Richard Wright

A major literary event: an explosive, previously unpublished novel from the 1940s by the legendary author of Native Son and Black Boy Fred Daniels, a black man, is picked up randomly by the police after a brutal murder in a Chicago neighborhood and taken to the local precinct where he is tortured until he confesses to a crime he didn't commit. After signing a confession, he escapes--or is permitted to escape--from the precinct and takes up residence in the sewers below the streets of Chicago. This is the simple, horrible premise of Richard Wright's scorching novel, The Man Who Lived Underground, a masterpiece written in the same period as his landmark books Native Son (1940) and Black Boy (1945) that he was unable to publish in his lifetime. Only small parts of it have appeared in print, and in a significantly redacted form it would eventually be included in the short story collection Eight Men (1961). Now, for the first time, this incendiary novel about race and violence in America, the work that meant more to Wright than any other ("I have never written anything in my life that stemmed more from sheer inspiration"), is published in full, in the form that he intended.

The Man Who Lived Underground

An autobiographical sketch and five short stories by the author, who was born on a Mississippi plantation, which focus on the plight of his people.

Uncle Tom's Children

Cross Damon, trapped within his own blackness, flees from Chicago's South Side to Harlem, where he joins the Communist Party.

The Outsider

A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he may his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five year later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

Black Boy [Seventy-fifth Anniversary Edition]

"Johnny, you're leaving us tonight . . . " Fifteen-year-old Johnny Gibbs does, well in school, respects his teachers, and loves his family. Then suddenly, with a few short words, his idyllic life is shattered. He learns that the family he has loved all his life is not his own, but a foster family. And now he is being sent to live with someone else. Shocked by the news, Johnny does the only thing he can think of: he runs. Leaving his childhood behind forever, Johnny takes to the streets where he learns about living life--the hard way. Richard Wright, internationally acclaimed author of Black Boy and Native Son, gives us a coming-of-age story as compelling today as when it was first written, over fifty years ago. ‘Johnny Gibbs arrives home jubilantly one day with his straight ‘A’ report card to find his belongings packed and his mother and sister distraught. Devastated when they tell him that he is not their blood relative and that he is being sent to a new foster home, he runs away. His secure world quickly shatters into a nightmare of subways, dark alleys, theft and street warfare. . . . Striking characters, vivid dialogue, dramatic descriptions, and enduring themes introduce a enw generation of readers to Wright’s powerful voice.’—SLJ. Notable 1995 Children's Trade Books in Social Studies (NCSS/CBC)

Rite of Passage

A dazzling collection of 810 haiku written by the late African-American author of Native Son holds true to the traditional Zen discipline of depicting the relationship between man and nature, but does so from the perspective of an African-American man. Reprint. 30,000 first printing.

This Other World

Haiku

Native Son

Tells the stories of a young farm worker deep in debt, a flood, murder, a fugitive, exile, and a railroad porter

Short Stories

Eight Men

Pagan Spain

12 Million Black Voices, first published in 1941, combines Wright's prose with startling photographs selected by Edwin Rosskam from the Security Farm Administration files compiled during the Great Depression. The photographs include works by such giants as Walker Evans, Dorothea Lange, and Arthur Rothstein. From crowded, rundown farm shacks to Harlem storefront churches, the photos depict the lives of black people in 1930s America—their misery and weariness under rural poverty, their spiritual strength, and their lives in northern ghettos. Wright's accompanying text eloquently narrates the story of these 90 pictures and delivers a powerful commentary on the origins and history of black oppression in this country. Also included are new prefaces by Douglas Brinkley, Noel Ignatiev, and Michael Eric Dyson. "Among all the works of Wright, 12 Million Black Voices stands out as a work of poetry, ... passion, ... and of love."—David Bradley "A more eloquent statement of its kind could hardly have been devised."—The New York Times Book Review

12 Million Black Voices

Originally published in 1954, Richard Wright's Black Power is an extraordinary nonfiction work by one of America's premier literary giants of the twentieth century. An impassioned chronicle of the author's trip to Africa's Gold Coast before it became the free nation of Ghana, it speaks eloquently of empowerment and possibility, and resonates loudly to this day. Also included in this omnibus edition are two nonfiction works Wright produced around the time of Black Power. White Man, Listen! is a stirring collection of his essays on race, politics, and other essential social concerns ("Deserves to be read with utmost seriousness"—New York Times). The Color Curtain is an indispensable work urging the removal of the color barrier. It remains one of the key commentaries on the question of race in the modern era. ("Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain, as in all his later nonfiction, Wright did not hesitate to tell the truth as he saw it."—Amritjit Singh, Ohio University)

Three Books from Exile: Black Power; The Color Curtain; and White Man, Listen!

Black Power

Trapped in the poverty-stricken ghetto of Chicago's South Side, a young African-American man finds release only in acts of violence.

In the powerful tradition of Native Son, Richard Wright's last novel is a stirring story of racial prejudice in the South.

The Long Dream

A Novel (Banner Books)

Savage Holiday

Newly Revised The Council of Christian Colleges and Universities Series Stressing the biblical message of stewardship, biologist Richard T. Wright celebrates the study of God's creation and examines the interaction of the life sciences with society in medicine, genetics, and the environment. The author brings a biblical perspective to theories on origins, contrasting creationism, intelligent design, and evolution. Highlighting the unique nature of biology and its interaction with Christian thought, Wright demonstrates that Christian stewardship can be the key to a sustainable future. This comprehensive work, one of a series cosponsored by the Council for Christian Colleges and Universities, addresses the needs of the Christian student of biology to align science and faith. It demonstrates that the study of biology penetrates to the core of human existence and has much to contribute to the construction of a consistent Christian worldview.

Christian College Coalition Series

Biology Through the Eyes of Faith

Back in its original unabridged form, a novel of Depression-era Chicago.

Lawd Today!

Richard Wright's memoir of his childhood as a young black boy in the American south of the 1920s and 30s is a stark depiction of African-American life and a powerful exploration of racial tension. ‘A compelling indictment of life in the Deep South between the wars’ Daily Telegraph At four years old, Richard Wright set fire to his home in a moment of boredom; at five his father deserted the family; by six Richard was - temporarily - an alcoholic. It was in saloons, railroad yards and streets that he learned the facts about life, about fear, hunger and hatred, while his mother's long illness taught him about suffering. In a world of white hostility and subjugation it would be his love of books and pursuit of knowledge that would propel him to follow his dream of justice and opportunity in the north. A chronicle of coming of age under the racial prejudices of the American south, as much the story of a writer finding his voice, Black Boy remains one of the great, impassioned memoirs of the twentieth century.

Black Boy

Shares more than eight hundred haiku written during the last eighteen months of the author's life

Richard Wright

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