Evelyn Waugh

Robert Murray Davis

Taking its title from T.S. Eliot's modernist poem The Waste Land, Evelyn Waugh's A Handful of Dust is a chronicle of Britain's decadence and social disintegration between the First and Second World Wars. This Penguin Modern Classics edition is edited with an introduction and notes by Robert Murray Davis. After seven years of marriage, the beautiful Lady Brenda Last is bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. Brilliantly combining tragedy, comedy and savage irony, A Handful of Dust captures the irresponsible mood of the 'crazy and sterile generation' between the wars. This breakdown of the Last marriage is a painful, comic re-working of Waugh's own divorce, and a symbol of the disintegration of society. Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961. If you enjouyed A Handful of Dust, you might like Waugh's Vile Bodies, also available in Penguin Modern Classics. 'One of the twentieth century's most chilling and bitter novels; and one of its best' Nicholas Lezard, Guardian 'One of the most distinguished novels of the century' Frank Kermode 'This is a masterpiece of stylish satire, and is funny, too ... a marvellous book' John Banville, Irish Times

A Handful of Dust

Carlos Villar

Carlos Villar Flor

Compiled on the occasion of Evelyn Waugh's centenary in 2003, this collection of essays shows a renewed critical interest in the author extended by scholars from both sides of the Atlantic. the contributions go back to an international symposium held at La Rioja University, 15-17 May 2003. Apart from traditional debate over questions of fact and interpretation, the book contains innovative approaches to Waugh's uvre, some of which make use of theories of discourse and media studies and denote an increasingly sophisticated awareness of his religious, political, and social contexts. Beginning with those essays presenting overviews of Waugh's life and work, and continuing with discussions of particular books in chronological order, this volume deals with a wide variety of aspects that confirm Waugh's rising status as a major twentieth-century classic.

New Trends in Evelyn Waugh Studies

Waugh Without End

The Externalist Method in the Novels of Ronald Firbank, Carl Van Vechten and Evelyn Waugh

In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to "reimagine" himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of "civilization"), it is fundamentally a man's world, offering an important view of male identity. Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genre's major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique. For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.

Low Culture and High Art in the Western

Playing Cowboys

The Past Redeemed

Brideshead Revisited

Essays discuss this novel's place in American literature, look at different interpretations, and analyze Steinbeck's style

A Collection of Critical Essays

The Grapes of Wrath

Jerome Klinkowitz

Asa B. Pieratt

A Comprehensive Bibliography and Annotated Secondary Checklist

Donald Barthelme

Studie over diverse werken van de Engelse auteur (1903-1966)

Robert Murray Davis

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