Richard Wightman Fox

A Cultural History

Lincoln's Body

Robert B. Westbrook

Lee H. Hamilton

Recently there has been a renewed interest in moral inquiry among American scholars in a variety of disciplines. This collection of accessible essays by scholars in philosophy, political theory, psychology, history, literary studies, sociology, religious studies, anthropology, and legal studies affords a view of the current state of moral inquiry in the American academy, and it offers fresh departures for ethically informed, interdisciplinary scholarship. Seeking neither to reduce values to facts nor facts to values, these essays aim to foster discussion about inquiry and moral judgment, and demonstrate that moral inquiry need not be either dispassionate and value-free or moralistic and preachy.

Moral Inquiry in American Scholarship

In Face of the Facts

T. J. Jackson Lears

Jackson T Lears

"We are in the midst of a dramatic shift in sensibility, and 'cultural' history is the rubric under which a massive doubting and refiguring of our most cherished historical assumptions is being conducted. Many historians are coming to suspect that the idea of culture has the power to restore order to the study of the past. Whatever its potency as an organizing theme, there is no doubt about the power of the term 'culture' to evoke and stand for the depth of the re-examination not taking place. At a time of deep intellectual disarray, 'culture' offers a provisional, nominalist version of coherence: whatever the fragmentation of knowledge, however centrifugal the spinning of the scholarly wheel, 'culture'—which (even etymologically) conveys a sense of safe nurture, warm growth, budding or ever-present wholeness—will shelter us. The PC buttons on historians' chests today stand not for 'politically correct' but 'positively cultural.'—from the Introduction More and more scholars are turning to cultural history in order to make sense of the American past. This volume brings together nine original essays by some leading practitioners in the field. The essays aim to exhibit the promise of a cultural approach to understanding the range of American experiences from the seventeenth century to the present. Expanding on the editors' pathbreaking The Culture of Consumption, the contributors to this volume argue for a cultural history that attends closely to language and textuality without losing sight of broad configurations of power that social and political history at its best has always stressed. The authors here freshly examine crucial topics in both private and public life. Taken together, the essays shed new light on the power of culture in the lives of Americans past and present.

Critical Essays in American History

The Power of Culture

Reopening a sex scandal that gripped the nation in the 1870s, the author vividly retells the story of a popular minister who was accused of seducing a woman of faith and then sued by the woman's writer husband, precipitating a trial that was followed by the entire country.

Love and Loss in the Beecher-Tilton Scandal

Trials of Intimacy

“[A]n astonishingly interesting interpretation. . . . Fox is wonderfully shrewd and often dazzling.”—Jill Lepore, New York Times Book Review In a stunning feat of scholarship, insight, and engaging prose, Lincoln's Body explores how a president ungainly in body and downright "ugly" of aspect came to mean so much to us. The very roughness of Lincoln's appearance made him seem all the more common, one of us—as did his sense of humor about his own awkward physical nature. Nineteenth-century African Americans felt deep affection for their "liberator" as a "homely" man who did not hold himself apart. During Reconstruction, Southerners felt a nostalgia for the humility of Lincoln, whom they envisioned as a "conciliator." Later, teachers glorified Lincoln as a symbol of nationhood that would appeal to poor immigrants. Monument makers focused not only on the man’s gigantic body but also on his nationalist efforts to save the Union, downplaying his emancipation of the slaves. Among both black and white liberals in the 1960s and 1970s, Lincoln was derided or fell out of fashion. More recently, Lincoln has once again been embodied (as both idealist and pragmatist, unafraid of conflict and transcending it) by outstanding historians, by self-identified Lincolnian president Barack Obama, and by actor Daniel Day-Lewis—all keeping Lincoln alive in a body of memory that speaks volumes about our nation.

Richard Wightman Fox

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