Dr. Seuss

Richard H. Minear

For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents "a provocative history of wartime politics" (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside "insightful" (Booklist) commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect. Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time.

The World War II Editorial Cartoons of Theodor Seuss Geisel

Dr. Seuss Goes to War

Three Witnesses

Hiroshima

Krigsforbryderprocessen i Tokio 1946-1947 efter 2. Verdenskrig.

The Tokyo War Crimes Trial

Victors' Justice

The klieg-lighted Tokyo Trial began on May 3, 1946, and ended on November 4, 1948, a majority of the eleven judges from the victorious Allies finding the twenty-five surviving defendants, Japanese military and state leaders, guilty of most, if not all, of the charges. As at Nuremberg, the charges included for the first time "crimes against peace" and "crimes against humanity," as well as conventional war crimes. In a polemical account, Richard Minear reviews the background, proceedings, and judgment of the Tokyo Trial from its Charter and simultaneous Nuremberg "precedent" to its effects today. Mr. Minear looks at the Trial from the aspects of international law, of legal process, and of history. With compelling force, he discusses the motives of the Nuremberg and Tokyo proponents, the Trial's prejudged course—its choice of judges, procedures, decisions, and omissions—General MacArthur's review of the verdict, the criticisms of the three dissenting judges, and the dangers inherent in such an international, political trial. His systematic, partisan treatment pulls together evidence American lawyers and liberals have long suspected, feared, and dismissed from their minds. Contents: Preface. I. Introduction. II. The Tokyo Trial. III. Problems of International Law. IV. Problems of Legal Process. V. Problems of History. VI. After the Trial. Appendices. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Tokyo War Crimes Trial

I'll search you out, put my lips to your tender ear, and tell you. . . . I'll tell you the real story-I swear I will-from Little One by Toge Sankichi Three Japanese authors of note-Hara Tamiki, Ota Yoko, and Toge Sankichi-survived the atomic bombing of Hiroshima only to shoulder an appalling burden: bearing witness to ultimate horror. Between 1945 and 1952, in prose and in poetry, they published the premier first-person accounts of the atomic holocaust. Forty-five years have passed since August 6, 1945, yet this volume contains the first complete English translation of Hara's Summer Flowers, the first English translation of Ota's City of Corpses, and a new translation of Toge's Poems of the Atomic Bomb. No reader will emerge unchanged from reading these works. Different from each other in their politics, their writing, and their styles of life and death, Hara, Ota, and Toge were alike in feeling compelled to set down in writing what they experienced. Within forty-eight hours of August 6, before fleeing the city for shelter in the hills west of Hiroshima, Hara jotted down this note: "Miraculously unhurt; must be Heaven's will that I survive and report what happened" Ota recorded her own remarks to her half-sister as they walked down a street littered with corpses: "I'm looking with two sets of eyesthe eyes of a human being and the eyes of a writer" And the memorable words of Toge quoted above come from a poem addressed to a child whose father was killed in the South Pacific and whose mother died on August 6th-who would tell of that day? The works of these three authors convey as much of the "real story" as can be put into words.

Hiroshima : three witnesses

3 Witnesses

“A fascinating collection” of wartime cartoons from the beloved children’s author and illustrator (The New York Times Book Review). For decades, readers throughout the world have enjoyed the marvelous stories and illustrations of Theodor Seuss Geisel, better known as Dr. Seuss. But few know the work Geisel did as a political cartoonist during World War II, for the New York daily newspaper PM. In these extraordinarily trenchant cartoons, Geisel presents “a provocative history of wartime politics” (Entertainment Weekly). Dr. Seuss Goes to War features handsome, large-format reproductions of more than two hundred of Geisel’s cartoons, alongside “insightful” commentary by the historian Richard H. Minear that places them in the context of the national climate they reflect (Booklist). Pulitzer Prize–winner Art Spiegelman’s introduction places Seuss firmly in the pantheon of the leading political cartoonists of our time. “A shocker—this cat is not in the hat!” —Studs Terkel

Takeyama Michio, the author of Harp of Burma, was thirty-seven in 1941, the year of the Japanese attack on Pearl Harbor. Husband, father of children born during the war, and teacher at Japan's elite school of higher education in Tokyo, he experienced the war on its home front. This intimate account of the “scars of war,” including personal anecdotes from Takeyama's students and family, is one of very few histories from this unique vantage point. Beautifully translated by Richard H. Minear, these honest and moving essays are a fresh look at the history of Japan during the Asia-Pacific War.

Richard H. Minear

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