Richard Ingleby

Christopher Wood, aged 29, killed himself on a sunny afternoon in August 1930, at Salisbury station. He sat reading until the train was pulling into the station when he got up and threw himself in front of it, dying instantly. It was a sad and muddled end for a man who nine years before had set out for Paris with a very specific intention -- to become a painter. That he should have killed himself when he had succeeded remains an unsolved mystery. The legacy that Wood left includes, it has been said, "some of the most magical works in modern European painting" and in this, the first biography written about this complex man, Richard Ingleby, drawing extensively on previously unpublished material, tells how he strove from inauspicious beginnings to find his voice as a painter.

An English Painter

Christopher Wood

Amy Murray

Florence Ingleby

Andrew Cranston once described himself as a storyteller of sorts, though without a clear story to tell. He draws on a variety of sources including personal recollections – family histories; his circuitous route to art school via an initial, unsuccessful, foray into carpentry; and his 25-year association as both student and lecturer at Gray's School of Art in Aberdeen. Interwoven with passages culled from literature, anecdotes, jokes, and images from cinema these elements combine to make his idiosyncratic, intimate, and often dream-like, paintings. But the dream had no sound is the largest exhibition of Andrew Cranston’s work to date. It is accompanied by a 164pp publication, available for purchase, featuring an interview between the artist and his friend and colleague, painter Peter Doig. The book also includes over 60 illustrations - each with notes written by the artist - revealing the thoughts and associations that emerge in the process of making a painting.--Ingleby Gallery website.

But the Dream Had No Sound

Andrew Cranston

David Cohen

Jonathan Black

Imperial War Museum (Great Britain)

Christopher Richard Wynne Nevinson

Gordon Cooke

Christopher Nevinson is best known for his depictions of World War I, but he was also an accomplished painter and printmaker. In this, the most comprehensive book available on Nevinson's work and art, his achievements and his contribution to twentieth-century art receive a long-overdue reassessment.

The Twentieth Century

C.R.W. Nevinson

Rosemary Hunter

Richard Johnstone

There is more to law than rules, robes and precedents. Rather, law is an integral part of social practices and policies, as diverse and complex as society itself. Thinking About Law offers a comprehensive introduction to the ways in which law has been presented and represented. It explores historical, sociological, economic and philosophical perspectives on the major legal and political debates in Australia today. The contributors examine the position of Aborigines in the Australian legal system and the impact of the Mabo case; divisions of power in Australian society and law; the question of objectivity in law; the relationship between legislation and social change; judicial decision-making and other issues. Accessibly written, Thinking About Law is essential reading for students and anyone interested in understanding our legal system.

Perspectives on the history, philosophy and sociology of law

Thinking About Law

Richard Ingleby

Books

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