Richard Ormond

Many of the sitters in this collection were John Singer Sargent's close friends. They are posed informally, sometimes in the act of painting or singing, and it is evident from the bold way they confront us that they are personalities of a creative stamp. Brilliant as these pictures are as works of art and penetrating studies of character, they are also records of relationships, allegiances, influences and aspirations. This volume aims to explore these friendships in depth and draw out their significance in the story of Sargent's life and the development of his art. The book is structured chronologically, with sections arranged according to the places in which Sargent worked and formed relationships during his cosmopolitan career: Paris, London, New York, Italy and the Alps. The cast of characters includes famous names, among them Gabriel Fauré and Auguste Rodin, Robert Louis Stevenson and Henry James. But the authors also make their point with images of Sargent's intimate friends, such as the artists Jane and Wilfrid de Glehn, who accompanied him on his sketching expeditions to the Continent, and the Italian painter Ambrogio Raffele, a recurrent model inhis Alpine studies. In such paintings, Sargent explored the making of art (his own included) and the relationship of the artist to the natural world. These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their astistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself. Exhibition: National Portrait Gallery, London, UK (12.2.-25.5.2015); Metropolitan Museum of Art, New York City, USA (30.6.-4.10.2015).

portraits of artists and friends

Sargent

A Booklet Illustrating, with Descriptive Notes, Some of the Most Important Works ... of the Birmingham Museum and Art Gallery

The Pre-Raphaelites and Their Circle

City of Birmingham Museum and Art Gallery

A Booklet Illustrating, with Descriptive Notes, Some of the Most Important Works of the Pre-Raphaelites in the Permanent Collection of the Birmingham Museum and Art Gallery

Birmingham City Museum and Art Gallery

Malcolm Rogers

Dictionary of British Portraiture

Elaine Kilmurray

"From 1874 to 1882, John Singer Sargent (1856-1925) produced more than 200 paintings and water-colours aside from portraiture that chart his development as an artist. The breadth of his achievement includes figures in landscape settings, architectural studies, seascapes, subject paintings, and studies after old masters. From his powerful studies of models in Paris in the mid-1870s to his compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonne show the variety of his aesthetic responses." "Working in the studio and en plein air, Sargent travelled widely during the eight years covered in this volume, painting in Paris, Brittany, Capri, Spain, North Africa and Venice." "This is the first time that Sargent's early work has been mapped so comprehensively. With very few exceptions, this book illustrates all the pictures under discussion in colour. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history and bibliography. Original research of primary documents and on-site investigations uncovered much new information, presented in critical discussions of subject matter, dating, style, and significance in the artist's career. The volume reproduces a wealth of Sargent's preliminary and related drawings and of comparative works by other artists." --Book Jacket.

Complete Paintings

John Singer Sargent

Adriana Davies

Dictionary of British Portraiture: Davies, A. The Middle Ages to the Early Georgians, historical figures born before 1700

Peter Kemp

The Great Age of Sail

British Royalty Portrayed

The Face of Monarchy

Rosella Mamoli Zorzi

William H. Gerdts

Warren Adelson

Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.

Sargent's Venice

An Exhibition of Original Cartoons

Vanity Fair

National Portrait Gallery (Great Britain)

Early Victorian Portraits: Plates

Trevor Fairbrother

Many of the sitters in this collection were John Singer Sargents close friends. They are posed informally, sometimes in the act of painting or singing, and it is evident from the bold way they confront us that they are personalities of a creative stamp. Brilliant as these pictures are as works of art and penetrating studies of character, they are also records of relationships, allegiances, influences and aspirations. This volume, and the exhibition it accompanies, aims to explore these friendships in depth and draw out their significance in the story of Sargents life and the development of his art. The book is structured chronologically, with sections arranged according to the places Sargent worked and formed relationships during his cosmopolitan career: Paris, London, New York, Italy and the Alps. The cast of characters includes famous names, among them Gabriel Fauré and Auguste Rodin, Robert Louis Stevenson and Henry James. But the authors also make their point with images of Sargents familiars, such as the artists Jane and Wilfrid de Glehn who accompanied him on his sketching expeditions to the Continent, and the Italian painter Ambrogio Raffele, a recurrent model in his Alpine studies. In such paintings Sargent explored the making of art (his own included) and the relationship of the artist to the natural world. These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their artistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself.

Portraits of Artists and Friends

Corcoran Gallery of Art

Ships and the sea through the eyes of one of the most remarkable painters of the early 20th century As a young man the American painter John Singer Sargent (1856-1925) was passionate about the sea and deeply knowledgeable about ships and seafaring. Between the ages of 18 and 23 he started his career as a professional painter with a remarkable range of maritime works that form the subject of this exhibition and book. The key works are the two versions of the Oyster Gatherers of Cancale, painted in 1878 on the northern coast of Brittany in France, and the group of studies and sketches around them. The authors relate Sargent's freely handled marine drawings, large and small, to his watercolors, oil sketches, and finished oil paintings of marine subjects. The works demonstrate his transition from a plein-air painter to a tonalist exploring interiors and urban scenes. Also presented is a unique scrapbook, held by the Metropolitan Museum of Art, that includes more than 50 drawings and sketches, mostly of sea scenes, and postcards and commercial photography of works of art, architecture, and tourist views. This scrapbook provides an intimate glimpse at the thoughts and experiences of the young artist on his first European voyage.

Sargent and the Sea

Helene Barbara Weinberg

Sterling and Francine Clark Art Institute

Marc Simpson

Drawing on the correspondence of the artist, his friends and his family, as well as a review of contemporary critical responses, this text examines the work of Sargent's early maturity. The text is the catalogue for an exhibition at the Sterling and Francine Clark Art Institute in Summer 1997.

Richard Ormond

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