Robert J. Karris

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New Testament, NAB

The Collegeville Bible Commentary

Thirty Days of Reflection and Prayer

Peter of John Olivi's Commentary on Luke's Gospel

Cardinal Hugh of St. Cher was a water walker. He was learned in both law and theology. His leadership skills were so outstanding that he quickly became a major superior in his Dominican Order. Having gotten word of Hugh’s talents, the pope made him a cardinal. The famed artist Fra Angelico placed Hugh in a crucifixion scene with the words “biblical interpreter” above his head. These words beautifully sum up what he was to generation after generation of biblical scholars and preachers till the sixteenth century. The Franciscan Cardinal St. Bonaventure (d. 1274) generously copied from Hugh’s Commentary on Luke without attribution. So did the Dominican Bishop St. Albert the Great (d. 1280). Producers of homily aids in the thirteenth and fourteenth centuries filled their pages with nuggets from Hugh. What will you like about Hugh? First, he’s not in an ivory tower. He calls out his fellow prelates for being more interested in gold than in sharing God’s mercy with sinners and the poor. Second, he knows how to preach the text, breaking it down into memorable soundbites. Third, he knows and creatively adapts the Scriptures and tradition. Reading his commentary on Dives and Lazarus will not only activate your mind and warm your heart. Would you be surprised if it also were to trouble your conscience?

Cardinal Hugh of St. Cher's Commentary on Jesus' Parable of Dives and Lazarus (Luke 16:19-31)

A Symphony of New Testament Hymns opens a window of insight into familiar Scripture passages - poetic passages that were later often set to music. By showing that the composers of some of these traditional New Testament, pre-60 C.E. hymns intentionally created passages that are lyrical or hymnic within the prose, this work presents the sometimes hidden depth behind their construction and meaning. Inspired by Roy Harris' Folksong Symphony, Father Karris arranges his treatment of Philippians 2:6-11, Colossians 1:15-20, Ephesians 2:14-16, Timothy 3:16, 2 Timothy 2:11-13, Titus 3:4-7, and 1 Peter 3:18-22 in a way that faith-fully addresses today's spiritual concerns, such as spirituality, ecology, reconciliation, baptism, and angels. The first book in English in thirty years to study New Testament hymns, A Symphony of New Testament Hymns brings readers greater enjoyment of these lesser-known Pauline hymns and a deepening of faith. Father Karris contends we have much to learn from what these songs proclaimed about Jesus at a time when the four gospels hadn't been published. The first chapters, Beginnings" and "Background," address the nature of hymns. Subsequent chapters contain a translation and analysis of the above texts, a study of contexts, key concepts and images, suggestions for reflection on the contemporary significance of the hymn, and an annotated bibliography. The concluding chapter offers a retrospective look at the many Christological themes reflected in the texts. ViewingPaul's letters and the common New Testament introduction topics from a refreshingly unique perspective, A Symphony of New Testament Hymns is especially appropriate for students and professors of the New Testament. Those looking for biblical spirituality, liturgists and musicians looking for new texts to set, and those in catechetical work - especially those involved in the RCIA - will also benefit from Father Karris' distinctive look at how the earliest Christians lyrically proclaimed Jesus Christ as Lord. Robert J. Karris, OFM, taught New Testament for sixteen years at Catholic Theological Union in Chicago. He is a veteran author, known primarily for his studies on Luke. He holds a ThD from Harvard University. "

Commentary on Philippians 2:5-11 ...

A Symphony of New Testament Hymns

Dianne Bergant

Previously published in 36 separate booklets.

Based on the New American Bible with Revised New Testament

The Bible is literature as well as a sacred text. For this reason, the application of contemporary methods of literary criticism to the study of Scripture can yield rich benefits. Robert Karris' examination of Luke's Passion account exemplifies this approach. Karris argues that Luke reveals his theology through his artistry, particularly in the themes he chooses to develop and the means by which he does so. These themes provide Karris with an important insight into two questions: Why, in Luke's understanding, was Jesus crucified, and what was the significance of that death? Faithfulness is one more important theme Karris discovers in Luke's Gospel. Luke's Jesus portrays God as endlessly faithful, forgiving, and merciful, even to those unfaithful to him. Justice also surfaces as a clear theme in Luke. Jesus associated with outcasts and preached justice toward victims of his day. When the religious leaders of that time apposed this life-style of justice, Jesus assumed the role of the suffering righteous one. The author concludes by examining Luke's interest in the eating habits of Jesus. By no accident was Jesus slandered as a drunkard and glutton. Hies practice of eating with the unrighteous asserted that the seats at God's banquet table were reserved for the outcasts and the sinners. Karris's study shows that Luke saw the reason for Jesus's death to be rooted in the reason for his life. His conclusions will have value for both the student of Scripture and the individual or group interested in the issues of justice and society.

Robert J. Karris

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