Rhiannon Paget

Meet the artist whose majestic breaking wave sent ripples across the world. Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, and beyond, enrapturing the likes of Claude Monet, Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh. Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through over 30 pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e,"pictures of the floating world", from single-sheet prints of landscapes and actors to erotic books. In addition, he created album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions. Hokusai's print series Thirty-Six Views of Mount Fuji, published between c. 1830 and 1834 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' Under the Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world. This TASCHEN introduction spans the length and breadth of Hokusai's career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai's subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.

1760-1849

Hokusai

From Hello Kitty to Maneki Neko—Japan is the epicentre of global cat culture! Whether lurking in corners or taking center stage, cats are a ubiquitous presence in Japanese art. Depending on the situation, they may invite good fortune, prompt the viewer to meditate on a tale or provide evidence of an unseen world of magic and supernatural happenings. In 200 charming woodblock prints, paintings, screens and figurines spanning three centuries, Japanese art expert Rhiannon Paget celebrates the rich symbolism and surprising stories surrounding the feline image in Japan. This collection features works from over 30 museums and institions across the world, and contains essays on the following fascinating topics: Domestic Companion or Household God? Japanese artists represent the great affection and sense of pride which bonds cat owners to their pets The Feline Muse: Feline figures as ideal subjects for artists to explore in fluid lines and organic forms, their glossy fur and markings lending themselves to the interplay of textures and materials Lucky Cats: Auspicious creatures in Japanese culture, symbolizing health, longevity and prosperity Mischief and Mayhem: Japan's rich visual record of cats as witches and feline monsters Philosophers' Cats, Teachers' Pets and Moggies with Messages: The felines deployed to illustrate philosophical and religious ideas, and as conveyors of folk wisdom Plus much more! This delightful book will appeal to anyone with an interest in Japanese art and culture, plus of course to all cat lovers!

with over 200 illustrations

Divine Felines: The Cat in Japanese Art

John Carpenter

Andreas Marks

JIM. CARPENTER DWINGER (JOHN. MARKS, ANDREAS.)

- The most extensive survey of Hiroshige's oeuvre in English to date- For the first time all textual content in Hiroshige's prints is transcribed and translated- Provides essential comparative material for every scholar, dealer, and collectorHiroshige. Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797-1858) in the English language to date. It is based on the largest collection of Hiroshige in private hands outside Japan, the Alan Medaugh collection. The catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject, it presents Hiroshige's interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-and flower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalogue pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector.

Hiroshige: Nature and the City

This XXL edition reprints Keisai Eisen and Utagawa Hiroshige's legendary series The Sixty-Nine Stations along the Kisokaidō, a stunning representation of the historic route between Edo (Tokyo) and Kyoto. Sourced from one of the finest surviving first editions, this vivid tapestry of 19th-century Japan is in equal parts a major artifact of its...

Hiroshige & Eisen: Die Neunundsechzig Stationen Des Kisokaidō

Hiroshige & Eisen: the Sixty-nine Stations Along the Kisokaidō

The Sixty-nine stations of the Kiso Kaidō, or, Sixty-nine stations of the Kiso Road, commonly referred to as 'The Sixty-nine stations of the Nakasendō', is a series of ukiyo-e works created by Utagawa Hiroshige, also known as Andō Hiroshige, and Keisai Eisen.

Rhiannon Paget

Books

Your next favorite book is out there