Richard Hood

Nick Moyle

Discover the incredible uses of 40 home-grown and foraged ingredients for making a variety of original brew-it-yourself recipes. You will learn how to grow, find, harvest, dry, and store ingredients plus the profile of each. The 30 recipes are for complex blends and specialty drinks such as detox teas, class night-time brews, Moroccan mint, Korean barley tea, bubble tea, and even dandelion coffee.

Grow, Gather, Brew & Blend 40 Ingredients & 30 Recipes for Healthful Herbal Teas

Wild Tea

Discover the incredible uses of 40 of the best home-grown and foraged ingredients as the Two Thirsty Gardeners guide you through their original brew-it-yourself recipes. Wild Teapresents easy-to-follow recipes that teach you how to collect naturally sourced ingredients - including berries, roots, seeds, leaves and flowers - for brewing your own blends and special infusions, from classic night-time and hangover teas, to chai latte and Moroccan mint, to specialist barley tea, bubble tea and even dandelion coffee. There is also a 'best of the rest' section with more unique ingredients that can be used for drinks, such as ginger, cinnamon, pomegranate, orange and valerian. Whether you are a gardener, cook or crafter, Wild Teais the perfect guide to allow you to take your health and wellness into your own garden and create specialized brews at home.

Brew Your Own Teas and Infusions from Home-Grown and Foraged Ingredients

Robert L. Nelson

United States. National Advisory Committee for Aeronautics

Kenneth Margolis

Eric Reissner

Frank S. Malvestuto

George R. Costello

Melivn E. Laverne

Arthur Kantrowitz

Harold I. Johnson

Warren A. Tucker

Leo Diesendruck

Aaron S. Boksenbom

Bertham J. Eisenstadt

Flight Investigation of the Effect of Various Vertical-tail Modifications on the Directional Stability and Control Characteristics of a Propeller-driven Fighter Airplane

Dandelion beer. Yep, you read that right and no, it's not some hippy drink brewed by people in kaftans, skipping around fields and waving daisies in the air. This is a man's drink, a tough, no-nonsense, grassroots drink that will lead the home-brewing revolution.Well, one drink may not do all that but Brew it Yourself, a collection of home-grown brewing recipes, is sure to put the fizz back in Britain's fervor for home-brewing. The craft drinks market is undergoing a huge resurgence and authors Richard Hood and Nick Moyle (the Two Thirsty Gardeners) have taken their two great loves - alcohol and gardening - to create a list of more than 75 drink recipes using ingredients, either bought in their local supermarket or grown in their own backyard. With everything from nettle beer to horseradish vodka, Richard and Nick bring the art of brewing back to earth. Focusing on the ingredients as much as the end results, this book provides inspiration for people to turn a bag of fruit or vegetables from a supermarket or a pick-your-own farm, a surplus harvest, or a weed-infested yard into a successful and delicious drink. The book outlines the basic approaches to each drinks-making method and what each ingredient contributes to the recipe. Brew it Yourself also debunks myths, celebrates experimentation and takes the fear out of the science of fermentation. It proves that creating your own tasty alcoholic drinks doesn't need to be complicated, doesn't need to be costly and definitely doesn't need to be time-consuming. Chapters: Introduction Sourcing Your Ingredients Making Wine Making Cider and Perry Making Beer Making Mead Making Infusions Making Classic Mixes and Curiosities Problem Solving Index

Make Your Own Wine, Beer, and Other Concoctions

Brew It Yourself

Old-Time Mountain Song There’s a place in Tennessee, just across the line, No one ever goes up there, it’s too rough a climb, You won’t find the name or place wrote on any map, Folks down here ’round Shelton’s Trace calls it White Oak Flats. Hazel Taylor was my wife, and I loved her so, We was married on Shelton’s Trace, fifteen years ago, Now I lie here all alone, wonderin’ on the past, Wonderin’ why she left our home to go to White Oak Flats. I don’t know how he looked at her, I don’t know what he said, I don’t know what he could have done, to turn poor Hazel’s head, Never in her darkest hour, could she imagine that, She’d agree to go with him, up to White Oak Flats. I can see the rocky trail up the mountain side, I can see poor Hazel, now, lying by his side, Folks down here still talks about how it come to pass, Nothing but the silence now, up on White Oak Flats. Hazel Tighrow is a woman born far back in the Appalachian Mountains, in the early decades of the Twentieth Century, who explodes all the stereotypes. Where she “should” be an unlettered drudge, ready to marry young, and produce ten children, she is, instead, a reflective, self-taught, well-read, and sensitive young woman, who desperately wants the freedom to grow into herself. Still, because she is so aware, she knows whence she comes, and tries to fit-in as best she can. She eventually marries a caring young man, George Taylor, and does what she can to settle-in to the life of the mountains. Listen to the author’s recording of the White Oak Flats song played on a fretless gourd-banjo, in the old two-finger style on YouTube.

