Harvey Pekar

Robert Crumb

Harvey Pekar is a true American original, known by many as the blue-collar Mark Twain. For over 25 years he's been writing comic books about his life, chronicling the ordinary and everyday in stories both funny and moving.

American Splendor Presents Bob and Harv's Comics

Envisioning the first book of the Bible like no one before him, R. Crumb, the legendary illustrator, retells the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a takeoff of Adam and Eve, Crumb became so fascinated by the Bible's language, "a text so great and so strange that it lends itself readily to graphic depictions," that he decided instead to do a literal interpretation using the text word for word, assembled primarily from the translations of Robert Alter and the King James Version. Now, readers of every persuasion-Crumb fans, comic book lovers, and believers-can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb's Book of Genesis reintroduces us to the bountiful tree-lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph's embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretations that have often obscured the Bible's most dramatic stories, Crumb fleshes out a parade of biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a "kind of depressed guy who doesn't strike you as physically courageous," and his bother, Esau, "a rough and kick-ass guy," to Abraham's wife, Sarah, more fetching than most woman at ninety, to God himself, "a standard Charlton Heston-like figure with long white hair and a flowing beard." As Crumb writes in his introduction, "the stories of this people, the Hebrews, were then something more than just stories, they were the foundation, the source, in writing, of religious and political power, handed down by God Himself." Crumb's Book of Genesis, the culmination of five years of painstaking work, is a tapestry of masterly detail and storytelling that celebrates the astonishing diversity of the one of our greatest artistic geniuses.

The Book of Genesis

Minha Vida

Peter Poplaski

The R. Crumb Handbook

The Sweeter Side of R. Crumb

More Restaurant Placemat Drawings, 1994-2000

Waiting for Food

David Zane Mairowitz

Kafka für Anfänger

Featuring R. Crumb’s most outrageous sexual comics, Bible of Filth is possibly the dirtiest book around. One of America’s most celebrated cartoonists, Crumb helped define cartoon and punk subcultures of the 1960s and 1970s with comic strips like Fritz the Cat, Mr. Natural, and Keep on Truckin’. The open sexuality of his work, paired with frequent self-deprecation and a free, almost stream-of-consciousness style, has made Crumb into a global voice and a renowned contemporary artist. Originally published in France in 1986 by Futuropolis, the first edition of Bible of Filth was never distributed in the United States because of its graphic sexual content, which included some of Crumb’s most explicit comics from underground magazines such as Snatch, Jiz, Zap, XYZ, Big Ass, and Uneeda. This revised and expanded English edition, published by David Zwirner Books, contains all the original pieces from the 1986 volume, with over one hundred pages of additional material. Organized chronologically, there are comics from 1968 to 1986 that were omitted from the first edition and an entirely new selection of work from after 1986. Printed on bible paper and bound in leather, with gold debossing and edging, this volume looks and feels like a traditional bible, with no outward suggestion of what it contains. This revised and expanded Bible of Filth is the perfect introduction for newcomers, while retaining its status as an important collector’s item for Crumb enthusiasts around the world.

R. Crumb: Bible of Filth

AA. VV.

Zerocalcare

Maicol & Mirco

Dottor Pira

Shintaro Cago

La Fine del Mondo N.3

A Mente Suja de Robert Crumb

Blues, de Robert Crumb, é uma celebração da beleza de uma arte popular sufocada sob os golpes da tecnologia e das modas. Por suas páginas passeiam Charley Patton, Robert Johnson, Jelly Roll Morton, Bessie Smith e outros músicos hoje esquecidos, mas também B.B. King, Janis Joplin, Jimi Hendrix e James Brown, em histórias em quadrinhos, cartazes, capas de discos, ilustrações e anúncios que o quadrinista fez nos últimos 50 anos. Grande especialista em blues e música popular (não industrial), colecionador de discos raros, Crumb é, ele próprio, um talentoso músico. Esta edição ampliada conta com histórias e desenhos inéditos no Brasil, e traz, de presente, um belíssimo pôster (30×42) com a ilustração da capa.

R. Crumb Draws the Blues

Gênesis por Robert Crumb

Collection of cartoons, caricatures and some comic strips by R. Crumb.

R. Crumb - Sketchbook, Jan 1975 - Dec 1982

William S. Burroughs

Junkie. Auf der Suche nach Yage. Naked Lunch. Nova Express

Collecting his political drawings and another series of thematic anthologies from the Grand Master of modern comix. From the right-on 60s and 70s to the bitterness and disillusion of the 80s and ending with the futility of fighting the all powerful system, Crumba covers a variety of political attitudes while retaining his anti-Establishment opinions.

R. Crumb's America

Sept. 1968-Jan. 1975

R. Crumb Sketchbook

O Livro do Mr. Natural

Franz Kafka wrote in the tradition of the great Yiddish storytellers, bringing to it a unique literary language of transformation and escapism. Alienated from his roots, his family and his own body, Kafka's fascinating existence is superbly illuminated in Introducing Kafka by the infamous underground comic artist Robert Crumb.

Kafka for Beginners

R. Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist. Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb’s unique universe, this book features a wide array of printed matter culled from the artist’s five-decade career—tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco’s Haight-Ashbury, Oakland, Manhattan’s Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb’s singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb’s work and the importance of artists who take on the status quo.

Crumb's World

Nausea

Robert Crumb

Books

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