Richard Neer

"It was all so honest, before the end of our collective innocence. Top Forty jocks screamed and yelled and sounded mightier than God on millions of transistor radios. But on FM radio it was all spun out for only you. On a golden web by a master weaver driven by fifty thousand magical watts of crystal clear power . . . before the days of trashy, hedonistic dumbspeak and disposable three-minute ditties . . . in the days where rock lived at many addresses in many cities." –from FM As a young man, Richard Neer dreamed of landing a job at WNEW in New York–one of the revolutionary FM stations across the country that were changing the face of radio by rejecting strict formatting and letting disc jockeys play whatever they wanted. He felt that when he got there, he’d have made the big time. Little did he know he’d have shaped rock history as well. FM: The Rise and Fall of Rock Radio chronicles the birth, growth, and death of free-form rock-and-roll radio through the stories of the movement’s flagship stations. In the late sixties and early seventies–at stations like KSAN in San Francisco, WBCN in Boston, WMMR in Philadelphia, KMET in Los Angeles, WNEW, and others–disc jockeys became the gatekeepers, critics, and gurus of new music. Jocks like Scott Muni, Vin Scelsa, Jonathan Schwartz, and Neer developed loyal followings and had incredible influence on their listeners and on the early careers of artists such as Bruce Springsteen, Genesis, the Cars, and many others. Full of fascinating firsthand stories, FM documents the commodification of an iconoclastic phenomenon, revealing how counterculture was coopted and consumed by the mainstream. Richard Neer was an eyewitness to, and participant in, this history. FM is the tale of his exhilarating ride.

The Rise and Fall of Rock Radio

In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.

The Emergence of the Classical Style in Greek Sculpture

We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.

Conditions of Visibility

Leslie Kurke

Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.

Towards a Lyric Archaeology

Pindar, Song, and Space

A candid, behind-the-scenes history of the golden era of free-form rock-and-roll radio traces its origins, growth, and fall, discusses radio's influence on the early careers of such artists as Bruce Springsteen and the role of the DJs in influencing the music world, and the consumerism and comercialism that destroyed this iconoclastic musical phenomenon. 25,000 first printing.

Lee Matthew Goldberg

Ross E. Lockhart

Alison Gaylin

Cate Holahan

Gabino Iglesias

Reed Farrel Coleman

Eryk Pruitt

Rob Pierce

Tony McMillen

Jonathan Ashley

Rusty Barnes

Erin Keaton

Chris Orlet

J. David Osborne

Inspired by the outcasts, outlaws, and other outré inhabitants of rock legend Lou Reed’s songbook, Dirty Boulevard traffics in crime fiction that’s sometimes velvety and sometimes vicious, but always, absolutely, rock & roll. Inside, you’ll find stories from the fire escapes to the underground, stories filled with metal machine music, stories for gender-bending, rule-breaking, mind-blasting midnight revelries and drunken, dangerous, dark nights of the heart. Upcoming genre stars like Alison Gaylin team up with crime fiction legends such as Reed Farrel Coleman, along with Cate Holahan, Gabino Iglesias, Tony McMillen, and many of the most exciting new names in crime and horror fiction, who teach us that a perfect day is often anything but, that the power of positive drinking is a destructive force rarely contained, and that knock-down-drag-out drag queens are probably way tougher than you.

Dirty Boulevard

Karen Rose

Lawrence Block

Max Allan Collins

Steph Post

Bill Crider

Crimespree Magazine Issue 67 features a special conversation between Lawrence Block with the late Bill Crider. Interviews include Michael Barson chatting with Max Allan Collins, who also talks about completing the work of Mickey Spillane, Kate Malmon talking with Steph Post, Richard Neer interviewed by Reed Farrel Coleman, and Elise Cooper has a Q&A with Karen Rose. Eryk Pruitt writes about Southern Crime Fiction, Jon Jordan on Action Comics at 80, with other articles by TR Ragan, Kristi Belcamino, and Chris Holm. There's new fiction by Andrew Riconda and J.D. Smith, and a comprehensive review of new books and DVDs round out a most exciting issue.

Crimespree Magazine Issue 67

Richard Neer

Books

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