Deborah Willis

Kellie Jones

Richard Cándida Smith

James Christen Steward

Lowery Stokes Sims

Extending the Frozen Moment

Betye Saar

Katharine Derosier Weiss

Sean Ulmer

An illustrated collection of mixed-media collages by early twentieth-century African-American artist Betye Saar that blends spiritual, political, and cultural iconography to create complex works.

How does a country in the process of becoming a world power prepare its citizens for the responsibilities of global leadership? In Improvised Continent, Richard Cándida Smith answers this question by illuminating the forgotten story of how, over the course of the twentieth century, cultural exchange programs, some run by the government and others by philanthropies and major cultural institutions, brought many of the most important artists and writers of Latin America to live and work in the United States. Improvised Continent is the first book to focus on cultural exchange inside the United States and how Americans responded to Latin American writers and artists. Moving masterfully between the history of ideas, biography, institutional history and politics, and international relations, and engaging works in French, German, Spanish, and Portuguese, Cándida Smith synthesizes over seventy years of Pan-American cultural activity in the United States. The stories behind Diego Rivera's murals, the movies of Alejandro G. Iñárritu, the poetry of Gabriela Mistral, the photography of Genevieve Naylor, and the novels of Carlos Fuentes—these works and artists, along with many others, challenged U.S. citizens about their place in the world and about the kind of global relations the country's interests could allow. Improvised Continent provides a profoundly compassionate portrayal of the Latin American artists and writers who believed their practices might create a more humane world.

Pan-Americanism and Cultural Exchange

Improvised Continent

This book investigates the role that the visual and performing arts play in our experience and understanding of the past. The essays highlight the role of oral history in the documentation of the visual and performing arts.

Sounds and Gestures of Recollection

Art and the Performance of Memory

Ellen Carol DuBois

More than one hundred years after her death, Elizabeth Cady Stanton still stands—along with her close friend Susan B. Anthony—as the major icon of the struggle for women’s suffrage. In spite of this celebrity, Stanton’s intellectual contributions have been largely overshadowed by the focus on her political activities, and she is yet to be recognized as one of the major thinkers of the nineteenth century. Here, at long last, is a single volume exploring and presenting Stanton’s thoughtful, original, lifelong inquiries into the nature, origins, range, and solutions of women’s subordination. Elizabeth Cady Stanton, Feminist as Thinker reintroduces, contextualizes, and critiques Stanton’s numerous contributions to modern thought. It juxtaposes a selection of Stanton’s own writings, many of them previously unavailable, with eight original essays by prominent historians and social theorists interrogating Stanton’s views on such pressing social issues as religion, marriage, race, the self and community, and her place among leading nineteenth century feminist thinkers. Taken together, these essays and documents reveal the different facets, enduring insights, and fascinating contradictions of the work of one of the great thinkers of the feminist tradition. Contributors: Barbara Caine, Richard Cándida Smith, Ellen Carol DuBois, Ann D. Gordon, Vivian Gornick, Kathi Kern, Michele Mitchell, and Christine Stansell.

A Reader in Documents and Essays

Elizabeth Cady Stanton, Feminist as Thinker

Richard Cándida Smith

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