Robert Gutman

Architecture and sociology have been fickle friends over the past half century: in the 1960s, architects relied on sociological data for design solutions and sociologists were courted by the most prestigious design schools to lecture and teach. Twenty years later, at the height of postmodernism, it was passe to be concerned with the sociological aspects of architecture. Currently, the rising importance of sustainability in building, not to mention an economical crisis brought on in part by a real-estate bubble, have forced architects to consider themselves in a less autonomous way, perhaps bringing the profession full circle back to a close relationship with sociology. Through all these rises and dips, Robert Gutman was a strong and steady voice for both architecture and sociology. Gutman, a sociologist by training, infiltrated architecture's ranks in the mid-1960s and never looked back. A teacher for over four decades at Princeton's School of Architecture, Gutman wrote about architecture and taught generations of future architects, all while maintaining an "outsider" status that allowed him to see the architectural profession in an insightful, unique way.

Selected Essays by Robert Gutman

Architecture From the Outside In

Dana Cuff

Bryan Bell

This work is organized into five sections (practices, buildings and projects, architecture and sociology, housing, and architectural education) with 14 essays/articles by Gutman, each preceded by a brief introduction setting the context in which it was written.

Mozart: A Cultural Biography is a fresh interpretation of a musical genius, meticulously researched and gracefully written. It places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight, clearly and firmly, the composer and his works. He discusses the major genres in which Mozart worked - chamber music; liturgical, theatre, and keyboard compositions; concerto; symphony; opera; and oratorio. All of these riches unfold within the framework of the composer's brief but remarkable life.With Gutman's informed and sensitive handling, Mozart emerges in a light more luminous than in previous renderings. The composer was an affectionate and generous man to family and friends, self-deprecating, witty, winsome, but also an austere moralist, incisive and purposeful.Mozart is both an extraordinary portrait of a man in his time and a brilliant distillation of musical thought.

Mozart

There is at the present time a continuing interest in relating the behavioral sciences to design disciplines. Sociologists and social psychologists have been added to faculties of architecture schools, where they off er seminars and participate as programming specialists and design critics in studio courses. Behavioral scientists in many European countries have collaborated with architects and planners in design work undertaken by governmental ministries, and more recently have been participating in the work of private design fi rms. Similar developments are now common in the United States. In this fascinating study of the "ecology of buildings," biologists, anthropologists, sociologists, psychologists, and architects analyze the effect of working and living spaces on human behavior. Focusing on such contemporary social problems as the influence of the physical environment on psychological stress, mental illness, family disorganization, urban violence, and delinquency, the contributors show that we must respect the constraints that the environment and the nature of man impose on human adaptability. The selections in People and Buildings have been written primarily by scientists and designers working in the behavioral mode. The selections within each part have been arranged to provide an ordered argument or exploration of the general topic with which the part as a whole deals. To facilitate the reader's appreciation of the argument, each selection is preceded by a short prefatory statement. In view of the fact that a single article or preface can hardly be representative of the depth of the literature that has developed around an argument, Gutman has included an annotated bibliography, which is keyed to the selections through the use of subheadings. A new introduction by Nathan Glazer has been prepared for this edition.

Robert Gutman

Books

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