White Oak Flats

When his well-to-do physician-father dies, James Thorwait discovers an old, back-room contract indicating that he is, in fact, an adopted child, whose parentage includes a mother named Allie Morelock, from far-back in the mountains of Western North Carolina. Having grown-up in the rarified atmosphere of the well-born of Roalton, Tennessee, Thorwait must now confront the fact of his birth-mother’s Appalachian heritage—and he goes in search of her, and her meaning. Establishing contact with a small newspaper publisher in Glade, North Carolina, Thorwait begins the search for Allie Morelock, and finds himself immersed in intense family histories, tensions, and struggles, dating-back generations, and involving people named both Hampton and Morelock. Thorwait travels to Glade, and meets Sam—the newspaper man—and Sam’s sister, Leela, both of whom set-out to help him in his search. As it turns out, Leela is married to a Morelock from the area, and James begins his exploration here. As he discovers more details about the Morelock family around Glade, Thorwait finds they have been involved, for generations, in moonshine, and, more recently, drug traffic, throughout the area, reaching back to Roalton, Tennessee, itself. The search for his mother necessarily involves him in an exploration of white liquor dealings in the mountains and “back home.” Engaged in digging-up the past, Thorwait finds himself inexorably drawn into present-day passions, pent-up violence, and crime. His search compels him to confront the question of his own identity, the mystery of his birth-mother, and the tangled complexities of his mountain heritage. Praise for CAROLINA BLOOD: “Carolina Blood is a beautiful collection of powerful histories, nested together in one continuous story line covering generations of brutality, love, revenge, and redemption. The novel is a delectable suspense delivered in rich mountain settings inhabited by characters that reflect the entirety of human possibility, from the dastardly to the heroic and everything in between. Hood’s knack for painting richly nuanced characters, weaving fine tapestries of intriguing plots, and dousing us with rich Appalachian history makes his storytelling not just compelling, but enriching and important, as well. From the first page the novel intoxicates no less than the moonshine that washes through the narrative.” —Win Neagle, author of Smoke and Gravity and Full Count

Carolina Blood

When Nole Darlen kills his father—the man who has built the largest house anyone in these East Tennessee hills has ever seen—the single resounding gunshot sets up a dark patchwork of memory and expectation that gathers-up townspeople, hill-folks, lovers and outlaws. Here is a tangled tale involving the dead man’s wife, neighbor Burlton Hobbes, desperado Jem Craishot, and a grizzled muskrat-trapper named Hogeye. Central to the story is a pistol that Nole Darlen has taken from a card game the night before the murder. The pistol becomes a totem to Nole, an embodiment of the frustrations and failures that have dogged his life. He envies and fears the outlaw, Jem Craishot, wishing he, too, could be “fearsome,” but descends, instead, into cowardice and betrayal. Eventually, the gun becomes a central element of the novel’s twisted story, a talisman of murder, and a key to the book’s shocking ending. Richard Hood brings to bear his deep roots in rural East Tennessee. The plots and subplots of Regret the Dark Hour are based on true stories. The house still exists, the patricide really happened, the outlaw—Jem Craishot—is based upon the legendary Kinny Wagner, whose exploits derive from this time and region. The novel’s social and cultural backgrounds are accurate, and call-up the rich heritage of East Tennessee. The novel has been called “Southern Gothic Noir,” and Hood describes it as an “anti-mystery.” There is never any doubt about who killed Carl Darlen, but the story turns and weaves through the day of the murder and ends with a startling, dark, surprise. Here is a story of family violence—its simmering causes and smoldering consequences—set against the clashing tensions of old-and-new, fiddle-tunes and factories, among the hills and coves of prohibition-era East Tennessee. Praise for REGRET THE DARK HOUR: “Richard Hood’s Regret the Dark Hour is a search for Regional Truth and the ways memory, representation, and history intertwine to produce stories, interpretation, and character. This novel is a triumph—giving us the sound and flavor of prohibition-era East Tennessee, in a mix of voice, perception, and blindness embedded within the darkly tangled story of a family murder.” —Shelby Stephenson, Poet Laureate of North Carolina and author of Paul’s Hill: Homage to Whitman; Our World and Nin’s Poem “Regret the Dark Hour calls up a story of betrayal, forbidden love, and familial violence in prohibition-era Appalachia. Hood’s stunning and lyrical writing vividly captures the world of this forgotten time period. A beautiful debut and wonderful addition to southern noir.” —Jen Conley, author of Seven Ways to Get Rid of Harry

Regret the Dark Hour

Richard Hood

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