı söylemlere karşı sivil hak mücadelelerinde siyahi Müslümanların çabaları, iç içe geçen dostluklar, öfkeler, çatışmalar ve kırgınlıklar yer alıyor.

Kan Kardeşler

Muhammed Ali ve Malcolm Xin Tehlikeli Dostlugu

Kan Kardesler

Ed Krzemienski

The extraordinary story of how Coach Paul "Bear" Bryant and Joe Namath, his star quarterback at the University of Alabama, led the Crimson Tide to victory and transformed football into a truly national pastime. During the bloodiest years of the civil rights movement, Bear Bryant and Joe Namath-two of the most iconic and controversial figures in American sports-changed the game of college football forever. Brilliantly and urgently drawn, this is the gripping account of how these two very different men-Bryant a legendary coach in the South who was facing a pair of ethics scandals that threatened his career, and Namath a cocky Northerner from a steel mill town in Pennsylvania-led the Crimson Tide to a national championship. To Bryant and Namath, the game was everything. But no one could ignore the changes sweeping the nation between 1961 and 1965-from the Freedom Rides to the integration of colleges across the South and the assassination of President Kennedy. Against this explosive backdrop, Bryant and Namath changed the meaning of football. Their final contest together, the 1965 Orange Bowl, was the first football game broadcast nationally, in color, during prime time, signaling a new era for the sport and the nation. Award-winning biographer Randy Roberts and sports historian Ed Krzemienski showcase the moment when two thoroughly American traditions-football and Dixie-collided. A compelling story of race and politics, honor and the will to win, Rising Tide captures a singular time in America. More than a history of college football, this is the story of the struggle and triumph of a nation in transition and the legacy of two of the greatest heroes the sport has ever seen.

Bear Bryant, Joe Namath, and Dixie's Last Quarter

Rising Tide

A “humbling, inspiring . . . deeply emotional” biography of the boxing legend who held the heavyweight world championship for more than eleven years (Kirkus Reviews, starred review). Known as the Brown Bomber, Joe Louis defended his heavyweight title an astonishing twenty-five times. Through the 1930s, he got more column inches of newspaper coverage than President Roosevelt. At a time when the boxing ring was the only venue where black and white could meet on equal terms, Louis embodied Black America’s hope for dignity and equality. And in 1938, his politically charged defeat of German boxer Max Schmeling made Louis a national hero on the world stage. Through meticulous research and first-hand interviews, acclaimed biographer Randy Roberts presents a complete portrait of Louis and his outsized impact on sport and country. Digging beneath the simplistic narratives of heroism and victimization, Roberts reveals an athlete who carefully managed his public image, and whose relationships with both the black and white communities—including his relationships with mobsters—were deeply complex. “Roberts is a fine match with his subject. He supports with powerful evidence his contention that Louis’s impact was enormous and profound.” —The Boston Globe

Joe Louis

In a city of deep ethnic and class divisions, people in Boston have found a common ground in sports--here is a collection of original essays to celebrate the players, the games, and the arenas that are at the heart of the city of Boston, from a young Bambino and even younger Francis Ouimet to the glories and agonies of 1986 and the struggles to keep the Patriots in town.

A Random History of Boston Sports

The Rock, the Curse, and the Hub

"John Wayne remains a constant in American popular culture. Middle America grew up with him in the late 1920s and 1930s, went to war with him in the 1940s, matured with him in the 1950s, and kept the faith with him in the 1960s and 1970s. . . . In his person and in the persona he so carefully constructed, middle America saw itself, its past, and its future. John Wayne was his country’s alter ego." Thus begins John Wayne: American, a biography bursting with vitality and revealing the changing scene in Hollywood and America from the Great Depression through the Vietnam War. During a long movie career, John Wayne defined the role of the cowboy and soldier, the gruff man of decency, the hero who prevailed when the chips were down. But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure.

John Wayne

In late February and early March of 1836, the Mexican Army under the command of General Antonio López de Santa Anna besieged a small force of Anglo and Tejano rebels at a mission known as the Alamo. The defenders of the Alamo were in an impossible situation. They knew very little of the events taking place outside the mission walls. They did not have much of an understanding of Santa Anna or of his government in Mexico City. They sent out contradictory messages, they received contradictory communications, they moved blindly and planned in the dark. And in the dark early morning of March 6, they died. In that brief, confusing, and deadly encounter, one of America's most potent symbols was born. The story of the last stand at the Alamo grew from a Texas rallying cry, to a national slogan, to a phenomenon of popular culture and presidential politics. Yet it has been a hotly contested symbol from the first. Questions remain about what really happened: Did William Travis really draw a line in the sand? Did Davy Crockett die fighting, surrounded by the bodies of two dozen of the enemy? And what of the participants' motives and purposes? Were the Texans justified in their rebellion? Were they sincere patriots making a last stand for freedom and liberty, or were they a ragtag collection of greedy men-on-the-make, washed-up politicians, and backwoods bullies, Americans bent on extending American slavery into a foreign land? The full story of the Alamo -- from the weeks and months that led up to the fateful encounter to the movies and speeches that continue to remember it today -- is a quintessential story of America's past and a fascinating window into our collective memory. In A Line in the Sand, acclaimed historians Randy Roberts and James Olson use a wealth of archival sources, including the diary of José Enrique de la Peña, along with important and little-used Mexican documents, to retell the story of the Alamo for a new generation of Americans. They explain what happened from the perspective of all parties, not just Anglo and Mexican soldiers, but also Tejano allies and bystanders. They delve anew into the mysteries of Crockett's final hours and Travis's famous rhetoric. Finally, they show how preservationists, television and movie producers, historians, and politicians have become the Alamo's major interpreters. Walt Disney, John Wayne, and scores of journalists and cultural critics have used the Alamo to contest the very meaning of America, and thereby helped us all to "remember the Alamo."

A "marvelous" (Sports Illustrated) portrait of the three men whose lives were forever changed by WWI-era Boston and the Spanish flu: baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard law student Charles Whittlesey In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

J. Gregory Garrison

Originally published: Reading, Mass: Addison-Wesley Pub. Co., c1994.

Randy Roberts

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